• 2022
  • TPE — Programme

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  • 2022
  • TPE — Programme

Annual programme for the season 2022-2023 of the Théâtre Paul Éluard, in Bezons.

  • 2014
  • Les 2 Scènes — Themes

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  • 2014
  • Les 2 Scènes — Themes

Thematical posters for the season 2014-2015 of the Scène nationale de Besançon. The screens are mixed during printing, to obtain several versions of the posters, superimposing the colors and the images.

  • 2016
  • Les 2 Scènes — Moire poster

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  • 2016
  • Les 2 Scènes — Moire poster

Posters for the season 2015-2016 of Les 2 Scènes. Each copy of the poster is unique : During screen printing, each sheet is slightly offset with each pass, producing a new moiré effect. Another funny game we played with my friends at Lézard graphique.

  • 2020
  • TPE — poster

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  • 2020
  • TPE — poster

Poster for the season 2020-2021 of the Théâtre Paul Éluard, in Bezons.

  • 2020
  • TPE — Programme

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  • 2020
  • TPE — Programme

Annual programme for the season 2020-2021 of the Théâtre Paul Éluard, in Bezons.

  • 2017
  • Les 2 Scènes

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  • 2017
  • Les 2 Scènes

Annual poster for the season 2017-2018 of Les 2 Scènes. Developed in augmented reality : the printed poster activate a video and online contents, via a specific app.

  • 2019
  • TPE — Programme

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  • 2019
  • TPE — Programme

Annual programme for the season 2019-2020 of the Théâtre Paul Éluard, in Bezons.

  • 2008
  • Théâtre musical de Besançon — Identity

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  • 2008
  • Théâtre musical de Besançon — Identity

Le Théâtre musical de Besançon (dir. Loïc Boissier) was created in 2008: it occupies Besançon Municipal Theater, an exceptional building by Claude-Nicolas Ledoux. The theater is designed according to a very innovative circular plan for the time (1786), which made it possible, in Ledoux's initial project, to see the scene from everywhere. This aspect is represented in a famous engraving, “View of the Besançon Theater in an eye”. This eye and the circle are the basis of the visual identity that I designed for the Theater. To illustrate the richness and variety of its programming, an extensive color code (which covers the entire spectrum) makes it possible to identify the different registers. The character used is the Bodoni ITC, from Sumner Stone, my favorite digital revival of the typeface cut by Giambattista Bodoni in the same year as the construction of this theater. It’s been progressively replaced by my own revival, shown here in the logotype : Mononi, a mono-linear Bodoni.

  • 2016
  • Les 2 Scènes — Orchestre

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  • 2016
  • Les 2 Scènes — Orchestre

Posters for the season 2015-2016 of Les 2 Scènes, for the concerts of the Orchestre Victor Hugo Franche-Comté.

  • 2011
  • Garaje Hangar 23

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  • 2011
  • Garaje Hangar 23

Hangar 23 is a theater in Rouen, in western France. Its programming offers a very broad spectrum, from theater to dance, and from circus to world music. To illustrate this variety, but also the context of the Hangar surrounded by the port and containers, I created a monospace version of Garaje 0703 Black, with many alternates, which color the message differently. Unpublished

  • 2017
  • Étincelle — programme

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  • 2017
  • Étincelle — programme

Annual programme for the season 2017-2018 of L’Étincelle, Théâtre de la ville de Rouen. 104 p.

  • 2011
  • Théâtre musical de Besançon — programme

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  • 2011
  • Théâtre musical de Besançon — programme

Annual programme for the Théâtre musical de Besançon. This time I completely dropped ITC Bodoni, to compose the whole programme in Mononi. Gradients appear inside the text, thanks to the wonderful stochastic print of Simon Imprimeurs.

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