Thomas Huot-Marchand
Typographie
Design graphique

  • 2011

  • Ici l’Onde

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  • 2011

  • Ici l’Onde

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For the identity of the festival Ici l’Onde, organised by Why Note in Dijon, I decided not to use any vectors or fonts, and use photography instead. The poster for the 2011 edition is the result of a complex setup, in which I sought to capture the reflection of the text on the water.

  • 2014

  • Ici l’Onde

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  • 2014

  • Ici l’Onde

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For the 2014 poster of Ici l’Onde, I captured the light of the text, shaking my laptop and simply shooting the screen. We made 4 posters out of it : the annual poster in 3 tones (warm red, process blue and gold), and 3 trimestrial variations with only 2 tones (red/blue, red/gold, and blue/gold).

  • 2011

  • Émergences

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  • 2011

  • Émergences

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Poster of the 4th edition of the festival Émergences, a week dedicated to young creation in Besançon. Black + Gloss varnish. Selected in Chaumont design graphique festival.

  • 2007

  • Blago Bung

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  • 2007

  • Blago Bung

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A series of posters for Blago Bung events, Emily Harvey Foundation (NYC, USA) and Cabaret Voltaire (Zurich, CH). Art, Sound, Poetry and Performance. Posters are printed in split fountain : gradients evolve during the printing process, each poster is unique.

  • 2014

  • Émergences

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  • 2014

  • Émergences

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Poster of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Varnish. Selected in Chaumont design graphique festival.

  • 2015

  • Ici l’Onde — Programmes

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  • 2015

  • Ici l’Onde — Programmes

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Trimestrials programme for Ici l’Onde, for the season 2015-2016. In 2015, Why Note wanted to go back to its punk-indie roots, and get rid of the spectacular photographic effects used in the posters of the previous editions. I proposed a fanzine-like layout, using voluntary offsets and misalignments.

  • 2013

  • Émergences — Journal

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  • 2013

  • Émergences — Journal

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Newspaper of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.

  • 2010

  • Antiques Étroites

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  • 2010

  • Antiques Étroites

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Antique Étroite is first a metal type that I discovered in the typography workshop of the School of Fine Arts of Besançon, where I studied. It is part of the numerous anonymous sans serifs, of unknown origin, of the beginning of the XXth century. Its design is far from perfect, but it is precisely these imperfections that I like: odd proportions, unconsistency, which produce an interesting flavour that I wanted to restore in digital form. I adapted the 60pt size, before noting that the different sizes of the family presented huge differences: a lack of coordination in its development, less systematic in the techniques of the time. I therefore digitized all the sizes, respecting the errors and approximations of the sources. Unpublished

  • 2011

  • Ici l’Onde — Programme

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  • 2011

  • Ici l’Onde — Programme

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Programme of the 2nd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 32 p.

  • 2013

  • Émergences

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  • 2013

  • Émergences

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Poster of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Black. Selected in Chaumont design graphique festival.

  • 2013

  • Ici l’Onde — Programme

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  • 2013

  • Ici l’Onde — Programme

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Programme of the 3rd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 24 p.

  • 2012

  • Ici l’Onde — Programme

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  • 2012

  • Ici l’Onde — Programme

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Programme of the 3rd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 24 p.

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