Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.
- 2016
Les 2 Scènes — Orchestre
- 2016
Les 2 Scènes — Orchestre
Posters for the season 2015-2016 of Les 2 Scènes, for the concerts of the Orchestre Victor Hugo Franche-Comté.
- 2021
Les 2 Scènes — Saison 21-22
- 2021
Les 2 Scènes — Saison 21-22
Posters for the season 2021-2022 of Les 2 Scènes. In collaboration with Jochen Gerner
- 2019
Les 2 Scènes — Themes
- 2019
Les 2 Scènes — Themes
Thematical posters for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations).
- 2007
Musiques de Rues Identity
- 2007
Musiques de Rues Identity
Visual identity of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space. It mixes zebras, fluorescent inks and Garaje.
- 2013
Émergences — Journal
- 2013
Émergences — Journal
Newspaper of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.
- 2012
Scène nationale de Besançon — Posters
- 2012
Scène nationale de Besançon — Posters
Posters for the season 2012-2013 of the Scène nationale de Besançon. An image never appears alone: two are superimposed, one in blue, the other in red, which creates surprising encounters. Despite the huge diversity of the iconography, often provided by the companies, this radical treatment gives a global consistency to the series. These posters can be seen through anaglyphic lenses.
- 2020
Les 2 Scènes — Saison 20-21
- 2020
Les 2 Scènes — Saison 20-21
Posters for the season 2020-2021 of Les 2 Scènes. Illustrations by Jochen Gerner
- 2008
Théâtre musical de Besançon — Identity
- 2008
Théâtre musical de Besançon — Identity
Le Théâtre musical de Besançon (dir. Loïc Boissier) was created in 2008: it occupies Besançon Municipal Theater, an exceptional building by Claude-Nicolas Ledoux. The theater is designed according to a very innovative circular plan for the time (1786), which made it possible, in Ledoux's initial project, to see the scene from everywhere. This aspect is represented in a famous engraving, “View of the Besançon Theater in an eye”. This eye and the circle are the basis of the visual identity that I designed for the Theater. To illustrate the richness and variety of its programming, an extensive color code (which covers the entire spectrum) makes it possible to identify the different registers. The character used is the Bodoni ITC, from Sumner Stone, my favorite digital revival of the typeface cut by Giambattista Bodoni in the same year as the construction of this theater. It’s been progressively replaced by my own revival, shown here in the logotype : Mononi, a mono-linear Bodoni.
- 2011
Émergences — Journal
- 2011
Émergences — Journal
Newspaper of the 4th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.
Poster of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Black. Selected in Chaumont design graphique festival.
- 2012
Émergences — Journal
- 2012
Émergences — Journal
Newspaper of the 5th edition of the festival Émergences, a week dedicated to young creation in Besançon. Illustrations by Superseñor : Small Studio, Adrien Houillère, Renaud Vigourt, Marie-Florentine Geoffroy. 16 p.
- 2021
Les 2 Scènes — Programme
- 2021
Les 2 Scènes — Programme
Annual programme for the season 2021-2022 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations). 80 p.
next page