• 2012
  • Scène nationale de Besançon — Posters

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  • 2012
  • Scène nationale de Besançon — Posters

Posters for the season 2012-2013 of the Scène nationale de Besançon. An image never appears alone: two are superimposed, one in blue, the other in red, which creates surprising encounters. Despite the huge diversity of the iconography, often provided by the companies, this radical treatment gives a global consistency to the series. These posters can be seen through anaglyphic lenses.

  • 2003
  • VLAN!

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  • 2003
  • VLAN!

A non-rectangular catalogue of Cécile Meynier exhibition Vlan ! At the Château Pertusier. With Nicolas Bardey. 32 p.

  • Le Pavé dans la mare
  • 200 × 300 mm
  • Offset, CMYK
  • Empreinte Imprimeurs
  • Typeface: Garaje
  • art CMYK
  • 2012
  • Scène nationale de Besançon — Programme

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  • 2012
  • Scène nationale de Besançon — Programme

Annual programme for the season 2012-2013 of the Scène nationale de Besançon. An image never appears alone: two are superimposed, one in blue, the other in red, which creates surprising encounters. Despite the huge diversity of the iconography, often provided by the companies, this radical treatment gives a global consistency to the series. The programme is distributed with a pair of anaglyphic glasses, to animate texts and pictures in a glimpse of an eye. 132 p.

  • 2021
  • TPE — Programme

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  • 2021
  • TPE — Programme

Annual programme for the season 2021-2022 of the Théâtre Paul Éluard, in Bezons.

  • 2009
  • Mégaphone

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  • 2009
  • Mégaphone

Poster of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. Typeset in a custom weight of Garaje, Ultra Black.

  • 2009
  • Mononi

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  • 2009
  • Mononi

Mononi is a monolinear, sans serif version of the famous Bodoni, cut by Giambattista Bodoni in Parma at the end of the 19th century. I first created it for the visual identity of the Théâtre musical Besançon, a theater built at the same time by the architect Claude-Nicolas Ledoux. Mononi has a classic and refined structure, a baroque italic, but traced with a ballpoint pen. Combined with a normographer’s aesthetic, deliberately very crude, Mononi’s weights are growing from its skeleton. A special version, Mononi Zero, has no body. It is up to the user to determine the thickness of the line, thus allowing a multitude of weights, down to the finest hairlines. In 2012, I added Mononi Monospace versions, for the same theater which became the Scène nationale de Besançon. Soon available on www.205.tf

  • 2016
  • Tardy — Typeface

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  • 2016
  • Tardy — Typeface

Custom typeface for the Atelier d’architecture Tardy & associés, Besançon

  • 2014
  • Émergences — Posters

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  • 2014
  • Émergences — Posters

Gig posters of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. Illustrations by Adrien Houillère

  • 2012
  • Émergences — Journal

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  • 2012
  • Émergences — Journal

Newspaper of the 5th edition of the festival Émergences, a week dedicated to young creation in Besançon. Illustrations by Superseñor : Small Studio, Adrien Houillère, Renaud Vigourt, Marie-Florentine Geoffroy. 16 p.

  • 2013
  • Scène nationale de Besançon — Themes

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  • 2013
  • Scène nationale de Besançon — Themes

Thematical posters for the season 2013-2014 of the Scène nationale de Besançon. For this 2nd season, the plaette is a bit broader : I added a neon yellow to the blue / red pair.

  • 2013
  • Jack And The Bearded Fishermen

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  • 2013
  • Jack And The Bearded Fishermen

Artwork for Minor Noise, album of Besançon-based metal band Jack And The Bearded Fishermen. Photo by Quentin Coussirat. A 60 x 90cm is folded in the 33 rpm record sleeve. Vinyl & CD

  • 2013
  • Émergences — Journal

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  • 2013
  • Émergences — Journal

Newspaper of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.

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