• 2015
  • Ici l’Onde — Programmes

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  • 2015
  • Ici l’Onde — Programmes

Trimestrials programme for Ici l’Onde, for the season 2015-2016. In 2015, Why Note wanted to go back to its punk-indie roots, and get rid of the spectacular photographic effects used in the posters of the previous editions. I proposed a fanzine-like layout, using voluntary offsets and misalignments.

  • 2011
  • Théâtre musical de Besançon — programme

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  • 2011
  • Théâtre musical de Besançon — programme

Annual programme for the Théâtre musical de Besançon. This time I completely dropped ITC Bodoni, to compose the whole programme in Mononi. Gradients appear inside the text, thanks to the wonderful stochastic print of Simon Imprimeurs.

  • 2011
  • Émergences — Journal

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  • 2011
  • Émergences — Journal

Newspaper of the 4th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.

  • 2016
  • MM — Splendeurs minérales

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  • 2016
  • MM — Splendeurs minérales

Poster and scenography of the mineralogy exhibition “Splendeurs minérales”, Musée du château des ducs de Wurtemberg, March – October 2016. The custom lettering I designed for this poster is the starting point of Minérale typeface.

  • 2021
  • Les 2 Scènes — Programme

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  • 2021
  • Les 2 Scènes — Programme

Annual programme for the season 2021-2022 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations). 80 p.

  • 2016
  • Cuillier × be-pôles

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  • 2016
  • Cuillier × be-pôles

Wordmark for Cuillier, coffee shop in Paris. In collaboration with be-pôles Paris

  • 2018
  • Kantia — Artha

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  • 2018
  • Kantia — Artha

The incessant storms of the 18th century defeated the natural defenses that were protecting the city of Saint-Jean-de-Luz. In the middle of the 19th century, Napoleon III ordered the construction of dykes in Socoa, Sainte Barbe et Artha, that have been part of the landscape since the 20th century. Nicolas Waltefaugle's photographs show the relentless fight of these constructions against the ocean. They are printed in 2 colors, matt black and a spectacular chrome ink, exclusive to Lézard graphique silkscreen workshop, which reflects light like a mirror. The series of 8 posters (5 landscape and 3 portrait formats) are available at www.kantia.eu

  • Kantia, éditeur d’images
  • 700 × 500 mm
  • Silkscreen, 2 colors
  • Lézard graphique
  • Typeface:
  • Metallic duotone Kantia
  • 2008
  • Musiques de Rues — Poster

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  • 2008
  • Musiques de Rues — Poster

Poster of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space.

  • 2016
  • Les 2 Scènes — Moire poster

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  • 2016
  • Les 2 Scènes — Moire poster

Posters for the season 2015-2016 of Les 2 Scènes. Each copy of the poster is unique : During screen printing, each sheet is slightly offset with each pass, producing a new moiré effect. Another funny game we played with my friends at Lézard graphique.

  • 2020
  • TPE — poster

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  • 2020
  • TPE — poster

Poster for the season 2020-2021 of the Théâtre Paul Éluard, in Bezons.

  • 2011
  • Ici l’Onde — Programme

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  • 2011
  • Ici l’Onde — Programme

Programme of the 2nd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 32 p.

  • 2009
  • Mégaphone

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  • 2009
  • Mégaphone

Poster of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. Typeset in a custom weight of Garaje, Ultra Black.

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