Poster and scenography of the mineralogy exhibition “Splendeurs minérales”, Musée du château des ducs de Wurtemberg, March – October 2016. The custom lettering I designed for this poster is the starting point of Minérale typeface.

The poster for the 2012 edition is a photograph of a luminous text projected on a smoke screen.

Besançon is the birthplace of utopian socialism : Fourier, Proudhon or Victor Hugo were born here, and, in the 20th Century, huge strikes and social movements tried to implement ideas for a new society. In 2010, I was commissioned by the City to create a work of art in tribute to this historic heritage. I proposed a series of posters that would be installed on all of the city's billboards for a week. These posters expose the theories of Charles Fourier (1772-1837) and the “Théories des quatre mouvements et des destinées générales”. During the day, they show our current society. At night, when the poster is backlit, they show society as Fourier dreamed it. In collaboration with Elsa Maillot.

Poster of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. Typeset in a custom weight of Garaje, Ultra Black.

Poster for the 2021 edition of BORDURES Festival in Langon
(PLAN B: 2020 edition postponed during pandemic)

Posters for the season 2012-2013 of the Scène nationale de Besançon. An image never appears alone: two are superimposed, one in blue, the other in red, which creates surprising encounters. Despite the huge diversity of the iconography, often provided by the companies, this radical treatment gives a global consistency to the series. These posters can be seen through anaglyphic lenses.

Annual poster for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations).

Poster for the season 2020-2021 of the Théâtre Paul Éluard, in Bezons.