• 2016
  • Les 2 Scènes — Orchestre

  • +
  • 2016
  • Les 2 Scènes — Orchestre

Posters for the season 2015-2016 of Les 2 Scènes, for the concerts of the Orchestre Victor Hugo Franche-Comté.

  • 2017
  • Étincelle — programme

  • +
  • 2017
  • Étincelle — programme

Annual programme for the season 2017-2018 of L’Étincelle, Théâtre de la ville de Rouen. 104 p.

  • 2018
  • Les 2 Scènes

  • +
  • 2018
  • Les 2 Scènes

Annual poster for the season 2018-2019 of Les 2 Scènes. Developed in augmented reality : the printed poster activate a video and online contents, via a specific app. Selected in Chaumont design graphique festival

  • 2011
  • Garaje Hangar 23

  • +
  • 2011
  • Garaje Hangar 23

Hangar 23 is a theater in Rouen, in western France. Its programming offers a very broad spectrum, from theater to dance, and from circus to world music. To illustrate this variety, but also the context of the Hangar surrounded by the port and containers, I created a monospace version of Garaje 0703 Black, with many alternates, which color the message differently. Unpublished

  • 2018
  • Les 2 Scènes — Programme

  • +
  • 2018
  • Les 2 Scènes — Programme

Annual programme for the season 2018-2019 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2008
  • Théâtre musical de Besançon — Identity

  • +
  • 2008
  • Théâtre musical de Besançon — Identity

Le Théâtre musical de Besançon (dir. Loïc Boissier) was created in 2008: it occupies Besançon Municipal Theater, an exceptional building by Claude-Nicolas Ledoux. The theater is designed according to a very innovative circular plan for the time (1786), which made it possible, in Ledoux's initial project, to see the scene from everywhere. This aspect is represented in a famous engraving, “View of the Besançon Theater in an eye”. This eye and the circle are the basis of the visual identity that I designed for the Theater. To illustrate the richness and variety of its programming, an extensive color code (which covers the entire spectrum) makes it possible to identify the different registers. The character used is the Bodoni ITC, from Sumner Stone, my favorite digital revival of the typeface cut by Giambattista Bodoni in the same year as the construction of this theater. It’s been progressively replaced by my own revival, shown here in the logotype : Mononi, a mono-linear Bodoni.

  • 2010
  • Théâtre musical de Besançon — programme

  • +
  • 2010
  • Théâtre musical de Besançon — programme

Annual programme for the Théâtre musical de Besançon. Nobody noticed, but the cover is a data visualisation of all th shows of the season, with the color code of the disciplines covered.

  • 2012
  • Hangar 23

  • +
  • 2012
  • Hangar 23

Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2012
  • Théâtre musical de Besançon — cadrobus

  • +
  • 2012
  • Théâtre musical de Besançon — cadrobus

Annual programme for the Théâtre musical de Besançon.

  • 2018
  • Étincelle — programme

  • +
  • 2018
  • Étincelle — programme

Annual programme for the season 2018-2019 of L’Étincelle, Théâtre de la ville de Rouen. 104 p.

  • 2011
  • Hangar 23 — Programme

  • +
  • 2011
  • Hangar 23 — Programme

Annual programme of Hangar 23. Headlines are set in special weight of Garaje 0703 Monospace Black, including bouncing alternates and superscripts.

  • 2018
  • TPE — Programme

  • +
  • 2018
  • TPE — Programme

Annual programme for the season 2018-2019 of the Théâtre Paul Éluard, in Bezons.

next page