Thomas Huot-Marchand

Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.

2016
MM — Splendeurs minérales
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2016
MM — Splendeurs minérales
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Poster and scenography of the mineralogy exhibition “Splendeurs minérales”, Musée du château des ducs de Wurtemberg, March – October 2016. The custom lettering I designed for this poster is the starting point of Minérale typeface.

Musées de Montbéliard
1180 × 1750 mm
digital print
Typeface: Minérale MM Sans MM Serif
Musées de Montbéliard exhibition

2015
Ici l’Onde — Programmes
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2015
Ici l’Onde — Programmes
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Trimestrials programme for Ici l’Onde, for the season 2015-2016. In 2015, Why Note wanted to go back to its punk-indie roots, and get rid of the spectacular photographic effects used in the posters of the previous editions. I proposed a fanzine-like layout, using voluntary offsets and misalignments.

Why Note
100 × 150 mm
Offset, 2 colors
Imprimeur Simon, Ornans
Typeface: Antique Étroite
metallic duotone festival ici l’onde Why Note Dijon

2013
Kantia — Hommage à Pavlovski
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2013
Kantia — Hommage à Pavlovski
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Born in Russia, André Pavlovski (1891-1961) brought modernism to basque architecture in the 1930s. For its first publication, I proposed to Kantia editor, based in Saint-Jean-de-Luz (in a beautiful Pavlovski house) to imagine a series of poster inspired by his most emblematic work, the Harbor Lights of the city. Two asymetrical towers, on both sides of the port, one in white and red (Saint-Jean) the other in white and green (Ciboure). I studied Pavlovsky architecural vocabulary, made of flat asymetrical surfaces and geometry, and proposed a complex graphic system to produce a series of posters. 4 compositions present one view of Saint-Jean, one of Ciboure, and two of both harbor lights, in 3 colors : Blue, Red and Green. Blue defines the sky and the silhouettes of the buildings : printed in split fountain, it evolves from dawn to dusk. The composition allows green and red colors to be combined upside up and upside down, to reveal several views of the harbors, and create imaginary ones. In one single print-run, 168 different posters were produced with Lézard Graphique, in Brumath. Some posters are still available at www.kantia.eu.

Kantia, éditeur d’images
550 × 850 mm
Silkscreen, 3 colors
Lézard graphique
Typeface:
split fountain Kantia

2017
Les 2 Scènes
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2017
Les 2 Scènes
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Annual poster for the season 2017-2018 of Les 2 Scènes. Developed in augmented reality : the printed poster activate a video and online contents, via a specific app.

Les 2 Scènes
1180 × 1750 mm
Silkscreen, 4 colors
Lézard graphique
Typeface: Garaje Minuscule
theater Les 2 Scènes Besançon fluo

2018
Les 2 Scènes — Programme
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2018
Les 2 Scènes — Programme
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Annual programme for the season 2018-2019 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

Les 2 Scènes
160 × 220 mm
Offset, CMYK
Imprimeur Simon, Ornans
Typeface: Garaje Minuscule
theater Les 2 Scènes Besançon CMYK

2013
Scène nationale de Besançon — Themes
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2013
Scène nationale de Besançon — Themes
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Thematical posters for the season 2013-2014 of the Scène nationale de Besançon. For this 2nd season, the plaette is a bit broader : I added a neon yellow to the blue / red pair.

Scène nationale de Besançon
1180 × 1750 mm
Silkscreen, 3 colors
Lézard graphique
Typeface: Garaje
Les 2 Scènes Besançon tritone anaglyphs

2010
Miqi O. Untold
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2010
Miqi O. Untold
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Artwork for the 1st volume of the EP UNTOLD of my friend Miqi O. FKDB Prod.

Miqi O.
Typeface: Akzidenz Grotesk
duotone music

2021
Bordures 2021
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2021
Bordures 2021
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Poster for the 2021 edition of BORDURES Festival in Langon
(PLAN B: 2020 edition postponed during pandemic)

Bordures
400x600mm
Offset
Typeface: Garaje
music festival black & white

2018
13th hommage to Morteza Momayez
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2018
13th hommage to Morteza Momayez
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Poster for Thomas Huot-Marchand solo exhibition at the Iran Artists Forum in Tehran, in November 2018.

