• 2015
  • Biennale de Lyon — project

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  • 2015
  • Biennale de Lyon — project

Ralph Rugoff, guest curator of 2015 Biennale de Lyon: “The impulse to announce a clean break from the past, to instigate a rupture with tradition, is the modernist gesture par excellence. Is it possible then, that our recurring desire to declare the end of the modern era is, in fact, merely a symptom of the modernity it aspires to bury? […] La vie moderne, the 13th edition of the Biennale de Lyon, sets out to explore this possibility. Its title unavoidably evokes echoes of earlier, and perhaps more optimistic, moments in history, but rather than its potential irony, what drew me to use this title was its ambiguity.” Invited to design the visual identity of the event, my (rejected) project was to propose an oversized identity manual, playing with the principles of modernist graphic design of the 60's. Rather than applying this guidelines to the communication, the manual itself (as an abstract of ideal uses) becomes the communication. It's, of course, typeset in Neue Haas Grotesk.

  • 2016
  • Cuillier × be-pôles

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  • 2016
  • Cuillier × be-pôles

Wordmark for Cuillier, coffee shop in Paris. In collaboration with be-pôles Paris

  • 2013
  • Entrevues

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  • 2013
  • Entrevues

For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface.

  • 2015
  • Zutique

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  • 2015
  • Zutique

Visual identity of Zutique Productions (hip-hop, electro and world music) in Dijon. I designed a custom lettering and several patterns. Used as patchs, they form a Z in the middle of the posters. With the help of Samia Charef, intern at the studio.

  • 2017
  • 52 Battant

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  • 2017
  • 52 Battant

Wordmark and visual identity for 52 Battant, a gallery, information center and co-working place for creative people in Besançon. A set of pictograms was developed with Vincent Jacquin (Small Studio).

  • 2008
  • Funk Doubistes

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  • 2008
  • Funk Doubistes

Logotype for the Besançon crew Funk Doubistes, which organized some of the best parties in town.

  • 2017
  • Bibliothèques de Nancy

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  • 2017
  • Bibliothèques de Nancy

Visual identity of the Bibliothèques de Nancy.

  • 2010
  • La Rodia

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  • 2010
  • La Rodia

Logotype and custom typeface of La Rodia, concert hall in Besançon.

  • 2012
  • La Coursive

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  • 2012
  • La Coursive

La Coursive is a structure based in Dijon which supports companies in the cultural and creative industries. It is located in a singular building, where passageways, between the floors, give access to the apartments located above and below. To illustrate both this principle, the facade of the building, but also the circulation of knowledge and skills within this structure, I developed an Inline version of Garaje, where the letters are open and communicate with each other. With the help of Guillaume Delamarche, intern at the studio. Unpublished

  • 2013
  • Kantia — Typeface

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  • 2013
  • Kantia — Typeface

Custom typeface for Kantia, éditeur d’images in Saint-Jean-de-Luz

  • 2017
  • Image Republic

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  • 2017
  • Image Republic

Logotype and custom lettering for Image Republic, Paris. Image Republic publishes posters, postcards and notebooks with famous illustration artists all over the world. website

  • 2018
  • Kazuo

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  • 2018
  • Kazuo

Visual identity of Kazuo design showroom in Biarritz, France. https://kazuo.fr/showroom/

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