• 2023
  • La Vache qui rit

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  • 2023
  • La Vache qui rit

Custom typeface for La Vache qui rit (Bel).
The specific triangular shape of the slices of this popular soft cheese appears in many details of the typeface (A counter, diacritics, quotes…)
Laughing fonts include a “Bounce” weight, with a special feature which makes the letters randomly wiggling on the baseline.
Commissioned by BETC Paris
Art Direction Éric Poupy

  • 2017
  • America × be pôles

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  • 2017
  • America × be pôles

Launched by François Busnel and Éric Fottorino, this mook tells of America, its beauty, but also its faults and cracks. Each quarter, the greatest French and American writers are invited to become the memorialists of an extraordinary era. 4 issues for 4 years: the time of Donald Trump’s presidential term.
For the header, I designed a custom lettering inspired by American typefaces, something between Woody Allen and Ralph Lauren. Lowercase m is an obvious reference to Windsor, but the wordmark is sturdier.

  • 2008
  • Calendario Groupama

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  • 2008
  • Calendario Groupama

Custom lettering for the 2008 calendar of Groupama Assicurazioni (Roma, IT), in partnership with the French Academy in Rome – Villa Medici

  • 2021
  • B31

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  • 2021
  • B31

Visual identity for B31 company, created by my friend Guillaume Lab in Nancy. Great posters for car lovers! B31 is the codename of a French sign, a white circle with a black crossbar, which means “end of all prohibitions”.

  • 2011
  • Le Son en scène

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  • 2011
  • Le Son en scène

Poster of the 2nd edition of the festival Le Son en Scène, organised by Why Note in Dijon.

  • 2017
  • 52 Battant

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  • 2017
  • 52 Battant

Wordmark and visual identity for 52 Battant, a gallery, information center and co-working place for creative people in Besançon. A set of pictograms was developed with Vincent Jacquin (Small Studio).

  • 2008
  • Funk Doubistes

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  • 2008
  • Funk Doubistes

Logotype for the Besançon crew Funk Doubistes, which organized some of the best parties in town.

  • 2002
  • ANRT 20-02

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  • 2002
  • ANRT 20-02

2002 new year’s card for ENSA Nancy, Alliance ARTEM and ANRT. The 2 is divided into 3 parts, used to decompose and recompose the text, on both sides of a coloured tracing paper

  • Atelier national de recherche typographique, Nancy
  • A5 / A3
  • Offset, 1 color
  • Utim, Nancy
  • Typeface: Custom
  • monochrome
  • 2011
  • Le Son en scène — Programme

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  • 2011
  • Le Son en scène — Programme

Programme of the 2nd edition of the festival Le Son en Scène, organised by Why Note in Dijon. 32 p.

  • 2006
  • Vesontio

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  • 2006
  • Vesontio

Booklet of the exhibition « De Vesontio à Besançon, la ville s’expose ». Collectif Territoires, avec Nicolas Bardey, Maud Buergo, Christophe Gaudard, Pascaline Minella, Yves Morel, Agences Territoires.

  • Musée des beaux-arts et d’archéologie de Besançon
  • 105 × 210 mm
  • Camponovo Bouchard
  • Typeface: Custom
  • CMYK exhibition