Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.
- 2010
Théâtre musical de Besançon — abribus
- 2010
Théâtre musical de Besançon — abribus
Posters for the Théâtre musical de Besançon.
- 2008
Musiques de Rues — Programme
- 2008
Musiques de Rues — Programme
Programme of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space. Printed in 3 fluorescent colors + black, instead of CMYK
- 2023
Les 2 Scènes — Cinéma 22-23
- 2023
Les 2 Scènes — Cinéma 22-23
Posters for the season 2022-2023 of Les 2 Scènes Cinéma.
Typeset in Album Sans
- 2011
Théâtre musical de Besançon — lumières
- 2011
Théâtre musical de Besançon — lumières
A poster for the Théâtre musical de Besançon. The illustration is, as usual, very litteral : a crystal chandelier for a concert on the music of the Enlightenment. It is of course made of circles, and thanks to and thanks to a black pattern printed on the back, the chandelier lights up when the night comes, when the poster is backlit.
- 2023
Les 2 Scènes — Danse & Cinéma 22-23
- 2023
Les 2 Scènes — Danse & Cinéma 22-23
Posters for the festival Danse & Cinéma, Les 2 Scènes, Scène nationale de Besançon.
Typeset in Album Sans
- 2009
Théâtre musical de Besançon — programme
- 2009
Théâtre musical de Besançon — programme
Annual programme for the Théâtre musical de Besançon. For this second season I introduced gradients, transforming the colored pads into fuzzy clouds.
- 2012
Scène nationale de Besançon — Prologue
- 2012
Scène nationale de Besançon — Prologue
The visual identity of the Théâtre musical was based on an eye. In June 2012, the Scène nationale de Besançon joined two theatres, the Théâtre musical (Théâtre Ledoux, which interiors are all blue) and the Théâtre de l’Espace (all red), in one single institution. To communicate on this major change, I proposed to design a new identity in two spot colors, blue and red, and use anaglyphic glasses two see what’s happening in one place or the other: it was time to use both eyes. Text appears or disappears in the blink of an eye ! In the Pre-programme for the season 2012-2013, Nicolas Waltefaugle did a photo shoot in the stage decor workshop with the whole new team. Photographs are superposed too, to create mini-animations. 40,000 anaglyphic glasses were distributed with the booklets, and we even designed some fancy pairs with Adélaïde Racca. 32 pages
- 2016
Les 2 Scènes — Orchestre
- 2016
Les 2 Scènes — Orchestre
Posters for the season 2015-2016 of Les 2 Scènes, for the concerts of the Orchestre Victor Hugo Franche-Comté.
- 2012
Émergences — Journal
- 2012
Émergences — Journal
Newspaper of the 5th edition of the festival Émergences, a week dedicated to young creation in Besançon. Illustrations by Superseñor : Small Studio, Adrien Houillère, Renaud Vigourt, Marie-Florentine Geoffroy. 16 p.
- 2019
Les 2 Scènes — Programme
- 2019
Les 2 Scènes — Programme
Annual programme for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations). 80 p.
- 2013
Émergences — Journal
- 2013
Émergences — Journal
Newspaper of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.
Annual poster for the season 2017-2018 of Les 2 Scènes. Developed in augmented reality : the printed poster activate a video and online contents, via a specific app.
next page
