• 2009
  • Utopies & innovations — Typeface

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  • 2009
  • Utopies & innovations — Typeface

The Métropole Rhin-Rhône area has brought together several cities between France, Switzerland and Germany, connected in 2010 by a high-speed train line. To materialize this network, a major cultural operation was imagined, utopies & innovations. Under the general curation of Laurent Gerverau, these are 12 local themes, and dozens of exhibitions that are scheduled throughout 2010, around these concepts.
It seemed difficult to illustrate these concepts with a single image: also, I preferred to propose an alphabet, which constitutes the visual identity, and ensures the link between the multiple variations. It is used to compose the logotype, which was designed when the Metropolis had only 9 cities; they were symbolized by the 9 points that appeared in the words "utopias & innovations", like 9 points on a map, network, route ... The metropolis then moved to 16 cities, but the logo remained the same.

  • 1998
  • La Cope

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  • 1998
  • La Cope

Flyer for La Cope, a cooperative shop run by students at the school of fine arts in Besan çon. Typeset in Antique Étroite.

  • École régionale des beaux-arts de Besançon
  • 100 × 150 mm
  • Typography, 1 color
  • Pierre Voisin workshop
  • Typeface: Antique Étroite
  • black & white
  • 2018
  • Les petits corps

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  • 2018
  • Les petits corps

Talk given at ENSBA Lyon on November 6, 2018. About ophtalmogy, compact typography, marionnettes and stencils. With Louis-​Emile Javal & William Addison Dwiggins, and documents from Bruce Kennett, Eric Kindel and Fred Smeijers. ANRTABCD, Letter D

  • Atelier national de recherche typographique, Nancy
  • Typeface: Minuscule
  • ANRT
  • 2017
  • Les 2 Scènes — Programme

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  • 2017
  • Les 2 Scènes — Programme

Annual programme for the season 2017-2018 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2020
  • Gutenberg Vs Dr. Infinity

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  • 2020
  • Gutenberg Vs Dr. Infinity

On typography, pornography and infinity. Seminar given online during the Covid-19 confinement, on May 1st, 2020. With Johannes Gutenberg, Johannes Fust, Peter Schoeffer, George D. Widener, Vito Aras AKA Dr. Infinity AKA Vytautas Kerbelis, Lem & John Amaro. ANRTABCD, Letter X

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2019
  • La Fabrike

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  • 2019
  • La Fabrike

Visual identity and custom typeface for La Fabrike, architecture studio based in Besançon. In collaboration with Baptiste Plantin. Photos by Nicolas Waltefaugle, website by Thomas Bouville.

  • 2015
  • Hangar 23

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  • 2015
  • Hangar 23

Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.

  • 2019
  • Starmania × be pôles

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  • 2019
  • Starmania × be pôles

Custom lettering for the French musical Starmania, by Michel Berger and Luc Plamondon (1979), coming back in 2021. Art direction: be-pôles Paris

  • 2014
  • Automatic Type Design 1

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  • 2014
  • Automatic Type Design 1

Curation and organisation of the ANRT conference Automatic Type Design. ARTEM Campus, Nancy (France), May 6, 2014. With Jacques André (FR), Johannes Bergerhausen (DE), Frederik Berlaen (BE), Erik Van Blokland (NL), Simon Egli (CH), Alice Savoie (FR), Richard Southall (UK)… Design and website by Thomas Bouville. Automatic Type Design

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2013
  • Entrevues — Poster

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  • 2013
  • Entrevues — Poster

Poster of the 28th Film Festival Entrevues Belfort.

  • 2013
  • Entrevues — Programme

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  • 2013
  • Entrevues — Programme

For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface. The same thing happens with the images, which extend from one page to another, in a continuous thread. 180 p.

  • 2018
  • Kazuo

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  • 2018
  • Kazuo

Visual identity of Kazuo design showroom in Biarritz, France. https://kazuo.fr/showroom/

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