• 2009
  • Totema

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  • 2009
  • Totema

Totema is an encrypted character, adapted from the writing of the painter Klaus Ramka, who uses it in his own publications. It's up to you to unravel the mystery.
Produced with the help of Sébastien Truchet.

  • 2019
  • La Fabrike

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  • 2019
  • La Fabrike

Visual identity and custom typeface for La Fabrike, architecture studio based in Besançon. In collaboration with Baptiste Plantin. Photos by Nicolas Waltefaugle, website by Thomas Bouville.

  • 2012
  • MM — Mandeure : vies d’un sanctuaire

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  • 2012
  • MM — Mandeure : vies d’un sanctuaire

Catalogue of the exhibition “Mandeure : vies d’un sanctuaire”, Musée du château des ducs de Wurtemberg, June – October 2012. 152 p.

  • 2018
  • Les Fantômes de Baskerville

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  • 2018
  • Les Fantômes de Baskerville

Talk given EESAB Lorient, on January 28, 2018. The lives and deaths of John Baskerville. With John Baskerville, Caron de Beaumarchais, Voltaire, Sarah Eaves, Claude Jacob, Berger- Levrault, and Zuzana Licko. ANRTABCD, Letter B

  • Atelier national de recherche typographique, Nancy
  • Typeface: Baskervville
  • ANRT
  • 2017
  • 52 Battant

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  • 2017
  • 52 Battant

Wordmark and visual identity for 52 Battant, a gallery, information center and co-working place for creative people in Besançon. A set of pictograms was developed with Vincent Jacquin (Small Studio).

  • 2014
  • Hangar 23 — Programme

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  • 2014
  • Hangar 23 — Programme

Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2018
  • Étincelle — programme

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  • 2018
  • Étincelle — programme

Annual programme for the season 2018-2019 of L’Étincelle, Théâtre de la ville de Rouen. 104 p.

  • 2017
  • Knuth Vs. Hofstadter

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  • 2017
  • Knuth Vs. Hofstadter

In 1982, few months after the publication of Donald Knuth article The Concept of a Meta-Font, Visible Language publishes Meta-Font, Metamathematics, and Metaphysics : Comments on Donald Knuth’s « The Concept of  a  Meta-Font », by Douglas Hofstadter, an american professor of cognitive sciences. His remarks bring nuances to Knuth’s conclusions, addressing the problem from another point of view. His investigations in typography, in the field of artificial intelligence, subsequently appeared in the Letter Spirit project, where he tried to develop a program that is capable of developing an entire alphabet from a few seed letters, based on a very coarse grid. Years later, when the concepts of parametric fonts, AI and deep learning applied to type design reappeared, Hofstadter’s ideas are still relevant. Talks (FR / EN) given in Istanbul during Istype 2017, on June 10, and at the Fonderie de l'image in Paris, on November 13, 2018. ANRTABCD, Letter K

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2019
  • Les 2 Scènes

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  • 2019
  • Les 2 Scènes

Annual poster for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations).

  • 2019
  • Starmania × be pôles

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  • 2019
  • Starmania × be pôles

Custom lettering for the French musical Starmania, by Michel Berger and Luc Plamondon (1979), coming back in 2021. Art direction: be-pôles Paris

  • 2009
  • Émergences

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  • 2009
  • Émergences

Posters of the 2nd edition of the festival Émergences, a week dedicated to young creation in Besançon.

  • 2010
  • Théâtre musical de Besançon — cadrobus

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  • 2010
  • Théâtre musical de Besançon — cadrobus

Monthly posters for the Théâtre musical de Besançon. The recipe is the same : one colour + black, circles, semi-abstract pictures, gradients, and Mononi.

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