Thomas Huot-Marchand
Typographie
Design graphique

  • 2013

  • Scène nationale de Besançon — Themes

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  • 2013

  • Scène nationale de Besançon — Themes

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Thematical posters for the season 2013-2014 of the Scène nationale de Besançon. For this 2nd season, the plaette is a bit broader : I added a neon yellow to the blue / red pair.

  • 2007

  • Musiques de Rues Identity

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  • 2007

  • Musiques de Rues Identity

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Visual identity of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space. It mixes zebras, fluorescent inks and Garaje.

  • 2010

  • Safari Fourier

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  • 2010

  • Safari Fourier

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Besançon is the birthplace of utopian socialism : Fourier, Proudhon or Victor Hugo were born here, and, in the 20th Century, huge strikes and social movements tried to implement ideas for a new society. In 2010, I was commissioned by the City to create a work of art in tribute to this historic heritage. I proposed a series of posters that would be installed on all of the city's billboards for a week. These posters expose the theories of Charles Fourier (1772-1837) and the “Théories des quatre mouvements et des destinées générales”. During the day, they show our current society. At night, when the poster is backlit, they show society as Fourier dreamed it. In collaboration with Elsa Maillot.

  • 2016

  • Les 2 Scènes — Programme

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  • 2016

  • Les 2 Scènes — Programme

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Annual programme for the season 2016-2017 of Les 2 Scènes. 80 p.

  • 2019

  • Les 2 Scènes — Saison

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  • 2019

  • Les 2 Scènes — Saison

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Annual poster for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations).

  • 2019

  • Les 2 Scènes — Themes

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  • 2019

  • Les 2 Scènes — Themes

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Thematical posters for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations).

  • 2016

  • Les 2 Scènes — Orchestre

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  • 2016

  • Les 2 Scènes — Orchestre

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Posters for the season 2015-2016 of Les 2 Scènes, for the concerts of the Orchestre Victor Hugo Franche-Comté.

  • 2005

  • Centre d'examen du permis de conduire

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  • 2005

  • Centre d'examen du permis de conduire

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Sign for the new building of the Centre (architect : Philippe Donzé, Besançon). Some letters are replaced by real road signs, which reflect the light of car headlights. Photos © Nicolas Waltefaugle

  • 1 % artistique Ministère de l’Écologie, du Transport et du Logement
  • Alucobon, prismatic adhesive film
  • Courvoisier, Saône
  • Typeface: Garaje
  • signage architecture Besançon
  • 2018

  • Les 2 Scènes — Programme

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  • 2018

  • Les 2 Scènes — Programme

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Annual programme for the season 2018-2019 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2014

  • Émergences — Posters

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  • 2014

  • Émergences — Posters

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Gig posters of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. Illustrations by Adrien Houillère

  • 2010

  • Safari Fourier — Posters

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  • 2010

  • Safari Fourier — Posters

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Besançon is the birthplace of utopian socialism : Fourier, Proudhon or Victor Hugo were born here, and, in the 20th Century, huge strikes and social movements tried to implement ideas for a new society. In 2010, I was commissioned by the City to create a work of art in tribute to this historic heritage. I proposed a series of posters that would be installed on all of the city's billboards for a week. These posters expose the theories of Charles Fourier (1772-1837) and the “Théories des quatre mouvements et des destinées générales”. During the day, they show our current society. At night, when the poster is backlit, they show society as Fourier dreamed it. In collaboration with Elsa Maillot.

  • 2012

  • Scène nationale de Besançon — Prologue

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  • 2012

  • Scène nationale de Besançon — Prologue

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The visual identity of the Théâtre musical was based on an eye. In June 2012, the Scène nationale de Besançon joined two theatres, the Théâtre musical (Théâtre Ledoux, which interiors are all blue) and the Théâtre de l’Espace (all red), in one single institution. To communicate on this major change, I proposed to design a new identity in two spot colors, blue and red, and use anaglyphic glasses two see what’s happening in one place or the other: it was time to use both eyes. Text appears or disappears in the blink of an eye ! In the Pre-programme for the season 2012-2013, Nicolas Waltefaugle did a photo shoot in the stage decor workshop with the whole new team. Photographs are superposed too, to create mini-animations. 40,000 anaglyphic glasses were distributed with the booklets, and we even designed some fancy pairs with Adélaïde Racca. 32 pages

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