Thomas Huot-Marchand

Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.

2012
Scène nationale de Besançon — Prologue
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2012
Scène nationale de Besançon — Prologue
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The visual identity of the Théâtre musical was based on an eye. In June 2012, the Scène nationale de Besançon joined two theatres, the Théâtre musical (Théâtre Ledoux, which interiors are all blue) and the Théâtre de l’Espace (all red), in one single institution. To communicate on this major change, I proposed to design a new identity in two spot colors, blue and red, and use anaglyphic glasses two see what’s happening in one place or the other: it was time to use both eyes. Text appears or disappears in the blink of an eye ! In the Pre-programme for the season 2012-2013, Nicolas Waltefaugle did a photo shoot in the stage decor workshop with the whole new team. Photographs are superposed too, to create mini-animations. 40,000 anaglyphic glasses were distributed with the booklets, and we even designed some fancy pairs with Adélaïde Racca. 32 pages

Scène nationale de Besançon
160 × 220 mm
Offset, 4 colors
Imprimeur Simon, Ornans
Typeface: Garaje Mononi
Les 2 Scènes Besançon duotone anaglyphs

2013
Scène nationale de Besançon — Programme
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2013
Scène nationale de Besançon — Programme
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Annual programme for the season 2013-2014 of the Scène nationale de Besançon.

Scène nationale de Besançon
160 × 220 mm
Offset, 4 colors
Imprimeur Simon, Ornans
Typeface: Garaje Mononi
Les 2 Scènes Besançon duotone fluo

2019
Les 2 Scènes — Themes
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2019
Les 2 Scènes — Themes
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Thematical posters for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations).

Les 2 Scènes
1180 × 1750 mm
Silkscreen, 2 / 3 colors
Lézard graphique
Typeface: Garaje Walbaum
theater Les 2 Scènes Besançon fluo Jochen Gerner

2012
Scène nationale de Besançon — Programme
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2012
Scène nationale de Besançon — Programme
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Annual programme for the season 2012-2013 of the Scène nationale de Besançon. An image never appears alone: two are superimposed, one in blue, the other in red, which creates surprising encounters. Despite the huge diversity of the iconography, often provided by the companies, this radical treatment gives a global consistency to the series. The programme is distributed with a pair of anaglyphic glasses, to animate texts and pictures in a glimpse of an eye. 132 p.

Scène nationale de Besançon
160 × 220 mm
Offset, 2x2 colors
Imprimeur Simon, Ornans
Typeface: Garaje Mononi
Les 2 Scènes Besançon duotone anaglyphs

2015
MM — Sarkis
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2015
MM — Sarkis
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Catalogue of the exhibition “Sarkis, Les Pôles des aimants”, Musée du château des ducs de Wurtemberg, June 2014 – January 2015. 80 p.

Musées de Montbéliard
160 × 220 mm
Offset
Schraag
Typeface: MM Sans MM Serif
Musées de Montbéliard art

2012
MM — Archéologies contemporaines
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2012
MM — Archéologies contemporaines
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Catalogue of the exhibition “Archéologies contemporaines”, Musée du château des ducs de Wurtemberg, June – October 2012. 96 p.

Musées de Montbéliard
160 × 220 mm
Offset, CMYK
Estimprim
Typeface: MM Sans MM Serif
Musées de Montbéliard art

2013
Kantia — Hommage à Pavlovski
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2013
Kantia — Hommage à Pavlovski
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Born in Russia, André Pavlovski (1891-1961) brought modernism to basque architecture in the 1930s. For its first publication, I proposed to Kantia editor, based in Saint-Jean-de-Luz (in a beautiful Pavlovski house) to imagine a series of poster inspired by his most emblematic work, the Harbor Lights of the city. Two asymetrical towers, on both sides of the port, one in white and red (Saint-Jean) the other in white and green (Ciboure). I studied Pavlovsky architecural vocabulary, made of flat asymetrical surfaces and geometry, and proposed a complex graphic system to produce a series of posters. 4 compositions present one view of Saint-Jean, one of Ciboure, and two of both harbor lights, in 3 colors : Blue, Red and Green. Blue defines the sky and the silhouettes of the buildings : printed in split fountain, it evolves from dawn to dusk. The composition allows green and red colors to be combined upside up and upside down, to reveal several views of the harbors, and create imaginary ones. In one single print-run, 168 different posters were produced with Lézard Graphique, in Brumath. Some posters are still available at www.kantia.eu.

