Thomas Huot-Marchand
Typographie
Design graphique

  • 2006

  • Vesontio

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  • 2006

  • Vesontio

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Visual identity, scenography and communication of the exhibition « De Vesontio à Besançon, la ville s’expose ».

  • Musée des beaux-arts et d’archéologie de Besançon
  • 3000 m²
  • Typeface:
  • exhibition Besançon
  • 2016

  • Étincelle — programme

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  • 2016

  • Étincelle — programme

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Annual programme for the season 2016-2017 of L’Étincelle, Théâtre de la ville de Rouen. The cover reveals the grid, inspired by the Canon de Villard de Honnecourt, dividing a 2/3 format. 104 p.

  • 2010

  • Théâtre musical de Besançon — programme

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  • 2010

  • Théâtre musical de Besançon — programme

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Annual programme for the Théâtre musical de Besançon. Nobody noticed, but the cover is a data visualisation of all th shows of the season, with the color code of the disciplines covered.

  • 2020

  • Les 2 Scènes — 20-21 Posters

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  • 2020

  • Les 2 Scènes — 20-21 Posters

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Posters for the season 2020-2021 of Les 2 Scènes. Unfortunately, most of the shows were cancelled, because of the sanitary situation. Typeset in Album Sans

  • 2015

  • Les 2 Scènes

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  • 2015

  • Les 2 Scènes

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Posters for the season 2015-2016 of Les 2 Scènes.

  • 2009

  • Totema

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  • 2009

  • Totema

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Totema is an encrypted character, adapted from the writing of the painter Klaus Ramka, who uses it in his own publications. It's up to you to unravel the mystery.
Produced with the help of Sébastien Truchet.

  • 2014

  • Rencontres du 3e Type

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  • 2014

  • Rencontres du 3e Type

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Curation and organisation of the 1st edition of the Rencontres du IIIe Type at the Bibliothèque nationale de France, Paris, on Dec. 9, 2015. With Florence Codine (FR), John Hudson (CA), Joel Kavelsmaki (USA), Sarah Kremer (FR), Marcus Phillips (UK), Marc H.Smith (FR), Andreas Stötzner (DE)… Design by Sarah Kremer, Website by Thomas Bouville. Rencontres du 3e Type

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2013

  • Entrevues — Programme

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  • 2013

  • Entrevues — Programme

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For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface. The same thing happens with the images, which extend from one page to another, in a continuous thread. 180 p.

  • 2008

  • Émergences

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  • 2008

  • Émergences

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Poster of the first edition of the festival Émergences, a week dedicated to young creation in Besançon. The initial budget was so small that I proposed not to print the programme, and put it on the poster itself. The identity and logotype has a newspaper look, printed in black on recycled paper.

  • 2012

  • Un imprimeur : Lézard Graphique

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  • 2012

  • Un imprimeur : Lézard Graphique

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Curation and organisation, with Vincent Perrottet, of the exhibition “Un imprimeur : Lézard Graphique”, presenting a selection of posters printed by the famous silkscreen workshop. With works of Karel Martens, Hennig Wagenbreth, Metahaven, Sarah De Bondt, Jean-Marc Ballée, Mathias Schweizer, Fanette Mellier, Frederic Teschner, åbäke, Office ABC, Ter Bekke & Behage, Helmo, William Jean, Pierre DiSciulio, Thomas Huot-Marchand, Lieux Communs, Flag, Pierre Béjan et Nicolas Ledoux… This traveling exhibition has later been presented in many places: Chaumont, Le Havre, Amiens, Auxerre, etc.

  • Ecole régionale des beaux-arts de Besançon
  • Typeface:
  • 2009

  • Le Premier Art Roman

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  • 2009

  • Le Premier Art Roman

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Scenography of the archeological exhibition « Franche-Comté et premier art roman » at the Musée de l’Abbaye de Saint-Claude (14 June - 20 Sept. 2009). The exhibition was an opportunity to highlight the architecture of the museum, an old Romanesque abbey, as well as the many monuments of the region.The difficulty was the very large proportion of explanatory panels, which were also quite dense, to be installed in a reduced space. The solution was to take advantage of the ceiling motif, by sliding panels onto it, mounted on adjustable jacks. These panels could move easily, and punctuate the space by limiting the footprint. T
exts, plans and pictures were printed digitally, directly on the MDF panels. In collaboration with Anaïs Maillot.

  • Musée de l’Abbaye, Saint-Claude
  • Digital print, 5 colors
  • Mignotgraphie
  • Typeface:
  • exhibition
  • 2008

  • Funk Doubistes

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  • 2008

  • Funk Doubistes

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Logotype for the Besançon crew Funk Doubistes, which organized some of the best parties in town.

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