Thomas Huot-Marchand
Typographie
Design graphique

  • 2009

  • Théâtre musical de Besançon — cadrobus

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  • 2009

  • Théâtre musical de Besançon — cadrobus

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Monthly posters for the Théâtre musical de Besançon.

  • 2017

  • Bookster — Gulliver

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  • 2017

  • Bookster — Gulliver

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Booksters are books to hang on the wall: the full text of great literature novels are printed on a single poster. Parisian agency Maartin developed the collection, using Minuscule typeface I designed, which is highly legible in very small sizes. They asked me to design one poster, and I chose Gulliver by Jonathan Swift : an obvious choice, which becomes a giant specimen for my typeface. Texts goes from 350 pt to 1 pt size. Poster available at www.thebookstershop.com

  • 1998

  • La Cope

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  • 1998

  • La Cope

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Flyer for La Cope, a cooperative shop run by students at the school of fine arts in Besan çon. Typeset in Antique Étroite.

  • École régionale des beaux-arts de Besançon
  • 100 × 150 mm
  • Typography, 1 color
  • Pierre Voisin workshop
  • Typeface: Antique Étroite
  • black & white
  • 2008

  • Émergences

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  • 2008

  • Émergences

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Poster of the first edition of the festival Émergences, a week dedicated to young creation in Besançon. The initial budget was so small that I proposed not to print the programme, and put it on the poster itself. The identity and logotype has a newspaper look, printed in black on recycled paper.

  • 2014

  • Hangar 23 — Programme

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  • 2014

  • Hangar 23 — Programme

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Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2014

  • Les 2 Scènes — Posters

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  • 2014

  • Les 2 Scènes — Posters

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In October 2014, The Scène nationale de Besançon became Les 2 Scènes : two theaters, l’Espace and le Théâtre Ledoux, joined in a single institution. The Posters of the season 2014-2015 are made with the same typefaces and color palette, with 2 rectangles moving in the format.

  • 2020

  • Les 2 Scènes — 20-21 Posters

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  • 2020

  • Les 2 Scènes — 20-21 Posters

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Posters for the season 2020-2021 of Les 2 Scènes. Unfortunately, most of the shows were cancelled, because of the sanitary situation. Typeset in Album Sans

  • 2014

  • Rencontres du 3e Type

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  • 2014

  • Rencontres du 3e Type

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Curation and organisation of the 1st edition of the Rencontres du IIIe Type at the Bibliothèque nationale de France, Paris, on Dec. 9, 2015. With Florence Codine (FR), John Hudson (CA), Joel Kavelsmaki (USA), Sarah Kremer (FR), Marcus Phillips (UK), Marc H.Smith (FR), Andreas Stötzner (DE)… Design by Sarah Kremer, Website by Thomas Bouville. Rencontres du 3e Type

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2008

  • Théâtre musical de Besançon — Programme

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  • 2008

  • Théâtre musical de Besançon — Programme

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In the first seasonal program of the Théâtre musical, special care is given to the texts: I proposed to keep a "literary" aspect, by grouping the photographs in a separate quire. Printed on a different paper, it offers another, transversal reading of the season. In the interior pages, the colored pads identify the register: Theater, Dance, Opera, etc.

  • 2017

  • Les 2 Scènes — Programme

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  • 2017

  • Les 2 Scènes — Programme

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Annual programme for the season 2017-2018 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2019

  • La Fabrike

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  • 2019

  • La Fabrike

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Visual identity and custom typeface for La Fabrike, architecture studio based in Besançon. In collaboration with Baptiste Plantin. Photos by Nicolas Waltefaugle, website by Thomas Bouville.

  • 2010

  • La Rodia

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  • 2010

  • La Rodia

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Logotype and custom typeface of La Rodia, concert hall in Besançon.

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