Thomas Huot-Marchand

Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.

2013
Kantia — Hommage à Pavlovski
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2013
Kantia — Hommage à Pavlovski
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Born in Russia, André Pavlovski (1891-1961) brought modernism to basque architecture in the 1930s. For its first publication, I proposed to Kantia editor, based in Saint-Jean-de-Luz (in a beautiful Pavlovski house) to imagine a series of poster inspired by his most emblematic work, the Harbor Lights of the city. Two asymetrical towers, on both sides of the port, one in white and red (Saint-Jean) the other in white and green (Ciboure). I studied Pavlovsky architecural vocabulary, made of flat asymetrical surfaces and geometry, and proposed a complex graphic system to produce a series of posters. 4 compositions present one view of Saint-Jean, one of Ciboure, and two of both harbor lights, in 3 colors : Blue, Red and Green. Blue defines the sky and the silhouettes of the buildings : printed in split fountain, it evolves from dawn to dusk. The composition allows green and red colors to be combined upside up and upside down, to reveal several views of the harbors, and create imaginary ones. In one single print-run, 168 different posters were produced with Lézard Graphique, in Brumath. Some posters are still available at www.kantia.eu.

Kantia, éditeur d’images
550 × 850 mm
Silkscreen, 3 colors
Lézard graphique
Typeface:
split fountain Kantia

2014
Émergences — Posters
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2014
Émergences — Posters
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Gig posters of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. Illustrations by Adrien Houillère

Ville de Besançon
297 × 420 mm
Offset, 1 color
Imprimeur Simon, Ornans
Typeface: Antique Étroite
black & white festival Émergences Besançon

2011
Émergences
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2011
Émergences
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Poster of the 4th edition of the festival Émergences, a week dedicated to young creation in Besançon. Black + Gloss varnish. Selected in Chaumont design graphique festival.

Ville de Besançon
1180 × 1750 mm
Silkscreen, Black + varnish
Mignotgraphie
Typeface: Antique Étroite
black & white festival Émergences Besançon

2017
Les 2 Scènes
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2017
Les 2 Scènes
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Annual poster for the season 2017-2018 of Les 2 Scènes. Developed in augmented reality : the printed poster activate a video and online contents, via a specific app.

Les 2 Scènes
1180 × 1750 mm
Silkscreen, 4 colors
Lézard graphique
Typeface: Garaje Minuscule
theater Les 2 Scènes Besançon fluo

2014
Les 2 Scènes — Themes
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2014
Les 2 Scènes — Themes
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Thematical posters for the season 2014-2015 of the Scène nationale de Besançon. The screens are mixed during printing, to obtain several versions of the posters, superimposing the colors and the images.

Les 2 Scènes
1180 × 1750 mm
Silkscreen, 3 colors
Lézard graphique
Typeface: Garaje
theater Les 2 Scènes Besançon tritone

2012
Scène nationale de Besançon — Programme
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2012
Scène nationale de Besançon — Programme
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Annual programme for the season 2012-2013 of the Scène nationale de Besançon. An image never appears alone: two are superimposed, one in blue, the other in red, which creates surprising encounters. Despite the huge diversity of the iconography, often provided by the companies, this radical treatment gives a global consistency to the series. The programme is distributed with a pair of anaglyphic glasses, to animate texts and pictures in a glimpse of an eye. 132 p.

Scène nationale de Besançon
160 × 220 mm
Offset, 2x2 colors
Imprimeur Simon, Ornans
Typeface: Garaje Mononi
Les 2 Scènes Besançon duotone anaglyphs

2019
TPE — Programme
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2019
TPE — Programme
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Annual programme for the season 2019-2020 of the Théâtre Paul Éluard, in Bezons.

Théâtre Paul Éluard, Bezons
190 × 270 mm
Offset, CMYK
Imprimeur Simon, Ornans
Typeface: Plaak IBM Plex
CMYK theater TPE

2011
Le Son en scène
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2011
Le Son en scène
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Poster of the 2nd edition of the festival Le Son en Scène, organised by Why Note in Dijon.

