Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.
- 2011
Théâtre musical de Besançon — programme
- 2011
Théâtre musical de Besançon — programme
Annual programme for the Théâtre musical de Besançon. This time I completely dropped ITC Bodoni, to compose the whole programme in Mononi. Gradients appear inside the text, thanks to the wonderful stochastic print of Simon Imprimeurs.
The incessant storms of the 18th century defeated the natural defenses that were protecting the city of Saint-Jean-de-Luz. In the middle of the 19th century, Napoleon III ordered the construction of dykes in Socoa, Sainte Barbe et Artha, that have been part of the landscape since the 20th century. Nicolas Waltefaugle's photographs show the relentless fight of these constructions against the ocean. They are printed in 2 colors, matt black and a spectacular chrome ink, exclusive to Lézard graphique silkscreen workshop, which reflects light like a mirror. The series of 8 posters (5 landscape and 3 portrait formats) are available at www.kantia.eu
- Kantia, éditeur d’images
- 700 × 500 mm
- Silkscreen, 2 colors
- Lézard graphique
-
Typeface:
-
Metallic
duotone
Kantia
- 2016
MM — Splendeurs minérales
- 2016
MM — Splendeurs minérales
Poster and scenography of the mineralogy exhibition “Splendeurs minérales”, Musée du château des ducs de Wurtemberg, March – October 2016. The custom lettering I designed for this poster is the starting point of Minérale typeface.
- 2013
Émergences — Journal
- 2013
Émergences — Journal
Newspaper of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.
- 2009
Mégaphone — programme
- 2009
Mégaphone — programme
Programme of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. A small format, printed in black on a gloss coated paper. Typeset in a custom weight of Garaje, Ultra Black.
- 2020
Les 2 Scènes — Saison 20-21
- 2020
Les 2 Scènes — Saison 20-21
Posters for the season 2020-2021 of Les 2 Scènes. Illustrations by Jochen Gerner
- 2021
Les 2 Scènes — Saison 21-22
- 2021
Les 2 Scènes — Saison 21-22
Posters for the season 2021-2022 of Les 2 Scènes. In collaboration with Jochen Gerner
Catalogue of the exhibition “Jean Puy (1876-1960), Plénitude d’un fauve”, Musée du château des ducs de Wurtemberg, April – September 2016. 80 p.
The incessant storms of the 18th century defeated the natural defenses that were protecting the city of Saint-Jean-de-Luz. In the middle of the 19th century, Napoleon III ordered the construction of dykes in Socoa, Sainte Barbe et Artha, that have been part of the landscape since the 20th century. Nicolas Waltefaugle's photographs show the relentless fight of these constructions against the ocean. They are printed in 2 colors, matt black and a spectacular chrome ink, exclusive to Lézard graphique silkscreen workshop, which reflects light like a mirror. The series of 8 posters (5 landscape and 3 portrait formats) are available at www.kantia.eu
- Kantia, éditeur d’images
- 500 × 700 mm
- Silkscreen, 2 colors
- Lézard graphique
-
Typeface:
-
Metallic
duotone
Kantia
- 2013
Ici l’Onde — Programme
- 2013
Ici l’Onde — Programme
Programme of the 3rd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 24 p.
Poster of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. Typeset in a custom weight of Garaje, Ultra Black.
- 2013
Scène nationale de Besançon — Programme
- 2013
Scène nationale de Besançon — Programme
Annual programme for the season 2013-2014 of the Scène nationale de Besançon.
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