Thomas Huot-Marchand

Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.

2014
Les 2 Scènes — Themes
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2014
Les 2 Scènes — Themes
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Thematical posters for the season 2014-2015 of the Scène nationale de Besançon. The screens are mixed during printing, to obtain several versions of the posters, superimposing the colors and the images.

Les 2 Scènes
1180 × 1750 mm
Silkscreen, 3 colors
Lézard graphique
Typeface: Garaje
theater Les 2 Scènes Besançon tritone

2013
Kantia — Hommage à Pavlovski
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2013
Kantia — Hommage à Pavlovski
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Born in Russia, André Pavlovski (1891-1961) brought modernism to basque architecture in the 1930s. For its first publication, I proposed to Kantia editor, based in Saint-Jean-de-Luz (in a beautiful Pavlovski house) to imagine a series of poster inspired by his most emblematic work, the Harbor Lights of the city. Two asymetrical towers, on both sides of the port, one in white and red (Saint-Jean) the other in white and green (Ciboure). I studied Pavlovsky architecural vocabulary, made of flat asymetrical surfaces and geometry, and proposed a complex graphic system to produce a series of posters. 4 compositions present one view of Saint-Jean, one of Ciboure, and two of both harbor lights, in 3 colors : Blue, Red and Green. Blue defines the sky and the silhouettes of the buildings : printed in split fountain, it evolves from dawn to dusk. The composition allows green and red colors to be combined upside up and upside down, to reveal several views of the harbors, and create imaginary ones. In one single print-run, 168 different posters were produced with Lézard Graphique, in Brumath. Some posters are still available at www.kantia.eu.

Kantia, éditeur d’images
550 × 850 mm
Silkscreen, 3 colors
Lézard graphique
Typeface:
split fountain Kantia

2017
Étincelle — programme
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2017
Étincelle — programme
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Annual programme for the season 2017-2018 of L’Étincelle, Théâtre de la ville de Rouen. 104 p.

L’Étincelle, Théâtre de la ville de Rouen
140 × 210 mm
Offset, 5 colors
Imprimeur Simon, Ornans
Typeface: Minérale Infini
Metallic Étincelle theater Rouen

2015
Ici l’Onde — Programmes
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2015
Ici l’Onde — Programmes
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Trimestrials programme for Ici l’Onde, for the season 2015-2016. In 2015, Why Note wanted to go back to its punk-indie roots, and get rid of the spectacular photographic effects used in the posters of the previous editions. I proposed a fanzine-like layout, using voluntary offsets and misalignments.

Why Note
100 × 150 mm
Offset, 2 colors
Imprimeur Simon, Ornans
Typeface: Antique Étroite
metallic duotone festival ici l’onde Why Note Dijon

2013
Ici l’Onde — Programme
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2013
Ici l’Onde — Programme
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Programme of the 3rd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 24 p.

Why Note, Dijon
100 × 150 mm
Offset, 3 colors
Imprimeur Simon, Ornans
Typeface: Antique Étroite
metallic duotone festival ici l’onde Why Note Dijon

2021
Bordures 2021
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2021
Bordures 2021
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Poster for the 2021 edition of BORDURES Festival in Langon
(PLAN B: 2020 edition postponed during pandemic)

Bordures
400x600mm
Offset
Typeface: Garaje
music festival black & white

2018
Kantia — Artha
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2018
Kantia — Artha
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The incessant storms of the 18th century defeated the natural defenses that were protecting the city of Saint-Jean-de-Luz. In the middle of the 19th century, Napoleon III ordered the construction of dykes in Socoa, Sainte Barbe et Artha, that have been part of the landscape since the 20th century. Nicolas Waltefaugle's photographs show the relentless fight of these constructions against the ocean. They are printed in 2 colors, matt black and a spectacular chrome ink, exclusive to Lézard graphique silkscreen workshop, which reflects light like a mirror. The series of 8 posters (5 landscape and 3 portrait formats) are available at www.kantia.eu

Kantia, éditeur d’images
700 × 500 mm
Silkscreen, 2 colors
Lézard graphique
Typeface:
Metallic duotone Kantia

2011
Ici l’Onde — Programme
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2011
Ici l’Onde — Programme
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Programme of the 2nd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 32 p.

