• 2022
  • TPE — Poster

  • +
  • 2022
  • TPE — Poster

Poster for the season 2021-2022 of the Théâtre Paul Éluard, in Bezons.

  • 2010
  • Théâtre musical de Besançon — abribus

  • +
  • 2010
  • Théâtre musical de Besançon — abribus

Posters for the Théâtre musical de Besançon.

  • 2023
  • Les 2 Scènes — Cinéma 22-23

  • +
  • 2023
  • Les 2 Scènes — Cinéma 22-23

Posters for the season 2022-2023 of Les 2 Scènes Cinéma.
Typeset in Album Sans

  • 2023
  • Les 2 Scènes — Danse & Cinéma 22-23

  • +
  • 2023
  • Les 2 Scènes — Danse & Cinéma 22-23

Posters for the festival Danse & Cinéma, Les 2 Scènes, Scène nationale de Besançon.
Typeset in Album Sans

  • 2011
  • Théâtre musical de Besançon — lumières

  • +
  • 2011
  • Théâtre musical de Besançon — lumières

A poster for the Théâtre musical de Besançon. The illustration is, as usual, very litteral : a crystal chandelier for a concert on the music of the Enlightenment. It is of course made of circles, and thanks to and thanks to a black pattern printed on the back, the chandelier lights up when the night comes, when the poster is backlit.

  • 2021
  • TPE — Programme

  • +
  • 2021
  • TPE — Programme

Annual programme for the season 2021-2022 of the Théâtre Paul Éluard, in Bezons.

  • 2008
  • Théâtre musical de Besançon — Identity

  • +
  • 2008
  • Théâtre musical de Besançon — Identity

Le Théâtre musical de Besançon (dir. Loïc Boissier) was created in 2008: it occupies Besançon Municipal Theater, an exceptional building by Claude-Nicolas Ledoux. The theater is designed according to a very innovative circular plan for the time (1786), which made it possible, in Ledoux's initial project, to see the scene from everywhere. This aspect is represented in a famous engraving, “View of the Besançon Theater in an eye”. This eye and the circle are the basis of the visual identity that I designed for the Theater. To illustrate the richness and variety of its programming, an extensive color code (which covers the entire spectrum) makes it possible to identify the different registers. The character used is the Bodoni ITC, from Sumner Stone, my favorite digital revival of the typeface cut by Giambattista Bodoni in the same year as the construction of this theater. It’s been progressively replaced by my own revival, shown here in the logotype : Mononi, a mono-linear Bodoni.

  • 2016
  • Les 2 Scènes — Moire poster

  • +
  • 2016
  • Les 2 Scènes — Moire poster

Posters for the season 2015-2016 of Les 2 Scènes. Each copy of the poster is unique : During screen printing, each sheet is slightly offset with each pass, producing a new moiré effect. Another funny game we played with my friends at Lézard graphique.

  • 2021
  • Les 2 Scènes — Programme

  • +
  • 2021
  • Les 2 Scènes — Programme

Annual programme for the season 2021-2022 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations). 80 p.

  • 2020
  • TPE — Programme

  • +
  • 2020
  • TPE — Programme

Annual programme for the season 2020-2021 of the Théâtre Paul Éluard, in Bezons.

  • 2022
  • TPE — Programme

  • +
  • 2022
  • TPE — Programme

Annual programme for the season 2022-2023 of the Théâtre Paul Éluard, in Bezons.

  • 2011
  • Théâtre musical de Besançon — programme

  • +
  • 2011
  • Théâtre musical de Besançon — programme

Annual programme for the Théâtre musical de Besançon. This time I completely dropped ITC Bodoni, to compose the whole programme in Mononi. Gradients appear inside the text, thanks to the wonderful stochastic print of Simon Imprimeurs.

next page