Thomas Huot-Marchand

Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.

2018
Kantia — Artha
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2018
Kantia — Artha
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The incessant storms of the 18th century defeated the natural defenses that were protecting the city of Saint-Jean-de-Luz. In the middle of the 19th century, Napoleon III ordered the construction of dykes in Socoa, Sainte Barbe et Artha, that have been part of the landscape since the 20th century. Nicolas Waltefaugle's photographs show the relentless fight of these constructions against the ocean. They are printed in 2 colors, matt black and a spectacular chrome ink, exclusive to Lézard graphique silkscreen workshop, which reflects light like a mirror. The series of 8 posters (5 landscape and 3 portrait formats) are available at www.kantia.eu

Kantia, éditeur d’images
700 × 500 mm
Silkscreen, 2 colors
Lézard graphique
Typeface:
Metallic duotone Kantia

2019
Les 2 Scènes — Saison
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2019
Les 2 Scènes — Saison
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Annual poster for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations).

Les 2 Scènes
1180 × 1750 mm
Silkscreen, 4 colors
Lézard graphique
Typeface: Garaje Minuscule
theater Les 2 Scènes Besançon fluo Jochen Gerner

2009
Mégaphone
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2009
Mégaphone
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Poster of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. Typeset in a custom weight of Garaje, Ultra Black.

Why Note / Zutique, Dijon
1180 × 1750 mm
Silkscreen, 1 color
Mignotgraphie
Typeface: Garaje
black & white festival megaphone Dijon

2010
Miqi O. Untold
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2010
Miqi O. Untold
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Artwork for the 1st volume of the EP UNTOLD of my friend Miqi O. FKDB Prod.

Miqi O.
Typeface: Akzidenz Grotesk
duotone music

2020
Les 2 Scènes — Saison 20-21
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2020
Les 2 Scènes — Saison 20-21
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Posters for the season 2020-2021 of Les 2 Scènes. Illustrations by Jochen Gerner

Les 2 Scènes
1180 × 1750 mm
Silkscreen, 4 colors
Lézard graphique
Typeface: Album Sans
theater Les 2 Scènes Besançon Jochen Gerner

2018
Kantia — Artha 2
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2018
Kantia — Artha 2
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Kantia, éditeur d’images
500 × 700 mm
Silkscreen, 2 colors
Lézard graphique
Typeface:
Metallic duotone Kantia

2011
Émergences — Journal
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2011
Émergences — Journal
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Newspaper of the 4th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.

Ville de Besançon
297 × 420 mm
Offset, 1 color
Imprimeur Simon, Ornans
Typeface: Antique Étroite
black & white festival Émergences Besançon

2013
Émergences — Journal
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2013
Émergences — Journal
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Newspaper of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.

Ville de Besançon
297 × 420 mm
Offset, 1 color
Imprimeur Simon, Ornans
Typeface: Antique Étroite
black & white festival Émergences Besançon

2003
VLAN!
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2003
VLAN!
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A non-rectangular catalogue of Cécile Meynier exhibition Vlan ! At the Château Pertusier. With Nicolas Bardey. 32 p.

Le Pavé dans la mare
200 × 300 mm
Offset, CMYK
Empreinte Imprimeurs
Typeface: Garaje
art CMYK

2013
Scène nationale de Besançon — Programme
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2013
Scène nationale de Besançon — Programme
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Annual programme for the season 2013-2014 of the Scène nationale de Besançon.

Scène nationale de Besançon
160 × 220 mm
Offset, 4 colors
Imprimeur Simon, Ornans
Typeface: Garaje Mononi
Les 2 Scènes Besançon duotone fluo

2022
TPE — Programme
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2022
TPE — Programme
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Annual programme for the season 2022-2023 of the Théâtre Paul Éluard, in Bezons.

Théâtre Paul Éluard, Bezons
190 × 270 mm
Offset, CMYK
Imprimeur Simon, Ornans
Typeface: Plaak IBM Plex
CMYK theater TPE

2013
Kantia — Hommage à Pavlovski
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2013
Kantia — Hommage à Pavlovski
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Born in Russia, André Pavlovski (1891-1961) brought modernism to basque architecture in the 1930s. For its first publication, I proposed to Kantia editor, based in Saint-Jean-de-Luz (in a beautiful Pavlovski house) to imagine a series of poster inspired by his most emblematic work, the Harbor Lights of the city. Two asymetrical towers, on both sides of the port, one in white and red (Saint-Jean) the other in white and green (Ciboure). I studied Pavlovsky architecural vocabulary, made of flat asymetrical surfaces and geometry, and proposed a complex graphic system to produce a series of posters. 4 compositions present one view of Saint-Jean, one of Ciboure, and two of both harbor lights, in 3 colors : Blue, Red and Green. Blue defines the sky and the silhouettes of the buildings : printed in split fountain, it evolves from dawn to dusk. The composition allows green and red colors to be combined upside up and upside down, to reveal several views of the harbors, and create imaginary ones. In one single print-run, 168 different posters were produced with Lézard Graphique, in Brumath. Some posters are still available at www.kantia.eu.

Kantia, éditeur d’images
550 × 850 mm
Silkscreen, 3 colors
Lézard graphique
Typeface:
split fountain Kantia

Thomas Huot-Marchand
Typographie
Design graphique

✕

Thomas Huot-Marchand

Thomas Huot-Marchand
Typographie
Design graphique

Kantia — Artha

Kantia — Artha

Les 2 Scènes — Saison

Les 2 Scènes — Saison

Mégaphone

Mégaphone

Miqi O. Untold

Miqi O. Untold

Les 2 Scènes — Saison 20-21

Les 2 Scènes — Saison 20-21

Kantia — Artha 2

Kantia — Artha 2

Émergences — Journal

Émergences — Journal

Émergences — Journal

Émergences — Journal

VLAN!

VLAN!

Scène nationale de Besançon — Programme

Scène nationale de Besançon — Programme

TPE — Programme

TPE — Programme

Kantia — Hommage à Pavlovski

Kantia — Hommage à Pavlovski

Thomas Huot-Marchand Typographie Design graphique

✕

Thomas Huot-Marchand

Thomas Huot-Marchand Typographie Design graphique

Kantia — Artha

Kantia — Artha

Les 2 Scènes — Saison

Les 2 Scènes — Saison

Mégaphone

Mégaphone

Miqi O. Untold

Miqi O. Untold

Les 2 Scènes — Saison 20-21

Les 2 Scènes — Saison 20-21

Kantia — Artha 2

Kantia — Artha 2

Émergences — Journal

Émergences — Journal

Émergences — Journal

Émergences — Journal

VLAN!

VLAN!

Scène nationale de Besançon — Programme

Scène nationale de Besançon — Programme

TPE — Programme

TPE — Programme

Kantia — Hommage à Pavlovski

Kantia — Hommage à Pavlovski

Thomas Huot-Marchand
Typographie
Design graphique

Thomas Huot-Marchand
Typographie
Design graphique