Thomas Huot-Marchand
Typographie
Design graphique

  • 2019

  • Gyan Panchal, Au Seuil de soi

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  • 2019

  • Gyan Panchal, Au Seuil de soi

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Catalog of the monographic exhibition of Gyan Panchal at the Musée d’art moderne de Saint-Étienne. The book presents the artist's works exhibited in three places, in Cajarc, Rochechouart and then Saint-Étienne. The work begins with blank pages, then a close-up section in low opacity, before varying the light and whiteness of the paper according to the three very different exhibition spaces. The book has an free back binding, and is slipped into a white paper case. 172 p

  • Musée d’art moderne de Saint-Étienne
  • 225 × 300 mm
  • Offset, CMYK
  • Snoeck Ed. PB Tisk printing
  • Typeface: MM Sans MM Serif
  • CMYK art
  • 2016

  • Les 2 Scènes — Programme

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  • 2016

  • Les 2 Scènes — Programme

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Annual programme for the season 2016-2017 of Les 2 Scènes. 80 p.

  • 2010

  • Safari Fourier — Posters

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  • 2010

  • Safari Fourier — Posters

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Besançon is the birthplace of utopian socialism : Fourier, Proudhon or Victor Hugo were born here, and, in the 20th Century, huge strikes and social movements tried to implement ideas for a new society. In 2010, I was commissioned by the City to create a work of art in tribute to this historic heritage. I proposed a series of posters that would be installed on all of the city's billboards for a week. These posters expose the theories of Charles Fourier (1772-1837) and the “Théories des quatre mouvements et des destinées générales”. During the day, they show our current society. At night, when the poster is backlit, they show society as Fourier dreamed it. In collaboration with Elsa Maillot.

  • 2008

  • Théâtre musical de Besançon — Identity

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  • 2008

  • Théâtre musical de Besançon — Identity

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Le Théâtre musical de Besançon (dir. Loïc Boissier) was created in 2008: it occupies Besançon Municipal Theater, an exceptional building by Claude-Nicolas Ledoux. The theater is designed according to a very innovative circular plan for the time (1786), which made it possible, in Ledoux's initial project, to see the scene from everywhere. This aspect is represented in a famous engraving, “View of the Besançon Theater in an eye”. This eye and the circle are the basis of the visual identity that I designed for the Theater. To illustrate the richness and variety of its programming, an extensive color code (which covers the entire spectrum) makes it possible to identify the different registers. The character used is the Bodoni ITC, from Sumner Stone, my favorite digital revival of the typeface cut by Giambattista Bodoni in the same year as the construction of this theater. It’s been progressively replaced by my own revival, shown here in the logotype : Mononi, a mono-linear Bodoni.

  • 2020

  • TPE — Programme

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  • 2020

  • TPE — Programme

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Annual programme for the season 2020-2021 of the Théâtre Paul Éluard, in Bezons.

  • 2009

  • Théâtre musical de Besançon — programme

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  • 2009

  • Théâtre musical de Besançon — programme

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Annual programme for the Théâtre musical de Besançon. For this second season I introduced gradients, transforming the colored pads into fuzzy clouds.

  • 2018

  • Les 2 Scènes — Programme

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  • 2018

  • Les 2 Scènes — Programme

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Annual programme for the season 2018-2019 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2019

  • TPE — Programme

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  • 2019

  • TPE — Programme

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Annual programme for the season 2019-2020 of the Théâtre Paul Éluard, in Bezons.

  • 2022

  • TPE — Programme

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  • 2022

  • TPE — Programme

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Annual programme for the season 2022-2023 of the Théâtre Paul Éluard, in Bezons.

  • 2003

  • VLAN!

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  • 2003

  • VLAN!

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A non-rectangular catalogue of Cécile Meynier exhibition Vlan ! At the Château Pertusier. With Nicolas Bardey. 32 p.

  • Le Pavé dans la mare
  • 200 × 300 mm
  • Offset, CMYK
  • Empreinte Imprimeurs
  • Typeface: Garaje
  • art CMYK
  • 2018

  • 13th hommage to Morteza Momayez

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  • 2018

  • 13th hommage to Morteza Momayez

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Poster for Thomas Huot-Marchand solo exhibition at the Iran Artists Forum in Tehran, in November 2018.

  • 2019

  • Les 2 Scènes — Programme

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  • 2019

  • Les 2 Scènes — Programme

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Annual programme for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations). 80 p.

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