• 2010
  • Miqi O. Untold

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  • 2010
  • Miqi O. Untold

Artwork for the 1st volume of the EP UNTOLD of my friend Miqi O. FKDB Prod.

  • 2016
  • Les 2 Scènes — Orchestre

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  • 2016
  • Les 2 Scènes — Orchestre

Posters for the season 2015-2016 of Les 2 Scènes, for the concerts of the Orchestre Victor Hugo Franche-Comté.

  • 2020
  • TPE — poster

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  • 2020
  • TPE — poster

Poster for the season 2020-2021 of the Théâtre Paul Éluard, in Bezons.

  • 2012
  • MM — Archéologies contemporaines

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  • 2012
  • MM — Archéologies contemporaines

Catalogue of the exhibition “Archéologies contemporaines”, Musée du château des ducs de Wurtemberg, June – October 2012. 96 p.

  • 2012
  • Ici l’Onde

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  • 2012
  • Ici l’Onde

The poster for the 2012 edition is a photograph of a luminous text projected on a smoke screen.

  • 2013
  • Scène nationale de Besançon — Programme

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  • 2013
  • Scène nationale de Besançon — Programme

Annual programme for the season 2013-2014 of the Scène nationale de Besançon.

  • 2010
  • Le mur de l’école

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  • 2010
  • Le mur de l’école

Besançon school of fine arts is based on a modernist building by Josep Luis Sert (1972). With Rainer Oldendorf and students, we defined a signage system composed in Garaje 0503 Monospace Black, used for the logotype I designed at the time. Letters were reproduced in 2 sizes, A4 and A6. Rainer Oldendorf and Gilles Picouet engraved litterally the concrete wall of the main entrance, to inscribe physically this 750-units grid on the building. The paper letters were directly stuck on the wall, to announce the events of the school, forming a continuous palimpsest.

  • 2013
  • Ici l’Onde — Programme

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  • 2013
  • Ici l’Onde — Programme

Programme of the 3rd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 24 p.

  • 2018
  • 13th hommage to Morteza Momayez

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  • 2018
  • 13th hommage to Morteza Momayez

Poster for Thomas Huot-Marchand solo exhibition at the Iran Artists Forum in Tehran, in November 2018.

  • 2020
  • Agence Adelfo Scaranello — MBAA 2

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  • 2020
  • Agence Adelfo Scaranello — MBAA 2

This publication presents the architectural project of Adelfo Scaranello for the Musée des beaux-arts et d’archéologie de Besançon, which reopened in 2018. “From the outset, says Scaranello, one thing was clear: the convictions with which the architects Pierre Marnotte (1797- 1882) and Louis Miquel (1913-1986) had worked successively on this construction had gradually disappeared. […] Restoring the integrity of these architectures within a new project is not about historising but is a way of transforming the links between these two figures.” This 2nd volume shows the scenography of the Museum. Typeset in a modified version of GF Montserrat (OFL).
Photos by Nicolas Waltefaugle & Yohan Zerdoun. 56 p.

  • 2020
  • Garaje Wide

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  • 2020
  • Garaje Wide

Garaje takes its inspiration both from the alphabets of the Bauhaus school and the vernacular inscriptions of Spanish garage owners: two worlds that share a desire to reduce typographic forms to simple geometric elements. At the Bauhaus this geometrization is ideological: it represents a rejection of tradition and the affirmation of an objective and rational vocabulary. With garage owners it is a simple matter of logic, certainly due to an ignorance of tradition. It is somewhat naïve to wish to reduce the shapes of the alphabet to elementary forms. Perfect geometrical forms seem less than perfect to our eyes: type Design abounds with optical corrections that compensate for our perception of forms.
Garaje plays specifically with this paradox: its construction is rigorously geometrical, anchored to a scalable modular grid, with no optical correction. A perfectly objective system, but a typographical aberration, simultaneously right and wrong. For the last 20 years, I have extended this family in every direction, to the point of absurdity: extremely narrow or outlandishly wide letterforms, all built from the same modules. Today it is a complete system, available in 44 widths and 5 weights. The complete family counts 445 fonts, hundreds of thousands of glyphs, and zero contrast: Garaje is a typeface which is at the same time brutal and playful, rational and naïve. Garaje Wide subfamily goes from 0505 (5 on 5 grid) to 05015 (5 on 15 grid) and includes 55 fonts + 1 variable font. Its construction allows to compose in many widths without changing the stem weight.
Available at 205TF.
Online specimen

  • 2013
  • Jack And The Bearded Fishermen

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  • 2013
  • Jack And The Bearded Fishermen

Artwork for Minor Noise, album of Besançon-based metal band Jack And The Bearded Fishermen. Photo by Quentin Coussirat. A 60 x 90cm is folded in the 33 rpm record sleeve. Vinyl & CD

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