Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.
- 2011
Théâtre musical de Besançon — lumières
- 2011
Théâtre musical de Besançon — lumières
A poster for the Théâtre musical de Besançon. The illustration is, as usual, very litteral : a crystal chandelier for a concert on the music of the Enlightenment. It is of course made of circles, and thanks to and thanks to a black pattern printed on the back, the chandelier lights up when the night comes, when the poster is backlit.
- 2010
Théâtre musical de Besançon — abribus
- 2010
Théâtre musical de Besançon — abribus
Posters for the Théâtre musical de Besançon.
Poster for the season 2021-2022 of the Théâtre Paul Éluard, in Bezons.
- 2023
Les 2 Scènes — Danse & Cinéma 22-23
- 2023
Les 2 Scènes — Danse & Cinéma 22-23
Posters for the festival Danse & Cinéma, Les 2 Scènes, Scène nationale de Besançon.
Typeset in Album Sans
- 2023
Les 2 Scènes — Cinéma 22-23
- 2023
Les 2 Scènes — Cinéma 22-23
Posters for the season 2022-2023 of Les 2 Scènes Cinéma.
Typeset in Album Sans
- 2021
Les 2 Scènes — Saison 21-22
- 2021
Les 2 Scènes — Saison 21-22
Posters for the season 2021-2022 of Les 2 Scènes. In collaboration with Jochen Gerner
- 2008
Théâtre musical de Besançon — Identity
- 2008
Théâtre musical de Besançon — Identity
Le Théâtre musical de Besançon (dir. Loïc Boissier) was created in 2008: it occupies Besançon Municipal Theater, an exceptional building by Claude-Nicolas Ledoux. The theater is designed according to a very innovative circular plan for the time (1786), which made it possible, in Ledoux's initial project, to see the scene from everywhere. This aspect is represented in a famous engraving, “View of the Besançon Theater in an eye”. This eye and the circle are the basis of the visual identity that I designed for the Theater. To illustrate the richness and variety of its programming, an extensive color code (which covers the entire spectrum) makes it possible to identify the different registers. The character used is the Bodoni ITC, from Sumner Stone, my favorite digital revival of the typeface cut by Giambattista Bodoni in the same year as the construction of this theater. It’s been progressively replaced by my own revival, shown here in the logotype : Mononi, a mono-linear Bodoni.
Annual programme for the season 2019-2020 of the Théâtre Paul Éluard, in Bezons.
- 2019
Les 2 Scènes — Programme
- 2019
Les 2 Scènes — Programme
Annual programme for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations). 80 p.
- 2014
Les 2 Scènes — Themes
- 2014
Les 2 Scènes — Themes
Thematical posters for the season 2014-2015 of the Scène nationale de Besançon. The screens are mixed during printing, to obtain several versions of the posters, superimposing the colors and the images.
Annual programme for the season 2021-2022 of the Théâtre Paul Éluard, in Bezons.
- 2009
Théâtre musical de Besançon — programme
- 2009
Théâtre musical de Besançon — programme
Annual programme for the Théâtre musical de Besançon. For this second season I introduced gradients, transforming the colored pads into fuzzy clouds.
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