Thomas Huot-Marchand
Typographie
Design graphique

  • 2020

  • TPE — poster

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  • 2020

  • TPE — poster

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Poster for the season 2020-2021 of the Théâtre Paul Éluard, in Bezons.

  • 2013

  • Jack And The Bearded Fishermen

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  • 2013

  • Jack And The Bearded Fishermen

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Artwork for Minor Noise, album of Besançon-based metal band Jack And The Bearded Fishermen. Photo by Quentin Coussirat. A 60 x 90cm is folded in the 33 rpm record sleeve. Vinyl & CD

  • 2003

  • VLAN!

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  • 2003

  • VLAN!

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A non-rectangular catalogue of Cécile Meynier exhibition Vlan ! At the Château Pertusier. With Nicolas Bardey. 32 p.

  • Le Pavé dans la mare
  • 200 × 300 mm
  • Offset, CMYK
  • Empreinte Imprimeurs
  • Typeface: Garaje
  • art CMYK
  • 2021

  • TPE — Programme

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  • 2021

  • TPE — Programme

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Annual programme for the season 2021-2022 of the Théâtre Paul Éluard, in Bezons.

  • 2010

  • Safari Fourier

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  • 2010

  • Safari Fourier

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Besançon is the birthplace of utopian socialism : Fourier, Proudhon or Victor Hugo were born here, and, in the 20th Century, huge strikes and social movements tried to implement ideas for a new society. In 2010, I was commissioned by the City to create a work of art in tribute to this historic heritage. I proposed a series of posters that would be installed on all of the city's billboards for a week. These posters expose the theories of Charles Fourier (1772-1837) and the “Théories des quatre mouvements et des destinées générales”. During the day, they show our current society. At night, when the poster is backlit, they show society as Fourier dreamed it. In collaboration with Elsa Maillot.

  • 2018

  • TPE — Programme

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  • 2018

  • TPE — Programme

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Annual programme for the season 2018-2019 of the Théâtre Paul Éluard, in Bezons.

  • 2012

  • Hangar 23

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  • 2012

  • Hangar 23

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Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2017

  • Les 2 Scènes — Programme

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  • 2017

  • Les 2 Scènes — Programme

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Annual programme for the season 2017-2018 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2015

  • Hangar 23 — Programme

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  • 2015

  • Hangar 23 — Programme

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Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.

  • 2010

  • Théâtre musical de Besançon — programme

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  • 2010

  • Théâtre musical de Besançon — programme

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Annual programme for the Théâtre musical de Besançon. Nobody noticed, but the cover is a data visualisation of all th shows of the season, with the color code of the disciplines covered.

  • 2014

  • Hangar 23 — Programme

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  • 2014

  • Hangar 23 — Programme

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Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2013

  • Entrevues — Programme

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  • 2013

  • Entrevues — Programme

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For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface. The same thing happens with the images, which extend from one page to another, in a continuous thread. 180 p.

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