Momayez Foundation, Tehran
500 × 700 mm
digital print
Typeface: Walbaum Plain
CMYK exhibition

2012
Scène nationale de Besançon — Posters
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2012
Scène nationale de Besançon — Posters
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Posters for the season 2012-2013 of the Scène nationale de Besançon. An image never appears alone: two are superimposed, one in blue, the other in red, which creates surprising encounters. Despite the huge diversity of the iconography, often provided by the companies, this radical treatment gives a global consistency to the series. These posters can be seen through anaglyphic lenses.

Scène nationale de Besançon
400 × 600 mm
Offset, 2 colors
Imprimeur Simon, Ornans
Typeface: Garaje Mononi
Les 2 Scènes Besançon duotone anaglyphs

2012
Scène nationale de Besançon — Prologue
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2012
Scène nationale de Besançon — Prologue
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The visual identity of the Théâtre musical was based on an eye. In June 2012, the Scène nationale de Besançon joined two theatres, the Théâtre musical (Théâtre Ledoux, which interiors are all blue) and the Théâtre de l’Espace (all red), in one single institution. To communicate on this major change, I proposed to design a new identity in two spot colors, blue and red, and use anaglyphic glasses two see what’s happening in one place or the other: it was time to use both eyes. Text appears or disappears in the blink of an eye ! In the Pre-programme for the season 2012-2013, Nicolas Waltefaugle did a photo shoot in the stage decor workshop with the whole new team. Photographs are superposed too, to create mini-animations. 40,000 anaglyphic glasses were distributed with the booklets, and we even designed some fancy pairs with Adélaïde Racca. 32 pages

Scène nationale de Besançon
160 × 220 mm
Offset, 4 colors
Imprimeur Simon, Ornans
Typeface: Garaje Mononi
Les 2 Scènes Besançon duotone anaglyphs

2013
Émergences
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2013
Émergences
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Poster of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Black. Selected in Chaumont design graphique festival.

Ville de Besançon
1180 × 1750 mm
Silkscreen, 2 color
Lézard graphique, Brumath
Typeface: Antique Étroite
black & white festival Émergences Besançon

Thomas Huot-Marchand
Typographie
Design graphique

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Thomas Huot-Marchand

Thomas Huot-Marchand
Typographie
Design graphique

MM — Splendeurs minérales

MM — Splendeurs minérales

Ici l’Onde — Programmes

Ici l’Onde — Programmes

Kantia — Hommage à Pavlovski

Kantia — Hommage à Pavlovski

Les 2 Scènes

Les 2 Scènes

Les 2 Scènes — Programme

Les 2 Scènes — Programme

Scène nationale de Besançon — Themes

Scène nationale de Besançon — Themes

Miqi O. Untold

Miqi O. Untold

Bordures 2021

Bordures 2021

13th hommage to Morteza Momayez

13th hommage to Morteza Momayez

Scène nationale de Besançon — Posters

Scène nationale de Besançon — Posters

Scène nationale de Besançon — Prologue

Scène nationale de Besançon — Prologue

Émergences

Émergences

Thomas Huot-Marchand Typographie Design graphique

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Thomas Huot-Marchand

Thomas Huot-Marchand Typographie Design graphique

MM — Splendeurs minérales

MM — Splendeurs minérales

Ici l’Onde — Programmes

Ici l’Onde — Programmes

Kantia — Hommage à Pavlovski

Kantia — Hommage à Pavlovski

Les 2 Scènes

Les 2 Scènes

Les 2 Scènes — Programme

Les 2 Scènes — Programme

Scène nationale de Besançon — Themes

Scène nationale de Besançon — Themes

Miqi O. Untold

Miqi O. Untold

Bordures 2021

Bordures 2021

13th hommage to Morteza Momayez

13th hommage to Morteza Momayez

Scène nationale de Besançon — Posters

Scène nationale de Besançon — Posters

Scène nationale de Besançon — Prologue

Scène nationale de Besançon — Prologue

Émergences

Émergences

Thomas Huot-Marchand
Typographie
Design graphique

Thomas Huot-Marchand
Typographie
Design graphique