Why Note, Dijon
100 × 150 mm
Offset, 3 colors
Imprimeur Simon, Ornans
Typeface: Antique Étroite
metallic tritone festival ici l’onde Why Note Dijon

2012
Scène nationale de Besançon — Posters
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2012
Scène nationale de Besançon — Posters
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Posters for the season 2012-2013 of the Scène nationale de Besançon. An image never appears alone: two are superimposed, one in blue, the other in red, which creates surprising encounters. Despite the huge diversity of the iconography, often provided by the companies, this radical treatment gives a global consistency to the series. These posters can be seen through anaglyphic lenses.

Scène nationale de Besançon
400 × 600 mm
Offset, 2 colors
Imprimeur Simon, Ornans
Typeface: Garaje Mononi
Les 2 Scènes Besançon duotone anaglyphs

2009
Mégaphone — programme
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2009
Mégaphone — programme
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Programme of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. A small format, printed in black on a gloss coated paper. Typeset in a custom weight of Garaje, Ultra Black.

Why Note / Zutique, Dijon
100 × 150 mm
Offset, 1 color
Imprimeur Simon, Ornans
Typeface: Garaje
black & white festival megaphone Dijon

2013
Émergences
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2013
Émergences
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Poster of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Black. Selected in Chaumont design graphique festival.

Ville de Besançon
1180 × 1750 mm
Silkscreen, 2 color
Lézard graphique, Brumath
Typeface: Antique Étroite
black & white festival Émergences Besançon

2021
TPE — Programme
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2021
TPE — Programme
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Annual programme for the season 2021-2022 of the Théâtre Paul Éluard, in Bezons.

Théâtre Paul Éluard, Bezons
190 × 270 mm
Offset, CMYK
Imprimeur Simon, Ornans
Typeface: Plaak IBM Plex
CMYK theater TPE

Thomas Huot-Marchand
Typographie
Design graphique

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Thomas Huot-Marchand

Thomas Huot-Marchand
Typographie
Design graphique

Les 2 Scènes — Themes

Les 2 Scènes — Themes

Kantia — Hommage à Pavlovski

Kantia — Hommage à Pavlovski

Étincelle — programme

Étincelle — programme

Ici l’Onde — Programmes

Ici l’Onde — Programmes

Ici l’Onde — Programme

Ici l’Onde — Programme

Bordures 2021

Bordures 2021

Kantia — Artha

Kantia — Artha

Ici l’Onde — Programme

Ici l’Onde — Programme

Scène nationale de Besançon — Posters

Scène nationale de Besançon — Posters

Mégaphone — programme

Mégaphone — programme

Émergences

Émergences

TPE — Programme

TPE — Programme

Thomas Huot-Marchand Typographie Design graphique

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Thomas Huot-Marchand

Thomas Huot-Marchand Typographie Design graphique

Les 2 Scènes — Themes

Les 2 Scènes — Themes

Kantia — Hommage à Pavlovski

Kantia — Hommage à Pavlovski

Étincelle — programme

Étincelle — programme

Ici l’Onde — Programmes

Ici l’Onde — Programmes

Ici l’Onde — Programme

Ici l’Onde — Programme

Bordures 2021

Bordures 2021

Kantia — Artha

Kantia — Artha

Ici l’Onde — Programme

Ici l’Onde — Programme

Scène nationale de Besançon — Posters

Scène nationale de Besançon — Posters

Mégaphone — programme

Mégaphone — programme

Émergences

Émergences

TPE — Programme

TPE — Programme

Thomas Huot-Marchand
Typographie
Design graphique

Thomas Huot-Marchand
Typographie
Design graphique