Why Note, Dijon
1180 × 1750 mm
Silkscreen, 3 colors
Lézard graphique
Typeface: Custom
metallic tritone festival ici l’onde Why Note Dijon

2020
Agence Adelfo Scaranello — MBAA 2
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2020
Agence Adelfo Scaranello — MBAA 2
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This publication presents the architectural project of Adelfo Scaranello for the Musée des beaux-arts et d’archéologie de Besançon, which reopened in 2018. “From the outset, says Scaranello, one thing was clear: the convictions with which the architects Pierre Marnotte (1797- 1882) and Louis Miquel (1913-1986) had worked successively on this construction had gradually disappeared. […] Restoring the integrity of these architectures within a new project is not about historising but is a way of transforming the links between these two figures.” This 2nd volume shows the scenography of the Museum. Typeset in a modified version of GF Montserrat (OFL).
Photos by Nicolas Waltefaugle & Yohan Zerdoun. 56 p.

Agence Adelfo Scaranello
200 × 273 mm
Offset, CMYK
Imprimeur Simon, Ornans
Typeface: GF Montserrat modified
exhibition architecture

2018
Kantia — Artha 2
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2018
Kantia — Artha 2
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The incessant storms of the 18th century defeated the natural defenses that were protecting the city of Saint-Jean-de-Luz. In the middle of the 19th century, Napoleon III ordered the construction of dykes in Socoa, Sainte Barbe et Artha, that have been part of the landscape since the 20th century. Nicolas Waltefaugle's photographs show the relentless fight of these constructions against the ocean. They are printed in 2 colors, matt black and a spectacular chrome ink, exclusive to Lézard graphique silkscreen workshop, which reflects light like a mirror. The series of 8 posters (5 landscape and 3 portrait formats) are available at www.kantia.eu

Kantia, éditeur d’images
500 × 700 mm
Silkscreen, 2 colors
Lézard graphique
Typeface:
Metallic duotone Kantia

2017
Étincelle — programme
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2017
Étincelle — programme
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Annual programme for the season 2017-2018 of L’Étincelle, Théâtre de la ville de Rouen. 104 p.

L’Étincelle, Théâtre de la ville de Rouen
140 × 210 mm
Offset, 5 colors
Imprimeur Simon, Ornans
Typeface: Minérale Infini
Metallic Étincelle theater Rouen

2016
Les 2 Scènes — Programme
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2016
Les 2 Scènes — Programme
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Annual programme for the season 2016-2017 of Les 2 Scènes. 80 p.

Les 2 Scènes
160 × 220 mm
Offset, CMYK
Imprimeur Simon, Ornans
Typeface: Garaje Minuscule
theater Les 2 Scènes Besançon CMYK

Thomas Huot-Marchand
Typographie
Design graphique

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Thomas Huot-Marchand

Thomas Huot-Marchand
Typographie
Design graphique

Kantia — Hommage à Pavlovski

Kantia — Hommage à Pavlovski

Émergences — Posters

Émergences — Posters

Émergences

Émergences

Les 2 Scènes

Les 2 Scènes

Les 2 Scènes — Themes

Les 2 Scènes — Themes

Scène nationale de Besançon — Programme

Scène nationale de Besançon — Programme

TPE — Programme

TPE — Programme

Le Son en scène

Le Son en scène

Agence Adelfo Scaranello — MBAA 2

Agence Adelfo Scaranello — MBAA 2

Kantia — Artha 2

Kantia — Artha 2

Étincelle — programme

Étincelle — programme

Les 2 Scènes — Programme

Les 2 Scènes — Programme

Thomas Huot-Marchand Typographie Design graphique

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Thomas Huot-Marchand

Thomas Huot-Marchand Typographie Design graphique

Kantia — Hommage à Pavlovski

Kantia — Hommage à Pavlovski

Émergences — Posters

Émergences — Posters

Émergences

Émergences

Les 2 Scènes

Les 2 Scènes

Les 2 Scènes — Themes

Les 2 Scènes — Themes

Scène nationale de Besançon — Programme

Scène nationale de Besançon — Programme

TPE — Programme

TPE — Programme

Le Son en scène

Le Son en scène

Agence Adelfo Scaranello — MBAA 2

Agence Adelfo Scaranello — MBAA 2

Kantia — Artha 2

Kantia — Artha 2

Étincelle — programme

Étincelle — programme

Les 2 Scènes — Programme

Les 2 Scènes — Programme

Thomas Huot-Marchand
Typographie
Design graphique

Thomas Huot-Marchand
Typographie
Design graphique