Thomas Huot-Marchand
Typographie
Design graphique

  • 2007

  • Musiques de Rues Identity

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  • 2007

  • Musiques de Rues Identity

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Visual identity of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space. It mixes zebras, fluorescent inks and Garaje.

  • 2013

  • Kantia — Hommage à Pavlovski

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  • 2013

  • Kantia — Hommage à Pavlovski

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Born in Russia, André Pavlovski (1891-1961) brought modernism to basque architecture in the 1930s. For its first publication, I proposed to Kantia editor, based in Saint-Jean-de-Luz (in a beautiful Pavlovski house) to imagine a series of poster inspired by his most emblematic work, the Harbor Lights of the city. Two asymetrical towers, on both sides of the port, one in white and red (Saint-Jean) the other in white and green (Ciboure). I studied Pavlovsky architecural vocabulary, made of flat asymetrical surfaces and geometry, and proposed a complex graphic system to produce a series of posters. 4 compositions present one view of Saint-Jean, one of Ciboure, and two of both harbor lights, in 3 colors : Blue, Red and Green. Blue defines the sky and the silhouettes of the buildings : printed in split fountain, it evolves from dawn to dusk. The composition allows green and red colors to be combined upside up and upside down, to reveal several views of the harbors, and create imaginary ones. In one single print-run, 168 different posters were produced with Lézard Graphique, in Brumath. Some posters are still available at www.kantia.eu.

  • Kantia, éditeur d’images
  • 550 × 850 mm
  • Silkscreen, 3 colors
  • Lézard graphique
  • Typeface:
  • split fountain Kantia
  • 2016

  • Les 2 Scènes — Orchestre

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  • 2016

  • Les 2 Scènes — Orchestre

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Posters for the season 2015-2016 of Les 2 Scènes, for the concerts of the Orchestre Victor Hugo Franche-Comté.

  • 2020

  • TPE — Programme

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  • 2020

  • TPE — Programme

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Annual programme for the season 2020-2021 of the Théâtre Paul Éluard, in Bezons.

  • 2013

  • Jack And The Bearded Fishermen

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  • 2013

  • Jack And The Bearded Fishermen

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Artwork for Minor Noise, album of Besançon-based metal band Jack And The Bearded Fishermen. Photo by Quentin Coussirat. A 60 x 90cm is folded in the 33 rpm record sleeve. Vinyl & CD

  • 2012

  • MM — Archéologies contemporaines

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  • 2012

  • MM — Archéologies contemporaines

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Catalogue of the exhibition “Archéologies contemporaines”, Musée du château des ducs de Wurtemberg, June – October 2012. 96 p.

  • 2018

  • Agence Adelfo Scaranello — MBAA 1

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  • 2018

  • Agence Adelfo Scaranello — MBAA 1

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This publication presents the architectural project of Adelfo Scaranello for the Musée des beaux-arts et d’archéologie de Besançon, which reopened in 2018. “From the outset, says Scaranello, one thing was clear: the convictions with which the architects Pierre Marnotte (1797- 1882) and Louis Miquel (1913-1986) had worked successively on this construction had gradually disappeared. […] Restoring the integrity of these architectures within a new project is not about historising but is a way of transforming the links between these two figures.” This 1st volume shows the museum empty spaces, during the construction. Typeset in a modified version of GF Montserrat (OFL).
Photos by Nicolas Waltefaugle & Yohan Zerdoun. 56 p.

  • 2012

  • Ici l’Onde — Programme

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  • 2012

  • Ici l’Onde — Programme

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Programme of the 3rd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 24 p.

  • 2014

  • Les 2 Scènes — Themes

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  • 2014

  • Les 2 Scènes — Themes

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Thematical posters for the season 2014-2015 of the Scène nationale de Besançon. The screens are mixed during printing, to obtain several versions of the posters, superimposing the colors and the images.

  • 2020

  • Agence Adelfo Scaranello — MBAA 2

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  • 2020

  • Agence Adelfo Scaranello — MBAA 2

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This publication presents the architectural project of Adelfo Scaranello for the Musée des beaux-arts et d’archéologie de Besançon, which reopened in 2018. “From the outset, says Scaranello, one thing was clear: the convictions with which the architects Pierre Marnotte (1797- 1882) and Louis Miquel (1913-1986) had worked successively on this construction had gradually disappeared. […] Restoring the integrity of these architectures within a new project is not about historising but is a way of transforming the links between these two figures.” This 2nd volume shows the scenography of the Museum. Typeset in a modified version of GF Montserrat (OFL).
Photos by Nicolas Waltefaugle & Yohan Zerdoun. 56 p.

  • 2021

  • B31

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  • 2021

  • B31

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Visual identity for B31 company, created by my friend Guillaume Lab in Nancy. Great posters for car lovers! B31 is the codename of a French sign, a white circle with a black crossbar, which means “end of all prohibitions”.

  • 2016

  • Les 2 Scènes — Moire poster

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  • 2016

  • Les 2 Scènes — Moire poster

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Posters for the season 2015-2016 of Les 2 Scènes. Each copy of the poster is unique : During screen printing, each sheet is slightly offset with each pass, producing a new moiré effect. Another funny game we played with my friends at Lézard graphique.

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