Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.
- 2018
Agence Adelfo Scaranello — MBAA 1
- 2018
Agence Adelfo Scaranello — MBAA 1
This publication presents the architectural project of Adelfo Scaranello for the Musée des beaux-arts et d’archéologie de Besançon, which reopened in 2018. “From the outset, says Scaranello, one thing was clear: the convictions with which the architects Pierre Marnotte (1797- 1882) and Louis Miquel (1913-1986) had worked successively on this construction had gradually disappeared. […] Restoring the integrity of these architectures within a new project is not about historising but is a way of transforming the links between these two figures.” This 1st volume shows the museum empty spaces, during the construction. Typeset in a modified version of GF Montserrat (OFL).
Photos by Nicolas Waltefaugle & Yohan Zerdoun. 56 p.
- 2005
Centre d'examen du permis de conduire
- 2005
Centre d'examen du permis de conduire
Sign for the new building of the Centre (architect : Philippe Donzé, Besançon). Some letters are replaced by real road signs, which reflect the light of car headlights. Photos © Nicolas Waltefaugle
- 1 % artistique Ministère de l’Écologie, du Transport et du Logement
- Alucobon, prismatic adhesive film
- Courvoisier, Saône
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Typeface:
Garaje
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signage
architecture
Besançon
Poster for the season 2021-2022 of the Théâtre Paul Éluard, in Bezons.
Visual identity for B31 company, created by my friend Guillaume Lab in Nancy. Great posters for car lovers! B31 is the codename of a French sign, a white circle with a black crossbar, which means “end of all prohibitions”.
For the identity of the festival Ici l’Onde, organised by Why Note in Dijon, I decided not to use any vectors or fonts, and use photography instead. The poster for the 2011 edition is the result of a complex setup, in which I sought to capture the reflection of the text on the water.
Visual identity and custom typeface for La Fabrike, architecture studio based in Besançon. In collaboration with Baptiste Plantin. Photos by Nicolas Waltefaugle, website by Thomas Bouville.
Identity and flyer for the exhibition of the Type Directors Club at ECV Paris, 2013. Typeset in Garaje, in various weights, widths and sizes, and one single stroke.
- École de Création Visuelle, Paris
- 148 × 210 mm
- Offset, 2 colors
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Typeface:
Garaje
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duotone
La Coursive is a structure based in Dijon which supports companies in the cultural and creative industries. It is located in a singular building, where passageways, between the floors, give access to the apartments located above and below. To illustrate both this principle, the facade of the building, but also the circulation of knowledge and skills within this structure, I developed an Inline version of Garaje, where the letters are open and communicate with each other. With the help of Guillaume Delamarche, intern at the studio. Unpublished
Custom typeface for Kantia, éditeur d’images in Saint-Jean-de-Luz
- 2008
Musiques de Rues — Poster
- 2008
Musiques de Rues — Poster
Poster of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space.
Logotype and custom lettering for Image Republic, Paris. Image Republic publishes posters, postcards and notebooks with famous illustration artists all over the world. website
Totema is an encrypted character, adapted from the writing of the painter Klaus Ramka, who uses it in his own publications. It's up to you to unravel the mystery.
Produced with the help of Sébastien Truchet.
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