Thomas Huot-Marchand
Typographie
Design graphique

  • 2006

  • Vesontio

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  • 2006

  • Vesontio

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Visual identity, scenography and communication of the exhibition « De Vesontio à Besançon, la ville s’expose ».

  • Musée des beaux-arts et d’archéologie de Besançon
  • 3000 m²
  • Typeface:
  • exhibition Besançon
  • 2016

  • Automatic Type Design 2

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  • 2016

  • Automatic Type Design 2

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Curation and organisation of the 2nd edition of the ANRT conference Automatic Type Design. ARTEM Campus, Nancy (France), November 17, 2016. With Elisa Barney Smith (USA), Bianca Berning (UK), Charles Bigelow (USA), Dave Crossland (USA), Jérémy Hornus (FR), Gerry Leonidas (UK), Yannick Mathey (FR), Laurence Penney (UK), Nick Sherman (USA)… Design and website by Thomas Bouville. Automatic Type Design

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2006

  • Vesontio

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  • 2006

  • Vesontio

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Booklet of the exhibition « De Vesontio à Besançon, la ville s’expose ». Collectif Territoires, avec Nicolas Bardey, Maud Buergo, Christophe Gaudard, Pascaline Minella, Yves Morel, Agences Territoires.

  • Musée des beaux-arts et d’archéologie de Besançon
  • 105 × 210 mm
  • Camponovo Bouchard
  • Typeface: Custom
  • CMYK exhibition
  • 2013

  • Entrevues — Poster

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  • 2013

  • Entrevues — Poster

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Poster of the 28th Film Festival Entrevues Belfort.

  • 2009

  • Le Premier Art Roman

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  • 2009

  • Le Premier Art Roman

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Scenography of the archeological exhibition « Franche-Comté et premier art roman » at the Musée de l’Abbaye de Saint-Claude (14 June - 20 Sept. 2009). The exhibition was an opportunity to highlight the architecture of the museum, an old Romanesque abbey, as well as the many monuments of the region.The difficulty was the very large proportion of explanatory panels, which were also quite dense, to be installed in a reduced space. The solution was to take advantage of the ceiling motif, by sliding panels onto it, mounted on adjustable jacks. These panels could move easily, and punctuate the space by limiting the footprint. T
exts, plans and pictures were printed digitally, directly on the MDF panels. In collaboration with Anaïs Maillot.

  • Musée de l’Abbaye, Saint-Claude
  • Digital print, 5 colors
  • Mignotgraphie
  • Typeface:
  • exhibition
  • 2015

  • Les 2 Scènes

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  • 2015

  • Les 2 Scènes

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Posters for the season 2015-2016 of Les 2 Scènes.

  • 2017

  • Bookster — Gulliver

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  • 2017

  • Bookster — Gulliver

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Booksters are books to hang on the wall: the full text of great literature novels are printed on a single poster. Parisian agency Maartin developed the collection, using Minuscule typeface I designed, which is highly legible in very small sizes. They asked me to design one poster, and I chose Gulliver by Jonathan Swift : an obvious choice, which becomes a giant specimen for my typeface. Texts goes from 350 pt to 1 pt size. Poster available at www.thebookstershop.com

  • 2012

  • Émergences

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  • 2012

  • Émergences

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Poster of the 5th edition of the festival Émergences, a week dedicated to young creation in Besançon. Black + Gloss varnish. Selected in Chaumont design graphique festival.

  • 2008

  • Musiques de Rues — Pre-Programme

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  • 2008

  • Musiques de Rues — Pre-Programme

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Pre-programme of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space.

  • 2010

  • Émergences — Poster

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  • 2010

  • Émergences — Poster

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Posters of the 3rd edition of the festival Émergences, a week dedicated to young creation in Besançon.

  • 2009

  • Théâtre musical de Besançon — cadrobus

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  • 2009

  • Théâtre musical de Besançon — cadrobus

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Monthly posters for the Théâtre musical de Besançon.

  • 2013

  • Émergences — Posters

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  • 2013

  • Émergences — Posters

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Gig posters of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. Illustrations by Renaud Vigourt

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