• 2016
  • Les 2 Scènes — Programme

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  • 2016
  • Les 2 Scènes — Programme

Annual programme for the season 2016-2017 of Les 2 Scènes. 80 p.

  • 2018
  • Les 2 Scènes

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  • 2018
  • Les 2 Scènes

Annual poster for the season 2018-2019 of Les 2 Scènes. Developed in augmented reality : the printed poster activate a video and online contents, via a specific app. Selected in Chaumont design graphique festival

  • 2016
  • Les 2 Scènes — Orchestre

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  • 2016
  • Les 2 Scènes — Orchestre

Posters for the season 2015-2016 of Les 2 Scènes, for the concerts of the Orchestre Victor Hugo Franche-Comté.

  • 2019
  • Les 2 Scènes — Programme

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  • 2019
  • Les 2 Scènes — Programme

Annual programme for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations). 80 p.

  • 2017
  • Les 2 Scènes

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  • 2017
  • Les 2 Scènes

Annual poster for the season 2017-2018 of Les 2 Scènes. Developed in augmented reality : the printed poster activate a video and online contents, via a specific app.

  • 2014
  • Les 2 Scènes — Themes

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  • 2014
  • Les 2 Scènes — Themes

Thematical posters for the season 2014-2015 of the Scène nationale de Besançon. The screens are mixed during printing, to obtain several versions of the posters, superimposing the colors and the images.

  • 2019
  • TPE — Programme

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  • 2019
  • TPE — Programme

Annual programme for the season 2019-2020 of the Théâtre Paul Éluard, in Bezons.

  • 2008
  • Théâtre musical de Besançon — Identity

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  • 2008
  • Théâtre musical de Besançon — Identity

Le Théâtre musical de Besançon (dir. Loïc Boissier) was created in 2008: it occupies Besançon Municipal Theater, an exceptional building by Claude-Nicolas Ledoux. The theater is designed according to a very innovative circular plan for the time (1786), which made it possible, in Ledoux's initial project, to see the scene from everywhere. This aspect is represented in a famous engraving, “View of the Besançon Theater in an eye”. This eye and the circle are the basis of the visual identity that I designed for the Theater. To illustrate the richness and variety of its programming, an extensive color code (which covers the entire spectrum) makes it possible to identify the different registers. The character used is the Bodoni ITC, from Sumner Stone, my favorite digital revival of the typeface cut by Giambattista Bodoni in the same year as the construction of this theater. It’s been progressively replaced by my own revival, shown here in the logotype : Mononi, a mono-linear Bodoni.

  • 2009
  • Théâtre musical de Besançon — programme

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  • 2009
  • Théâtre musical de Besançon — programme

Annual programme for the Théâtre musical de Besançon. For this second season I introduced gradients, transforming the colored pads into fuzzy clouds.

  • 2018
  • Les 2 Scènes — Programme

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  • 2018
  • Les 2 Scènes — Programme

Annual programme for the season 2018-2019 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2012
  • Hangar 23

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  • 2012
  • Hangar 23

Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2015
  • Hangar 23

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  • 2015
  • Hangar 23

Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.

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