Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.
- 2012
Scène nationale de Besançon — Posters
- 2012
Scène nationale de Besançon — Posters
Posters for the season 2012-2013 of the Scène nationale de Besançon. An image never appears alone: two are superimposed, one in blue, the other in red, which creates surprising encounters. Despite the huge diversity of the iconography, often provided by the companies, this radical treatment gives a global consistency to the series. These posters can be seen through anaglyphic lenses.
- 2014
Les 2 Scènes — Themes
- 2014
Les 2 Scènes — Themes
Thematical posters for the season 2014-2015 of the Scène nationale de Besançon. The screens are mixed during printing, to obtain several versions of the posters, superimposing the colors and the images.
- 2019
Les 2 Scènes — Programme
- 2019
Les 2 Scènes — Programme
Annual programme for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations). 80 p.
- 2012
Scène nationale de Besançon — Prologue
- 2012
Scène nationale de Besançon — Prologue
The visual identity of the Théâtre musical was based on an eye. In June 2012, the Scène nationale de Besançon joined two theatres, the Théâtre musical (Théâtre Ledoux, which interiors are all blue) and the Théâtre de l’Espace (all red), in one single institution. To communicate on this major change, I proposed to design a new identity in two spot colors, blue and red, and use anaglyphic glasses two see what’s happening in one place or the other: it was time to use both eyes. Text appears or disappears in the blink of an eye ! In the Pre-programme for the season 2012-2013, Nicolas Waltefaugle did a photo shoot in the stage decor workshop with the whole new team. Photographs are superposed too, to create mini-animations. 40,000 anaglyphic glasses were distributed with the booklets, and we even designed some fancy pairs with Adélaïde Racca. 32 pages
- 2005
Centre d'examen du permis de conduire
- 2005
Centre d'examen du permis de conduire
Sign for the new building of the Centre (architect : Philippe Donzé, Besançon). Some letters are replaced by real road signs, which reflect the light of car headlights. Photos © Nicolas Waltefaugle
- 1 % artistique Ministère de l’Écologie, du Transport et du Logement
- Alucobon, prismatic adhesive film
- Courvoisier, Saône
-
Typeface:
Garaje
-
signage
architecture
Besançon
- 2016
Les 2 Scènes — Orchestre
- 2016
Les 2 Scènes — Orchestre
Posters for the season 2015-2016 of Les 2 Scènes, for the concerts of the Orchestre Victor Hugo Franche-Comté.
Annual poster for the season 2017-2018 of Les 2 Scènes. Developed in augmented reality : the printed poster activate a video and online contents, via a specific app.
A non-rectangular catalogue of Cécile Meynier exhibition Vlan ! At the Château Pertusier. With Nicolas Bardey. 32 p.
- Le Pavé dans la mare
- 200 × 300 mm
- Offset, CMYK
- Empreinte Imprimeurs
-
Typeface:
Garaje
-
art
CMYK
- 2018
Les 2 Scènes — Programme
- 2018
Les 2 Scènes — Programme
Annual programme for the season 2018-2019 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.
- 2019
Les 2 Scènes — Themes
- 2019
Les 2 Scènes — Themes
Thematical posters for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations).
- 2013
Scène nationale de Besançon — Programme
- 2013
Scène nationale de Besançon — Programme
Annual programme for the season 2013-2014 of the Scène nationale de Besançon.
- 2016
Les 2 Scènes — Programme
- 2016
Les 2 Scènes — Programme
Annual programme for the season 2016-2017 of Les 2 Scènes. 80 p.
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