Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.
- 2019
Gyan Panchal, Au Seuil de soi
- 2019
Gyan Panchal, Au Seuil de soi
Catalog of the monographic exhibition of Gyan Panchal at the Musée d’art moderne de Saint-Étienne. The book presents the artist's works exhibited in three places, in Cajarc, Rochechouart and then Saint-Étienne. The work begins with blank pages, then a close-up section in low opacity, before varying the light and whiteness of the paper according to the three very different exhibition spaces. The book has an free back binding, and is slipped into a white paper case. 172 p
- Musée d’art moderne de Saint-Étienne
- 225 × 300 mm
- Offset, CMYK
- Snoeck Ed. PB Tisk printing
-
Typeface:
MM Sans
MM Serif
-
CMYK
art
Custom typeface for Kantia, éditeur d’images in Saint-Jean-de-Luz
Call for applications poster of the Atelier national de recherche typographique, Nancy.
- Atelier national de recherche typographique, Nancy
- 1200 × 800 mm
- Silkscreen, 3 colors
- Dubois Imageries, Orléans
-
Typeface:
Newut
-
black & white
gradient
Identity and flyer for the exhibition of the Type Directors Club at ECV Paris, 2013. Typeset in Garaje, in various weights, widths and sizes, and one single stroke.
- École de Création Visuelle, Paris
- 148 × 210 mm
- Offset, 2 colors
-
Typeface:
Garaje
-
duotone
Logotype and custom typeface of La Rodia, concert hall in Besançon.
Visual identity and custom typeface for La Fabrike, architecture studio based in Besançon. In collaboration with Baptiste Plantin. Photos by Nicolas Waltefaugle, website by Thomas Bouville.
- 2018
Agence Adelfo Scaranello — MBAA 1
- 2018
Agence Adelfo Scaranello — MBAA 1
This publication presents the architectural project of Adelfo Scaranello for the Musée des beaux-arts et d’archéologie de Besançon, which reopened in 2018. “From the outset, says Scaranello, one thing was clear: the convictions with which the architects Pierre Marnotte (1797- 1882) and Louis Miquel (1913-1986) had worked successively on this construction had gradually disappeared. […] Restoring the integrity of these architectures within a new project is not about historising but is a way of transforming the links between these two figures.” This 1st volume shows the museum empty spaces, during the construction. Typeset in a modified version of GF Montserrat (OFL).
Photos by Nicolas Waltefaugle & Yohan Zerdoun. 56 p.
- 2008
Musiques de Rues — Poster
- 2008
Musiques de Rues — Poster
Poster of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space.
Poster of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Varnish. Selected in Chaumont design graphique festival.
- 2009
Utopies & innovations — Typeface
- 2009
Utopies & innovations — Typeface
The Métropole Rhin-Rhône area has brought together several cities between France, Switzerland and Germany, connected in 2010 by a high-speed train line. To materialize this network, a major cultural operation was imagined, utopies & innovations. Under the general curation of Laurent Gerverau, these are 12 local themes, and dozens of exhibitions that are scheduled throughout 2010, around these concepts.
It seemed difficult to illustrate these concepts with a single image: also, I preferred to propose an alphabet, which constitutes the visual identity, and ensures the link between the multiple variations. It is used to compose the logotype, which was designed when the Metropolis had only 9 cities; they were symbolized by the 9 points that appeared in the words "utopias & innovations", like 9 points on a map, network, route ... The metropolis then moved to 16 cities, but the logo remained the same.
La Coursive is a structure based in Dijon which supports companies in the cultural and creative industries. It is located in a singular building, where passageways, between the floors, give access to the apartments located above and below. To illustrate both this principle, the facade of the building, but also the circulation of knowledge and skills within this structure, I developed an Inline version of Garaje, where the letters are open and communicate with each other. With the help of Guillaume Delamarche, intern at the studio. Unpublished
Logotype and custom lettering for Image Republic, Paris. Image Republic publishes posters, postcards and notebooks with famous illustration artists all over the world. website
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