• 2019
  • Les 2 Scènes

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  • 2019
  • Les 2 Scènes

Annual poster for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations).

  • 2010
  • Le Son en scène — Programme

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  • 2010
  • Le Son en scène — Programme

Programme of the 1st edition of the festival Le Son en Scène, organised by Why Note in Dijon. 32 p.

  • 2017
  • Knuth Vs. Hofstadter

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  • 2017
  • Knuth Vs. Hofstadter

In 1982, few months after the publication of Donald Knuth article The Concept of a Meta-Font, Visible Language publishes Meta-Font, Metamathematics, and Metaphysics : Comments on Donald Knuth’s « The Concept of  a  Meta-Font », by Douglas Hofstadter, an american professor of cognitive sciences. His remarks bring nuances to Knuth’s conclusions, addressing the problem from another point of view. His investigations in typography, in the field of artificial intelligence, subsequently appeared in the Letter Spirit project, where he tried to develop a program that is capable of developing an entire alphabet from a few seed letters, based on a very coarse grid. Years later, when the concepts of parametric fonts, AI and deep learning applied to type design reappeared, Hofstadter’s ideas are still relevant. Talks (FR / EN) given in Istanbul during Istype 2017, on June 10, and at the Fonderie de l'image in Paris, on November 13, 2018. ANRTABCD, Letter K

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2014
  • Entrevues — Poster

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  • 2014
  • Entrevues — Poster

Poster of the 29th Film Festival Entrevues Belfort.

  • 2010
  • Why Note

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  • 2010
  • Why Note

Visual identity of Why Note, center of musical creation in Dijon.

  • Why Note, Dijon
  • Offset, 2 colors
  • Imprimeur Simon, Ornans
  • Typeface:
  • Why Note Dijon
  • 2008
  • Histoires d’imprimeurs

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  • 2008
  • Histoires d’imprimeurs

Scenography of the exhibition “Histoires d’imprimeurs en Champagne Ardenne” (30 June – 18 Oct. 2018) at the Médiathèque de l’Agglomeration Troyenne. Typeset in Jannon, by František Štorm, a revival of Jean Jannon types, cut in Sedan (in Champagne-Ardennes) in the 17th Century.

  • 2015
  • Maison Tangible — Lip

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  • 2015
  • Maison Tangible — Lip

I collect Lip watches, especially the models of the 1970’s designed by Rudi Meyer and Roger Tallon. When my friend Aurélien Jeanney created, with Mathieu Blondeau, Maison Tangible, he first published a collection entitled Vesontio, an hommage to our city. Lip factory has an epic story here, and after a long absence, it came back to Besançon. This poster is an hommage to the iconic Lip logo, made with the silhouettes of watches. Available at Maison Tangible gallery, in Paris.

  • 2007
  • Musiques de Rues Programme

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  • 2007
  • Musiques de Rues Programme

Programme of the 2nd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space. Printed in 3 fluorescent colors + black, instead of CMYK

  • 2015
  • Émergences — programme

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  • 2015
  • Émergences — programme

Programme of the 8th edition of the festival Émergences, a week dedicated to young creation in Besançon. For this edition of Émergences, the last I designed, I made a compromise by adding a color, that of the post-it notes, a last reference to the paper medium which, glued, torn or folded, formed the basis of the identity of this event. 32 p., terribly printed by the Imprimerie municipale.

  • 2007
  • Livret de l’étudiant ERBA

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  • 2007
  • Livret de l’étudiant ERBA

Student booklet of the school of fine arts where I used to study and teach. Headlines are set in a custom weight of Garaje, Superfat.

  • École régionale des beaux-arts de Besançon
  • 148 × 210 mm
  • Laser
  • Offset minute
  • Typeface: Garaje
  • monochrome
  • 2015
  • Émergences

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  • 2015
  • Émergences

Poster of the 8th edition of the festival Émergences, a week dedicated to young creation in Besançon.

  • 2009
  • Black Meridian

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  • 2009
  • Black Meridian

Visual identity of Black Meridian, UX and UI company

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