Thomas Huot-Marchand
Typographie
Design graphique

  • 2015

  • Zutique

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  • 2015

  • Zutique

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Visual identity of Zutique Productions (hip-hop, electro and world music) in Dijon. I designed a custom lettering and several patterns. Used as patchs, they form a Z in the middle of the posters. With the help of Samia Charef, intern at the studio.

  • 2015

  • Ici l’Onde — Programmes

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  • 2015

  • Ici l’Onde — Programmes

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Trimestrials programme for Ici l’Onde, for the season 2015-2016. In 2015, Why Note wanted to go back to its punk-indie roots, and get rid of the spectacular photographic effects used in the posters of the previous editions. I proposed a fanzine-like layout, using voluntary offsets and misalignments.

  • 2018

  • Agence Adelfo Scaranello — MBAA 1

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  • 2018

  • Agence Adelfo Scaranello — MBAA 1

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This publication presents the architectural project of Adelfo Scaranello for the Musée des beaux-arts et d’archéologie de Besançon, which reopened in 2018. “From the outset, says Scaranello, one thing was clear: the convictions with which the architects Pierre Marnotte (1797- 1882) and Louis Miquel (1913-1986) had worked successively on this construction had gradually disappeared. […] Restoring the integrity of these architectures within a new project is not about historising but is a way of transforming the links between these two figures.” This 1st volume shows the museum empty spaces, during the construction. Typeset in a modified version of GF Montserrat (OFL).
Photos by Nicolas Waltefaugle & Yohan Zerdoun. 56 p.

  • 2012

  • Scène nationale de Besançon — Prologue

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  • 2012

  • Scène nationale de Besançon — Prologue

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The visual identity of the Théâtre musical was based on an eye. In June 2012, the Scène nationale de Besançon joined two theatres, the Théâtre musical (Théâtre Ledoux, which interiors are all blue) and the Théâtre de l’Espace (all red), in one single institution. To communicate on this major change, I proposed to design a new identity in two spot colors, blue and red, and use anaglyphic glasses two see what’s happening in one place or the other: it was time to use both eyes. Text appears or disappears in the blink of an eye ! In the Pre-programme for the season 2012-2013, Nicolas Waltefaugle did a photo shoot in the stage decor workshop with the whole new team. Photographs are superposed too, to create mini-animations. 40,000 anaglyphic glasses were distributed with the booklets, and we even designed some fancy pairs with Adélaïde Racca. 32 pages

  • 2018

  • 13th hommage to Morteza Momayez

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  • 2018

  • 13th hommage to Morteza Momayez

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Poster for Thomas Huot-Marchand solo exhibition at the Iran Artists Forum in Tehran, in November 2018.

  • 2022

  • TPE — Programme

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  • 2022

  • TPE — Programme

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Annual programme for the season 2022-2023 of the Théâtre Paul Éluard, in Bezons.

  • 2013

  • Scène nationale de Besançon — Themes

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  • 2013

  • Scène nationale de Besançon — Themes

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Thematical posters for the season 2013-2014 of the Scène nationale de Besançon. For this 2nd season, the plaette is a bit broader : I added a neon yellow to the blue / red pair.

  • 2021

  • TPE — Programme

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  • 2021

  • TPE — Programme

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Annual programme for the season 2021-2022 of the Théâtre Paul Éluard, in Bezons.

  • 2012

  • MM — Archéologies contemporaines

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  • 2012

  • MM — Archéologies contemporaines

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Catalogue of the exhibition “Archéologies contemporaines”, Musée du château des ducs de Wurtemberg, June – October 2012. 96 p.

  • 2013

  • Émergences

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  • 2013

  • Émergences

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Poster of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Black. Selected in Chaumont design graphique festival.

  • 2010

  • Safari Fourier — Posters

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  • 2010

  • Safari Fourier — Posters

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Besançon is the birthplace of utopian socialism : Fourier, Proudhon or Victor Hugo were born here, and, in the 20th Century, huge strikes and social movements tried to implement ideas for a new society. In 2010, I was commissioned by the City to create a work of art in tribute to this historic heritage. I proposed a series of posters that would be installed on all of the city's billboards for a week. These posters expose the theories of Charles Fourier (1772-1837) and the “Théories des quatre mouvements et des destinées générales”. During the day, they show our current society. At night, when the poster is backlit, they show society as Fourier dreamed it. In collaboration with Elsa Maillot.

  • 2013

  • Scène nationale de Besançon — Programme

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  • 2013

  • Scène nationale de Besançon — Programme

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Annual programme for the season 2013-2014 of the Scène nationale de Besançon.

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