Kantia, éditeur d’images
550 × 850 mm
Silkscreen, 3 colors
Lézard graphique
Typeface:
split fountain Kantia

2012
Ici l’Onde — Programme
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2012
Ici l’Onde — Programme
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Programme of the 3rd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 24 p.

Why Note, Dijon
290 × 420 mm
Offset, 3 colors
Imprimeur Simon, Ornans
Typeface: Antique Étroite
metallic tritone festival ici l’onde Why Note Dijon

2018
Kantia — Artha 2
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2018
Kantia — Artha 2
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The incessant storms of the 18th century defeated the natural defenses that were protecting the city of Saint-Jean-de-Luz. In the middle of the 19th century, Napoleon III ordered the construction of dykes in Socoa, Sainte Barbe et Artha, that have been part of the landscape since the 20th century. Nicolas Waltefaugle's photographs show the relentless fight of these constructions against the ocean. They are printed in 2 colors, matt black and a spectacular chrome ink, exclusive to Lézard graphique silkscreen workshop, which reflects light like a mirror. The series of 8 posters (5 landscape and 3 portrait formats) are available at www.kantia.eu

Kantia, éditeur d’images
500 × 700 mm
Silkscreen, 2 colors
Lézard graphique
Typeface:
Metallic duotone Kantia

2021
TPE — Programme
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2021
TPE — Programme
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Annual programme for the season 2021-2022 of the Théâtre Paul Éluard, in Bezons.

Théâtre Paul Éluard, Bezons
190 × 270 mm
Offset, CMYK
Imprimeur Simon, Ornans
Typeface: Plaak IBM Plex
CMYK theater TPE

2021
Bordures 2021
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2021
Bordures 2021
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Poster for the 2021 edition of BORDURES Festival in Langon
(PLAN B: 2020 edition postponed during pandemic)

Bordures
400x600mm
Offset
Typeface: Garaje
music festival black & white

2020
TPE — Programme
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2020
TPE — Programme
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Annual programme for the season 2020-2021 of the Théâtre Paul Éluard, in Bezons.

Théâtre Paul Éluard, Bezons
190 × 270 mm
Offset, CMYK
Imprimeur Simon, Ornans
Typeface: Plaak IBM Plex
CMYK theater TPE

Thomas Huot-Marchand
Typographie
Design graphique

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Thomas Huot-Marchand

Thomas Huot-Marchand
Typographie
Design graphique

Scène nationale de Besançon — Prologue

Scène nationale de Besançon — Prologue

Scène nationale de Besançon — Programme

Scène nationale de Besançon — Programme

Les 2 Scènes — Themes

Les 2 Scènes — Themes

Scène nationale de Besançon — Programme

Scène nationale de Besançon — Programme

MM — Sarkis

MM — Sarkis

MM — Archéologies contemporaines

MM — Archéologies contemporaines

Kantia — Hommage à Pavlovski

Kantia — Hommage à Pavlovski

Ici l’Onde — Programme

Ici l’Onde — Programme

Kantia — Artha 2

Kantia — Artha 2

TPE — Programme

TPE — Programme

Bordures 2021

Bordures 2021

TPE — Programme

TPE — Programme

Thomas Huot-Marchand Typographie Design graphique

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Thomas Huot-Marchand

Thomas Huot-Marchand Typographie Design graphique

Scène nationale de Besançon — Prologue

Scène nationale de Besançon — Prologue

Scène nationale de Besançon — Programme

Scène nationale de Besançon — Programme

Les 2 Scènes — Themes

Les 2 Scènes — Themes

Scène nationale de Besançon — Programme

Scène nationale de Besançon — Programme

MM — Sarkis

MM — Sarkis

MM — Archéologies contemporaines

MM — Archéologies contemporaines

Kantia — Hommage à Pavlovski

Kantia — Hommage à Pavlovski

Ici l’Onde — Programme

Ici l’Onde — Programme

Kantia — Artha 2

Kantia — Artha 2

TPE — Programme

TPE — Programme

Bordures 2021

Bordures 2021

TPE — Programme

TPE — Programme

Thomas Huot-Marchand
Typographie
Design graphique

Thomas Huot-Marchand
Typographie
Design graphique