• 2010
  • Émergences — Poster

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  • 2010
  • Émergences — Poster

Posters of the 3rd edition of the festival Émergences, a week dedicated to young creation in Besançon.

  • 2019
  • Starmania × be pôles

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  • 2019
  • Starmania × be pôles

Custom lettering for the French musical Starmania, by Michel Berger and Luc Plamondon (1979), coming back in 2021. Art direction: be-pôles Paris

  • 2018
  • Les petits corps

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  • 2018
  • Les petits corps

Talk given at ENSBA Lyon on November 6, 2018. About ophtalmogy, compact typography, marionnettes and stencils. With Louis-​Emile Javal & William Addison Dwiggins, and documents from Bruce Kennett, Eric Kindel and Fred Smeijers. ANRTABCD, Letter D

  • Atelier national de recherche typographique, Nancy
  • Typeface: Minuscule
  • ANRT
  • 2010
  • Théâtre musical de Besançon — cadrobus

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  • 2010
  • Théâtre musical de Besançon — cadrobus

Monthly posters for the Théâtre musical de Besançon. The recipe is the same : one colour + black, circles, semi-abstract pictures, gradients, and Mononi.

  • 2015
  • Hangar 23

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  • 2015
  • Hangar 23

Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.

  • 2011
  • Le Son en scène — Programme

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  • 2011
  • Le Son en scène — Programme

Programme of the 2nd edition of the festival Le Son en Scène, organised by Why Note in Dijon. 32 p.

  • 2017
  • 52 Battant

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  • 2017
  • 52 Battant

Wordmark and visual identity for 52 Battant, a gallery, information center and co-working place for creative people in Besançon. A set of pictograms was developed with Vincent Jacquin (Small Studio).

  • 2018
  • Rencontres du 3e Type

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  • 2018
  • Rencontres du 3e Type

Curation and organisation of the 2nd edition of the Rencontres du IIIe Type in Nancy, Campus ARTEM, on Feb. 19-20, 2018. With Ruedi Baur (FR), Johannes Bergerhausen (DE), Christopher Burke (UK), Sébastien Dégeilh , Antonio Silveira Gomes (FR-PT), Marie Flesch , Colin M. Ford (USA), Pierre Fournier, Charles Gautier, Jochen Gerner, Jérémie Hornus, Gaetan Baehr, Julie Soudanne, Black[Foundry] (FR), Paul D.Hunt (USA), Luna Kindler (BE), Aline Melaet (BE), Gilles Palsky, Éloïsa Pérez (FR), Luciano Perondi (IT), Morgane Pierson, Arthur Francietta, Anne-Lyse Renon, Charlène Cassier, Magali Massiera, Frédéric Rouffet (FR), Rainer Erich Scheichelbauer (AU), Shivay la bruja (FR), Coline Sunier, Charles Mazé (FR), Daniel Utz (DE).
Design by Jochen Gerner and Thomas Huot-Marchand, website by Thomas Bouville. Rencontres du 3e Type

  • 2017
  • Bookster — Gulliver

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  • 2017
  • Bookster — Gulliver

Booksters are books to hang on the wall: the full text of great literature novels are printed on a single poster. Parisian agency Maartin developed the collection, using Minuscule typeface I designed, which is highly legible in very small sizes. They asked me to design one poster, and I chose Gulliver by Jonathan Swift : an obvious choice, which becomes a giant specimen for my typeface. Texts goes from 350 pt to 1 pt size. Poster available at www.thebookstershop.com

  • 2011
  • Hangar 23 — Programme

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  • 2011
  • Hangar 23 — Programme

Annual programme of Hangar 23. Headlines are set in special weight of Garaje 0703 Monospace Black, including bouncing alternates and superscripts.

  • 2017
  • Les Figures de l’auteur

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  • 2017
  • Les Figures de l’auteur

Seminar given at ANRT Nancy on Oct. 26, 2017. About revival, litterature and autorship. With John Downer, Miguel de Cervantès, Paul Auster, Jorge Luis Borges, Roland Barthes, Michel Foucault, Le Corbusier and a dog. ANRTABCD, Letter A

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2017
  • Knuth Vs. Hofstadter

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  • 2017
  • Knuth Vs. Hofstadter

In 1982, few months after the publication of Donald Knuth article The Concept of a Meta-Font, Visible Language publishes Meta-Font, Metamathematics, and Metaphysics : Comments on Donald Knuth’s « The Concept of  a  Meta-Font », by Douglas Hofstadter, an american professor of cognitive sciences. His remarks bring nuances to Knuth’s conclusions, addressing the problem from another point of view. His investigations in typography, in the field of artificial intelligence, subsequently appeared in the Letter Spirit project, where he tried to develop a program that is capable of developing an entire alphabet from a few seed letters, based on a very coarse grid. Years later, when the concepts of parametric fonts, AI and deep learning applied to type design reappeared, Hofstadter’s ideas are still relevant. Talks (FR / EN) given in Istanbul during Istype 2017, on June 10, and at the Fonderie de l'image in Paris, on November 13, 2018. ANRTABCD, Letter K

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
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