• 2011
  • Le Son en scène

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  • 2011
  • Le Son en scène

Poster of the 2nd edition of the festival Le Son en Scène, organised by Why Note in Dijon.

  • 2013
  • Entrevues

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  • 2013
  • Entrevues

For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface.

  • 2018
  • 13th hommage to Morteza Momayez

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  • 2018
  • 13th hommage to Morteza Momayez

Poster for Thomas Huot-Marchand solo exhibition at the Iran Artists Forum in Tehran, in November 2018.

  • 2008
  • Théâtre musical de Besançon — Identity

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  • 2008
  • Théâtre musical de Besançon — Identity

Le Théâtre musical de Besançon (dir. Loïc Boissier) was created in 2008: it occupies Besançon Municipal Theater, an exceptional building by Claude-Nicolas Ledoux. The theater is designed according to a very innovative circular plan for the time (1786), which made it possible, in Ledoux's initial project, to see the scene from everywhere. This aspect is represented in a famous engraving, “View of the Besançon Theater in an eye”. This eye and the circle are the basis of the visual identity that I designed for the Theater. To illustrate the richness and variety of its programming, an extensive color code (which covers the entire spectrum) makes it possible to identify the different registers. The character used is the Bodoni ITC, from Sumner Stone, my favorite digital revival of the typeface cut by Giambattista Bodoni in the same year as the construction of this theater. It’s been progressively replaced by my own revival, shown here in the logotype : Mononi, a mono-linear Bodoni.

  • 2018
  • Kantia — Artha

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  • 2018
  • Kantia — Artha

The incessant storms of the 18th century defeated the natural defenses that were protecting the city of Saint-Jean-de-Luz. In the middle of the 19th century, Napoleon III ordered the construction of dykes in Socoa, Sainte Barbe et Artha, that have been part of the landscape since the 20th century. Nicolas Waltefaugle's photographs show the relentless fight of these constructions against the ocean. They are printed in 2 colors, matt black and a spectacular chrome ink, exclusive to Lézard graphique silkscreen workshop, which reflects light like a mirror. The series of 8 posters (5 landscape and 3 portrait formats) are available at www.kantia.eu

  • Kantia, éditeur d’images
  • 700 × 500 mm
  • Silkscreen, 2 colors
  • Lézard graphique
  • Typeface:
  • Metallic duotone Kantia
  • 2009
  • Mégaphone

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  • 2009
  • Mégaphone

Poster of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. Typeset in a custom weight of Garaje, Ultra Black.

  • 2021
  • Bordures 2021

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  • 2021
  • Bordures 2021

Poster for the 2021 edition of BORDURES Festival in Langon
(PLAN B: 2020 edition postponed during pandemic)

  • 2011
  • Émergences — Journal

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  • 2011
  • Émergences — Journal

Newspaper of the 4th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.

  • 2013
  • Émergences

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  • 2013
  • Émergences

Poster of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Black. Selected in Chaumont design graphique festival.

  • 2020
  • Les 2 Scènes — Saison 20-21

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  • 2020
  • Les 2 Scènes — Saison 20-21

Posters for the season 2020-2021 of Les 2 Scènes. Illustrations by Jochen Gerner

  • 2012
  • Ici l’Onde

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  • 2012
  • Ici l’Onde

The poster for the 2012 edition is a photograph of a luminous text projected on a smoke screen.

  • 2008
  • Calendario Groupama

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  • 2008
  • Calendario Groupama

Custom lettering for the 2008 calendar of Groupama Assicurazioni (Roma, IT), in partnership with the French Academy in Rome – Villa Medici

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