Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.
- 2005
Centre d'examen du permis de conduire
- 2005
Centre d'examen du permis de conduire
Sign for the new building of the Centre (architect : Philippe Donzé, Besançon). Some letters are replaced by real road signs, which reflect the light of car headlights. Photos © Nicolas Waltefaugle
- 1 % artistique Ministère de l’Écologie, du Transport et du Logement
- Alucobon, prismatic adhesive film
- Courvoisier, Saône
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Typeface:
Garaje
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signage
architecture
Besançon
Call for applications poster of the Atelier national de recherche typographique, Nancy.
- Atelier national de recherche typographique, Nancy
- 1200 × 800 mm
- Silkscreen, 3 colors
- Dubois Imageries, Orléans
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Typeface:
Newut
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black & white
gradient
Visual identity and custom typeface for La Fabrike, architecture studio based in Besançon. In collaboration with Baptiste Plantin. Photos by Nicolas Waltefaugle, website by Thomas Bouville.
Logotype and custom typeface of La Rodia, concert hall in Besançon.
For the identity of the festival Ici l’Onde, organised by Why Note in Dijon, I decided not to use any vectors or fonts, and use photography instead. The poster for the 2011 edition is the result of a complex setup, in which I sought to capture the reflection of the text on the water.
Poster of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Varnish. Selected in Chaumont design graphique festival.
Totema is an encrypted character, adapted from the writing of the painter Klaus Ramka, who uses it in his own publications. It's up to you to unravel the mystery.
Produced with the help of Sébastien Truchet.
- 2008
Musiques de Rues — Poster
- 2008
Musiques de Rues — Poster
Poster of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space.
La Coursive is a structure based in Dijon which supports companies in the cultural and creative industries. It is located in a singular building, where passageways, between the floors, give access to the apartments located above and below. To illustrate both this principle, the facade of the building, but also the circulation of knowledge and skills within this structure, I developed an Inline version of Garaje, where the letters are open and communicate with each other. With the help of Guillaume Delamarche, intern at the studio. Unpublished
Identity and flyer for the exhibition of the Type Directors Club at ECV Paris, 2013. Typeset in Garaje, in various weights, widths and sizes, and one single stroke.
- École de Création Visuelle, Paris
- 148 × 210 mm
- Offset, 2 colors
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Typeface:
Garaje
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duotone
Custom typeface for Kantia, éditeur d’images in Saint-Jean-de-Luz
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