Thomas Huot-Marchand
Typographie
Design graphique

  • 2003

  • VLAN!

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  • 2003

  • VLAN!

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A non-rectangular catalogue of Cécile Meynier exhibition Vlan ! At the Château Pertusier. With Nicolas Bardey. 32 p.

  • Le Pavé dans la mare
  • 200 × 300 mm
  • Offset, CMYK
  • Empreinte Imprimeurs
  • Typeface: Garaje
  • art CMYK
  • 2013

  • Scène nationale de Besançon — Themes

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  • 2013

  • Scène nationale de Besançon — Themes

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Thematical posters for the season 2013-2014 of the Scène nationale de Besançon. For this 2nd season, the plaette is a bit broader : I added a neon yellow to the blue / red pair.

  • 2019

  • Les 2 Scènes — Programme

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  • 2019

  • Les 2 Scènes — Programme

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Annual programme for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations). 80 p.

  • 2008

  • Musiques de Rues — Poster

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  • 2008

  • Musiques de Rues — Poster

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Poster of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space.

  • 2016

  • Les 2 Scènes — Programme

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  • 2016

  • Les 2 Scènes — Programme

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Annual programme for the season 2016-2017 of Les 2 Scènes. 80 p.

  • 2022

  • Bordures 2022

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  • 2022

  • Bordures 2022

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Poster for the 2022 edition of BORDURES Festival in Langon.

  • 2017

  • Les 2 Scènes

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  • 2017

  • Les 2 Scènes

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Annual poster for the season 2017-2018 of Les 2 Scènes. Developed in augmented reality : the printed poster activate a video and online contents, via a specific app.

  • 2009

  • Mégaphone — programme

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  • 2009

  • Mégaphone — programme

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Programme of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. A small format, printed in black on a gloss coated paper. Typeset in a custom weight of Garaje, Ultra Black.

  • 2010

  • Le mur de l’école

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  • 2010

  • Le mur de l’école

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Besançon school of fine arts is based on a modernist building by Josep Luis Sert (1972). With Rainer Oldendorf and students, we defined a signage system composed in Garaje 0503 Monospace Black, used for the logotype I designed at the time. Letters were reproduced in 2 sizes, A4 and A6. Rainer Oldendorf and Gilles Picouet engraved litterally the concrete wall of the main entrance, to inscribe physically this 750-units grid on the building. The paper letters were directly stuck on the wall, to announce the events of the school, forming a continuous palimpsest.

  • 2016

  • Les 2 Scènes — Orchestre

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  • 2016

  • Les 2 Scènes — Orchestre

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Posters for the season 2015-2016 of Les 2 Scènes, for the concerts of the Orchestre Victor Hugo Franche-Comté.

  • 2014

  • Les 2 Scènes — Themes

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  • 2014

  • Les 2 Scènes — Themes

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Thematical posters for the season 2014-2015 of the Scène nationale de Besançon. The screens are mixed during printing, to obtain several versions of the posters, superimposing the colors and the images.

  • 2005

  • Centre d'examen du permis de conduire

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  • 2005

  • Centre d'examen du permis de conduire

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Sign for the new building of the Centre (architect : Philippe Donzé, Besançon). Some letters are replaced by real road signs, which reflect the light of car headlights. Photos © Nicolas Waltefaugle

  • 1 % artistique Ministère de l’Écologie, du Transport et du Logement
  • Alucobon, prismatic adhesive film
  • Courvoisier, Saône
  • Typeface: Garaje
  • signage architecture Besançon
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