Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.
- 2016
Les 2 Scènes — Moire poster
- 2016
Les 2 Scènes — Moire poster
Posters for the season 2015-2016 of Les 2 Scènes. Each copy of the poster is unique : During screen printing, each sheet is slightly offset with each pass, producing a new moiré effect. Another funny game we played with my friends at Lézard graphique.
- 2012
Scène nationale de Besançon — Prologue
- 2012
Scène nationale de Besançon — Prologue
The visual identity of the Théâtre musical was based on an eye. In June 2012, the Scène nationale de Besançon joined two theatres, the Théâtre musical (Théâtre Ledoux, which interiors are all blue) and the Théâtre de l’Espace (all red), in one single institution. To communicate on this major change, I proposed to design a new identity in two spot colors, blue and red, and use anaglyphic glasses two see what’s happening in one place or the other: it was time to use both eyes. Text appears or disappears in the blink of an eye ! In the Pre-programme for the season 2012-2013, Nicolas Waltefaugle did a photo shoot in the stage decor workshop with the whole new team. Photographs are superposed too, to create mini-animations. 40,000 anaglyphic glasses were distributed with the booklets, and we even designed some fancy pairs with Adélaïde Racca. 32 pages
- 2014
Les 2 Scènes — Themes
- 2014
Les 2 Scènes — Themes
Thematical posters for the season 2014-2015 of the Scène nationale de Besançon. The screens are mixed during printing, to obtain several versions of the posters, superimposing the colors and the images.
- 2013
Scène nationale de Besançon — Programme
- 2013
Scène nationale de Besançon — Programme
Annual programme for the season 2013-2014 of the Scène nationale de Besançon.
Poster of the 2nd edition of the festival Le Son en Scène, organised by Why Note in Dijon.
- 2014
Émergences — Posters
- 2014
Émergences — Posters
Gig posters of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. Illustrations by Adrien Houillère
- 2019
Les 2 Scènes — Saison
- 2019
Les 2 Scènes — Saison
Annual poster for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations).
- 2016
Les 2 Scènes — Orchestre
- 2016
Les 2 Scènes — Orchestre
Posters for the season 2015-2016 of Les 2 Scènes, for the concerts of the Orchestre Victor Hugo Franche-Comté.
- 2014
Émergences — Journal
- 2014
Émergences — Journal
Newspaper of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.
Annual programme for the season 2022-2023 of the Théâtre Paul Éluard, in Bezons.
The incessant storms of the 18th century defeated the natural defenses that were protecting the city of Saint-Jean-de-Luz. In the middle of the 19th century, Napoleon III ordered the construction of dykes in Socoa, Sainte Barbe et Artha, that have been part of the landscape since the 20th century. Nicolas Waltefaugle's photographs show the relentless fight of these constructions against the ocean. They are printed in 2 colors, matt black and a spectacular chrome ink, exclusive to Lézard graphique silkscreen workshop, which reflects light like a mirror. The series of 8 posters (5 landscape and 3 portrait formats) are available at www.kantia.eu
- Kantia, éditeur d’images
- 500 × 700 mm
- Silkscreen, 2 colors
- Lézard graphique
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Typeface:
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Metallic
duotone
Kantia
- 2021
Les 2 Scènes — Programme
- 2021
Les 2 Scènes — Programme
Annual programme for the season 2021-2022 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations). 80 p.
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