Thomas Huot-Marchand
Typographie
Design graphique

  • 2022

  • Bordures 2022

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  • 2022

  • Bordures 2022

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Poster for the 2022 edition of BORDURES Festival in Langon.

  • 2021

  • Les 2 Scènes — Programme

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  • 2021

  • Les 2 Scènes — Programme

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Annual programme for the season 2021-2022 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations). 80 p.

  • 2016

  • Cuillier × be-pôles

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  • 2016

  • Cuillier × be-pôles

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Wordmark for Cuillier, coffee shop in Paris. In collaboration with be-pôles Paris

  • 2016

  • Les 2 Scènes — Programme

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  • 2016

  • Les 2 Scènes — Programme

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Annual programme for the season 2016-2017 of Les 2 Scènes. 80 p.

  • 2022

  • TPE — Programme

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  • 2022

  • TPE — Programme

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Annual programme for the season 2022-2023 of the Théâtre Paul Éluard, in Bezons.

  • 2013

  • Émergences

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  • 2013

  • Émergences

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Poster of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Black. Selected in Chaumont design graphique festival.

  • 2013

  • Entrevues

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  • 2013

  • Entrevues

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For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface.

  • 2021

  • TPE — Programme

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  • 2021

  • TPE — Programme

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Annual programme for the season 2021-2022 of the Théâtre Paul Éluard, in Bezons.

  • 2020

  • TPE — poster

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  • 2020

  • TPE — poster

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Poster for the season 2020-2021 of the Théâtre Paul Éluard, in Bezons.

  • 2013

  • Ici l’Onde — Programme

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  • 2013

  • Ici l’Onde — Programme

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Programme of the 3rd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 24 p.

  • 2012

  • Scène nationale de Besançon — Posters

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  • 2012

  • Scène nationale de Besançon — Posters

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Posters for the season 2012-2013 of the Scène nationale de Besançon. An image never appears alone: two are superimposed, one in blue, the other in red, which creates surprising encounters. Despite the huge diversity of the iconography, often provided by the companies, this radical treatment gives a global consistency to the series. These posters can be seen through anaglyphic lenses.

  • 2011

  • Théâtre musical de Besançon — programme

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  • 2011

  • Théâtre musical de Besançon — programme

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Annual programme for the Théâtre musical de Besançon. This time I completely dropped ITC Bodoni, to compose the whole programme in Mononi. Gradients appear inside the text, thanks to the wonderful stochastic print of Simon Imprimeurs.

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