Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.
- 2016
Les 2 Scènes — Moire poster
- 2016
Les 2 Scènes — Moire poster
Posters for the season 2015-2016 of Les 2 Scènes. Each copy of the poster is unique : During screen printing, each sheet is slightly offset with each pass, producing a new moiré effect. Another funny game we played with my friends at Lézard graphique.
- 2016
Les 2 Scènes — Programme
- 2016
Les 2 Scènes — Programme
Annual programme for the season 2016-2017 of Les 2 Scènes. 80 p.
- 2013
Scène nationale de Besançon — Programme
- 2013
Scène nationale de Besançon — Programme
Annual programme for the season 2013-2014 of the Scène nationale de Besançon.
- 2010
Safari Fourier — Posters
- 2010
Safari Fourier — Posters
Besançon is the birthplace of utopian socialism : Fourier, Proudhon or Victor Hugo were born here, and, in the 20th Century, huge strikes and social movements tried to implement ideas for a new society. In 2010, I was commissioned by the City to create a work of art in tribute to this historic heritage. I proposed a series of posters that would be installed on all of the city's billboards for a week. These posters expose the theories of Charles Fourier (1772-1837) and the “Théories des quatre mouvements et des destinées générales”. During the day, they show our current society. At night, when the poster is backlit, they show society as Fourier dreamed it. In collaboration with Elsa Maillot.
Poster of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Black. Selected in Chaumont design graphique festival.
- 2020
Les 2 Scènes — Saison 20-21
- 2020
Les 2 Scènes — Saison 20-21
Posters for the season 2020-2021 of Les 2 Scènes. Illustrations by Jochen Gerner
- 2012
Scène nationale de Besançon — Programme
- 2012
Scène nationale de Besançon — Programme
Annual programme for the season 2012-2013 of the Scène nationale de Besançon. An image never appears alone: two are superimposed, one in blue, the other in red, which creates surprising encounters. Despite the huge diversity of the iconography, often provided by the companies, this radical treatment gives a global consistency to the series. The programme is distributed with a pair of anaglyphic glasses, to animate texts and pictures in a glimpse of an eye. 132 p.
- 2012
Scène nationale de Besançon — Prologue
- 2012
Scène nationale de Besançon — Prologue
The visual identity of the Théâtre musical was based on an eye. In June 2012, the Scène nationale de Besançon joined two theatres, the Théâtre musical (Théâtre Ledoux, which interiors are all blue) and the Théâtre de l’Espace (all red), in one single institution. To communicate on this major change, I proposed to design a new identity in two spot colors, blue and red, and use anaglyphic glasses two see what’s happening in one place or the other: it was time to use both eyes. Text appears or disappears in the blink of an eye ! In the Pre-programme for the season 2012-2013, Nicolas Waltefaugle did a photo shoot in the stage decor workshop with the whole new team. Photographs are superposed too, to create mini-animations. 40,000 anaglyphic glasses were distributed with the booklets, and we even designed some fancy pairs with Adélaïde Racca. 32 pages
- 2014
Émergences — Journal
- 2014
Émergences — Journal
Newspaper of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.
- 2019
Les 2 Scènes — Saison
- 2019
Les 2 Scènes — Saison
Annual poster for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations).
- 2013
Émergences — Journal
- 2013
Émergences — Journal
Newspaper of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.
Poster of the first edition of the festival Émergences, a week dedicated to young creation in Besançon. The initial budget was so small that I proposed not to print the programme, and put it on the poster itself. The identity and logotype has a newspaper look, printed in black on recycled paper.
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