Thomas Huot-Marchand
Typographie
Design graphique

  • 2015

  • Hangar 23

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  • 2015

  • Hangar 23

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Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.

  • 2015

  • Hangar 23 — Programme

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  • 2015

  • Hangar 23 — Programme

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Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.

  • 2012

  • Scène nationale de Besançon — Anaglyphs

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  • 2012

  • Scène nationale de Besançon — Anaglyphs

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Custom anaglyphic glasses designed for the launch of the new identity of Les 2 Scènes, in Besançon.

  • 2009

  • Totema

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  • 2009

  • Totema

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Totema is an encrypted character, adapted from the writing of the painter Klaus Ramka, who uses it in his own publications. It's up to you to unravel the mystery.
Produced with the help of Sébastien Truchet.

  • 2018

  • Le rôle de Ladislas Mandel dans le CERT et les débuts de l’ANCT

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  • 2018

  • Le rôle de Ladislas Mandel dans le CERT et les débuts de l’ANCT

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Talk (FR) given during the one-day symposium “Ladislas Mandel (1921-2006) ou l'humanisme de la lettre” at the Bibliothèque de l'Arsenal, Paris, on June 11, 2018. ANRTABCD, Letter M

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2012

  • Théâtre musical de Besançon — cadrobus

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  • 2012

  • Théâtre musical de Besançon — cadrobus

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Annual programme for the Théâtre musical de Besançon.

  • 2008

  • Théâtre musical de Besançon — Posters

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  • 2008

  • Théâtre musical de Besançon — Posters

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All the posters of the Theater are constructed from circles, in 2 colors. These abstract compositions evoke, rather than illustrate, the works. The solid colors correspond to the different disciplines.

  • 2017

  • Bookster — Gulliver

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  • 2017

  • Bookster — Gulliver

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Booksters are books to hang on the wall: the full text of great literature novels are printed on a single poster. Parisian agency Maartin developed the collection, using Minuscule typeface I designed, which is highly legible in very small sizes. They asked me to design one poster, and I chose Gulliver by Jonathan Swift : an obvious choice, which becomes a giant specimen for my typeface. Texts goes from 350 pt to 1 pt size. Poster available at www.thebookstershop.com

  • 2019

  • La Fabrike

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  • 2019

  • La Fabrike

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Visual identity and custom typeface for La Fabrike, architecture studio based in Besançon. In collaboration with Baptiste Plantin. Photos by Nicolas Waltefaugle, website by Thomas Bouville.

  • 2011

  • Le Son en scène — Programme

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  • 2011

  • Le Son en scène — Programme

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Programme of the 2nd edition of the festival Le Son en Scène, organised by Why Note in Dijon. 32 p.

  • 2016

  • Automatic Type Design 2

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  • 2016

  • Automatic Type Design 2

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Curation and organisation of the 2nd edition of the ANRT conference Automatic Type Design. ARTEM Campus, Nancy (France), November 17, 2016. With Elisa Barney Smith (USA), Bianca Berning (UK), Charles Bigelow (USA), Dave Crossland (USA), Jérémy Hornus (FR), Gerry Leonidas (UK), Yannick Mathey (FR), Laurence Penney (UK), Nick Sherman (USA)… Design and website by Thomas Bouville. Automatic Type Design

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2016

  • TYPO’&!.,-:;? ANRT

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  • 2016

  • TYPO’&!.,-:;? ANRT

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Curation and scenography, with Alice Savoie, of the exhibition “TYPO’&!.,-:;? ANRT” at the Musée de l'imprimerie et de la communication graphique, in Lyon, presenting 30 years of ANRT archives. Nov 11, 2016 - Feb. 12, 2017.

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT exhibition
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