• 2013
  • TDC ECV

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  • 2013
  • TDC ECV

Identity and flyer for the exhibition of the Type Directors Club at ECV Paris, 2013. Typeset in Garaje, in various weights, widths and sizes, and one single stroke.

  • École de Création Visuelle, Paris
  • 148 × 210 mm
  • Offset, 2 colors
  • Typeface: Garaje
  • duotone
  • 2017
  • 52 Battant

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  • 2017
  • 52 Battant

Wordmark and visual identity for 52 Battant, a gallery, information center and co-working place for creative people in Besançon. A set of pictograms was developed with Vincent Jacquin (Small Studio).

  • 2014
  • Hangar 23

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  • 2014
  • Hangar 23

Posters for Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2017
  • Bookster — Gulliver

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  • 2017
  • Bookster — Gulliver

Booksters are books to hang on the wall: the full text of great literature novels are printed on a single poster. Parisian agency Maartin developed the collection, using Minuscule typeface I designed, which is highly legible in very small sizes. They asked me to design one poster, and I chose Gulliver by Jonathan Swift : an obvious choice, which becomes a giant specimen for my typeface. Texts goes from 350 pt to 1 pt size. Poster available at www.thebookstershop.com

  • 2017
  • Knuth Vs. Hofstadter

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  • 2017
  • Knuth Vs. Hofstadter

In 1982, few months after the publication of Donald Knuth article The Concept of a Meta-Font, Visible Language publishes Meta-Font, Metamathematics, and Metaphysics : Comments on Donald Knuth’s « The Concept of  a  Meta-Font », by Douglas Hofstadter, an american professor of cognitive sciences. His remarks bring nuances to Knuth’s conclusions, addressing the problem from another point of view. His investigations in typography, in the field of artificial intelligence, subsequently appeared in the Letter Spirit project, where he tried to develop a program that is capable of developing an entire alphabet from a few seed letters, based on a very coarse grid. Years later, when the concepts of parametric fonts, AI and deep learning applied to type design reappeared, Hofstadter’s ideas are still relevant. Talks (FR / EN) given in Istanbul during Istype 2017, on June 10, and at the Fonderie de l'image in Paris, on November 13, 2018. ANRTABCD, Letter K

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2013
  • Ici l’Onde

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  • 2013
  • Ici l’Onde

The photography for the 2013 edition attempts to capture the movement of ink, diluted in water, which escapes from the text.

  • 2011
  • Le Son en scène — Programme

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  • 2011
  • Le Son en scène — Programme

Programme of the 2nd edition of the festival Le Son en Scène, organised by Why Note in Dijon. 32 p.

  • 2018
  • Les Fantômes de Baskerville

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  • 2018
  • Les Fantômes de Baskerville

Talk given EESAB Lorient, on January 28, 2018. The lives and deaths of John Baskerville. With John Baskerville, Caron de Beaumarchais, Voltaire, Sarah Eaves, Claude Jacob, Berger- Levrault, and Zuzana Licko. ANRTABCD, Letter B

  • Atelier national de recherche typographique, Nancy
  • Typeface: Baskervville
  • ANRT
  • 2017
  • Les 2 Scènes — Programme

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  • 2017
  • Les 2 Scènes — Programme

Annual programme for the season 2017-2018 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2009
  • Émergences

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  • 2009
  • Émergences

Posters of the 2nd edition of the festival Émergences, a week dedicated to young creation in Besançon.

  • 2010
  • Le Son en scène — Programme

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  • 2010
  • Le Son en scène — Programme

Programme of the 1st edition of the festival Le Son en Scène, organised by Why Note in Dijon. 32 p.

  • 2011
  • Hangar 23

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  • 2011
  • Hangar 23

Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. The theater is located on the port of Rouen, surrounded by (and partly built with) containers. These containers inspired the visual identity of the theater : the wordmark is set in a special weight of Garaje 0703 Monospace Black, in a frame that takes the shape of the facade of the building.

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