• 2008
  • Théâtre musical de Besançon — Identity

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  • 2008
  • Théâtre musical de Besançon — Identity

Le Théâtre musical de Besançon (dir. Loïc Boissier) was created in 2008: it occupies Besançon Municipal Theater, an exceptional building by Claude-Nicolas Ledoux. The theater is designed according to a very innovative circular plan for the time (1786), which made it possible, in Ledoux's initial project, to see the scene from everywhere. This aspect is represented in a famous engraving, “View of the Besançon Theater in an eye”. This eye and the circle are the basis of the visual identity that I designed for the Theater. To illustrate the richness and variety of its programming, an extensive color code (which covers the entire spectrum) makes it possible to identify the different registers. The character used is the Bodoni ITC, from Sumner Stone, my favorite digital revival of the typeface cut by Giambattista Bodoni in the same year as the construction of this theater. It’s been progressively replaced by my own revival, shown here in the logotype : Mononi, a mono-linear Bodoni.

  • 2013
  • Jack And The Bearded Fishermen

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  • 2013
  • Jack And The Bearded Fishermen

Artwork for Minor Noise, album of Besançon-based metal band Jack And The Bearded Fishermen. Photo by Quentin Coussirat. A 60 x 90cm is folded in the 33 rpm record sleeve. Vinyl & CD

  • 2011
  • Hangar 23

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  • 2011
  • Hangar 23

Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. The theater is located on the port of Rouen, surrounded by (and partly built with) containers. These containers inspired the visual identity of the theater : the wordmark is set in a special weight of Garaje 0703 Monospace Black, in a frame that takes the shape of the facade of the building.

  • 2013
  • Entrevues — Programme

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  • 2013
  • Entrevues — Programme

For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface. The same thing happens with the images, which extend from one page to another, in a continuous thread. 180 p.

  • 2010
  • Théâtre musical de Besançon — programme

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  • 2010
  • Théâtre musical de Besançon — programme

Annual programme for the Théâtre musical de Besançon. Nobody noticed, but the cover is a data visualisation of all th shows of the season, with the color code of the disciplines covered.

  • 2017
  • Les 2 Scènes — Programme

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  • 2017
  • Les 2 Scènes — Programme

Annual programme for the season 2017-2018 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2012
  • Hangar 23

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  • 2012
  • Hangar 23

Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2009
  • Théâtre musical de Besançon — cadrobus

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  • 2009
  • Théâtre musical de Besançon — cadrobus

Monthly posters for the Théâtre musical de Besançon.

  • 2013
  • Entrevues — Poster

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  • 2013
  • Entrevues — Poster

Poster of the 28th Film Festival Entrevues Belfort.

  • 2006
  • Vesontio

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  • 2006
  • Vesontio

Booklet of the exhibition « De Vesontio à Besançon, la ville s’expose ». Collectif Territoires, avec Nicolas Bardey, Maud Buergo, Christophe Gaudard, Pascaline Minella, Yves Morel, Agences Territoires.

  • Musée des beaux-arts et d’archéologie de Besançon
  • 105 × 210 mm
  • Camponovo Bouchard
  • Typeface: Custom
  • CMYK exhibition
  • 2014
  • Hangar 23 — Programme

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  • 2014
  • Hangar 23 — Programme

Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2008
  • Théâtre musical de Besançon — Programme

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  • 2008
  • Théâtre musical de Besançon — Programme

In the first seasonal program of the Théâtre musical, special care is given to the texts: I proposed to keep a "literary" aspect, by grouping the photographs in a separate quire. Printed on a different paper, it offers another, transversal reading of the season. In the interior pages, the colored pads identify the register: Theater, Dance, Opera, etc.

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