• 2019
  • Gyan Panchal, Au Seuil de soi

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  • 2019
  • Gyan Panchal, Au Seuil de soi

Catalog of the monographic exhibition of Gyan Panchal at the Musée d’art moderne de Saint-Étienne. The book presents the artist's works exhibited in three places, in Cajarc, Rochechouart and then Saint-Étienne. The work begins with blank pages, then a close-up section in low opacity, before varying the light and whiteness of the paper according to the three very different exhibition spaces. The book has an free back binding, and is slipped into a white paper case. 172 p

  • Musée d’art moderne de Saint-Étienne
  • 225 × 300 mm
  • Offset, CMYK
  • Snoeck Ed. PB Tisk printing
  • Typeface: MM Sans MM Serif
  • CMYK art
  • 2008
  • Musiques de Rues — Programme

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  • 2008
  • Musiques de Rues — Programme

Programme of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space. Printed in 3 fluorescent colors + black, instead of CMYK

  • 2009
  • Mégaphone — programme

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  • 2009
  • Mégaphone — programme

Programme of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. A small format, printed in black on a gloss coated paper. Typeset in a custom weight of Garaje, Ultra Black.

  • 2018
  • Les 2 Scènes — Programme

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  • 2018
  • Les 2 Scènes — Programme

Annual programme for the season 2018-2019 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2010
  • Miqi O. Untold

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  • 2010
  • Miqi O. Untold

Artwork for the 1st volume of the EP UNTOLD of my friend Miqi O. FKDB Prod.

  • 2016
  • MM — Jean Puy

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  • 2016
  • MM — Jean Puy

Catalogue of the exhibition “Jean Puy (1876-1960), Plénitude d’un fauve”, Musée du château des ducs de Wurtemberg, April – September 2016. 80 p.

  • 2013
  • Scène nationale de Besançon — Programme

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  • 2013
  • Scène nationale de Besançon — Programme

Annual programme for the season 2013-2014 of the Scène nationale de Besançon.

  • 2012
  • Scène nationale de Besançon — Prologue

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  • 2012
  • Scène nationale de Besançon — Prologue

The visual identity of the Théâtre musical was based on an eye. In June 2012, the Scène nationale de Besançon joined two theatres, the Théâtre musical (Théâtre Ledoux, which interiors are all blue) and the Théâtre de l’Espace (all red), in one single institution. To communicate on this major change, I proposed to design a new identity in two spot colors, blue and red, and use anaglyphic glasses two see what’s happening in one place or the other: it was time to use both eyes. Text appears or disappears in the blink of an eye ! In the Pre-programme for the season 2012-2013, Nicolas Waltefaugle did a photo shoot in the stage decor workshop with the whole new team. Photographs are superposed too, to create mini-animations. 40,000 anaglyphic glasses were distributed with the booklets, and we even designed some fancy pairs with Adélaïde Racca. 32 pages

  • 2016
  • Les 2 Scènes — Programme

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  • 2016
  • Les 2 Scènes — Programme

Annual programme for the season 2016-2017 of Les 2 Scènes. 80 p.

  • 2011
  • Ici l’Onde — Programme

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  • 2011
  • Ici l’Onde — Programme

Programme of the 2nd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 32 p.

  • 2011
  • Théâtre musical de Besançon — programme

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  • 2011
  • Théâtre musical de Besançon — programme

Annual programme for the Théâtre musical de Besançon. This time I completely dropped ITC Bodoni, to compose the whole programme in Mononi. Gradients appear inside the text, thanks to the wonderful stochastic print of Simon Imprimeurs.

  • 2012
  • Émergences — Journal

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  • 2012
  • Émergences — Journal

Newspaper of the 5th edition of the festival Émergences, a week dedicated to young creation in Besançon. Illustrations by Superseñor : Small Studio, Adrien Houillère, Renaud Vigourt, Marie-Florentine Geoffroy. 16 p.

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