Thomas Huot-Marchand
Typographie
Design graphique

  • 2011

  • Ici l’Onde

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  • 2011

  • Ici l’Onde

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For the identity of the festival Ici l’Onde, organised by Why Note in Dijon, I decided not to use any vectors or fonts, and use photography instead. The poster for the 2011 edition is the result of a complex setup, in which I sought to capture the reflection of the text on the water.

  • 2014

  • Ici l’Onde

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  • 2014

  • Ici l’Onde

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For the 2014 poster of Ici l’Onde, I captured the light of the text, shaking my laptop and simply shooting the screen. We made 4 posters out of it : the annual poster in 3 tones (warm red, process blue and gold), and 3 trimestrial variations with only 2 tones (red/blue, red/gold, and blue/gold).

  • 2015

  • Zutique

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  • 2015

  • Zutique

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Visual identity of Zutique Productions (hip-hop, electro and world music) in Dijon. I designed a custom lettering and several patterns. Used as patchs, they form a Z in the middle of the posters. With the help of Samia Charef, intern at the studio.

  • 2011

  • Ici l’Onde — Programme

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  • 2011

  • Ici l’Onde — Programme

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Programme of the 2nd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 32 p.

  • 2013

  • Ici l’Onde — Programme

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  • 2013

  • Ici l’Onde — Programme

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Programme of the 3rd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 24 p.

  • 2009

  • Mégaphone — programme

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  • 2009

  • Mégaphone — programme

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Programme of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. A small format, printed in black on a gloss coated paper. Typeset in a custom weight of Garaje, Ultra Black.

  • 2015

  • Ici l’Onde — Programmes

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  • 2015

  • Ici l’Onde — Programmes

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Trimestrials programme for Ici l’Onde, for the season 2015-2016. In 2015, Why Note wanted to go back to its punk-indie roots, and get rid of the spectacular photographic effects used in the posters of the previous editions. I proposed a fanzine-like layout, using voluntary offsets and misalignments.

  • 2009

  • Mégaphone

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  • 2009

  • Mégaphone

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Poster of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. Typeset in a custom weight of Garaje, Ultra Black.

  • 2011

  • Le Son en scène

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  • 2011

  • Le Son en scène

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Poster of the 2nd edition of the festival Le Son en Scène, organised by Why Note in Dijon.

  • 2012

  • Ici l’Onde — Programme

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  • 2012

  • Ici l’Onde — Programme

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Programme of the 3rd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 24 p.

  • 2012

  • Ici l’Onde

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  • 2012

  • Ici l’Onde

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The poster for the 2012 edition is a photograph of a luminous text projected on a smoke screen.

  • 2012

  • La Coursive

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  • 2012

  • La Coursive

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La Coursive is a structure based in Dijon which supports companies in the cultural and creative industries. It is located in a singular building, where passageways, between the floors, give access to the apartments located above and below. To illustrate both this principle, the facade of the building, but also the circulation of knowledge and skills within this structure, I developed an Inline version of Garaje, where the letters are open and communicate with each other. With the help of Guillaume Delamarche, intern at the studio. Unpublished

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