Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.
- 2010
Théâtre musical de Besançon — abribus
- 2010
Théâtre musical de Besançon — abribus
Posters for the Théâtre musical de Besançon.
Poster for the season 2021-2022 of the Théâtre Paul Éluard, in Bezons.
- 2023
Les 2 Scènes — Cinéma 22-23
- 2023
Les 2 Scènes — Cinéma 22-23
Posters for the season 2022-2023 of Les 2 Scènes Cinéma.
Typeset in Album Sans
- 2023
Les 2 Scènes — Danse & Cinéma 22-23
- 2023
Les 2 Scènes — Danse & Cinéma 22-23
Posters for the festival Danse & Cinéma, Les 2 Scènes, Scène nationale de Besançon.
Typeset in Album Sans
- 2023
Le Livre sur la Place
- 2023
Le Livre sur la Place
A new and flexible visual identity for Nancy book fair, created in 1979 under the patronage of the Académie Goncourt. Typeset in a Baskerville rip-off by Claude Jacob, owned by Nancy printer Berger-Levrault since the late 18th Century, and digitized by ANRT in 2017-2018 under the name of Baskervville.
- 2008
Musiques de Rues — Programme
- 2008
Musiques de Rues — Programme
Programme of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space. Printed in 3 fluorescent colors + black, instead of CMYK
- 2011
Théâtre musical de Besançon — lumières
- 2011
Théâtre musical de Besançon — lumières
A poster for the Théâtre musical de Besançon. The illustration is, as usual, very litteral : a crystal chandelier for a concert on the music of the Enlightenment. It is of course made of circles, and thanks to and thanks to a black pattern printed on the back, the chandelier lights up when the night comes, when the poster is backlit.
A series of posters for Blago Bung events, Emily Harvey Foundation (NYC, USA) and Cabaret Voltaire (Zurich, CH). Art, Sound, Poetry and Performance. Posters are printed in split fountain : gradients evolve during the printing process, each poster is unique.
For the 2014 poster of Ici l’Onde, I captured the light of the text, shaking my laptop and simply shooting the screen. We made 4 posters out of it : the annual poster in 3 tones (warm red, process blue and gold), and 3 trimestrial variations with only 2 tones (red/blue, red/gold, and blue/gold).
- 2011
Théâtre musical de Besançon — programme
- 2011
Théâtre musical de Besançon — programme
Annual programme for the Théâtre musical de Besançon. This time I completely dropped ITC Bodoni, to compose the whole programme in Mononi. Gradients appear inside the text, thanks to the wonderful stochastic print of Simon Imprimeurs.
The incessant storms of the 18th century defeated the natural defenses that were protecting the city of Saint-Jean-de-Luz. In the middle of the 19th century, Napoleon III ordered the construction of dykes in Socoa, Sainte Barbe et Artha, that have been part of the landscape since the 20th century. Nicolas Waltefaugle's photographs show the relentless fight of these constructions against the ocean. They are printed in 2 colors, matt black and a spectacular chrome ink, exclusive to Lézard graphique silkscreen workshop, which reflects light like a mirror. The series of 8 posters (5 landscape and 3 portrait formats) are available at www.kantia.eu
- Kantia, éditeur d’images
- 500 × 700 mm
- Silkscreen, 2 colors
- Lézard graphique
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Typeface:
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Metallic
duotone
Kantia
Annual poster for the season 2017-2018 of Les 2 Scènes. Developed in augmented reality : the printed poster activate a video and online contents, via a specific app.
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