• 2016
  • Les 2 Scènes — Moire poster

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  • 2016
  • Les 2 Scènes — Moire poster

Posters for the season 2015-2016 of Les 2 Scènes. Each copy of the poster is unique : During screen printing, each sheet is slightly offset with each pass, producing a new moiré effect. Another funny game we played with my friends at Lézard graphique.

  • 2018
  • Les 2 Scènes — Programme

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  • 2018
  • Les 2 Scènes — Programme

Annual programme for the season 2018-2019 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2022
  • Bordures 2022

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  • 2022
  • Bordures 2022

Poster for the 2022 edition of BORDURES Festival in Langon.

  • 2014
  • Les 2 Scènes — Themes

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  • 2014
  • Les 2 Scènes — Themes

Thematical posters for the season 2014-2015 of the Scène nationale de Besançon. The screens are mixed during printing, to obtain several versions of the posters, superimposing the colors and the images.

  • 2016
  • Les 2 Scènes — Programme

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  • 2016
  • Les 2 Scènes — Programme

Annual programme for the season 2016-2017 of Les 2 Scènes. 80 p.

  • 2020
  • Garaje Wide

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  • 2020
  • Garaje Wide

Garaje takes its inspiration both from the alphabets of the Bauhaus school and the vernacular inscriptions of Spanish garage owners: two worlds that share a desire to reduce typographic forms to simple geometric elements. At the Bauhaus this geometrization is ideological: it represents a rejection of tradition and the affirmation of an objective and rational vocabulary. With garage owners it is a simple matter of logic, certainly due to an ignorance of tradition. It is somewhat naïve to wish to reduce the shapes of the alphabet to elementary forms. Perfect geometrical forms seem less than perfect to our eyes: type Design abounds with optical corrections that compensate for our perception of forms.
Garaje plays specifically with this paradox: its construction is rigorously geometrical, anchored to a scalable modular grid, with no optical correction. A perfectly objective system, but a typographical aberration, simultaneously right and wrong. For the last 20 years, I have extended this family in every direction, to the point of absurdity: extremely narrow or outlandishly wide letterforms, all built from the same modules. Today it is a complete system, available in 44 widths and 5 weights. The complete family counts 445 fonts, hundreds of thousands of glyphs, and zero contrast: Garaje is a typeface which is at the same time brutal and playful, rational and naïve. Garaje Wide subfamily goes from 0505 (5 on 5 grid) to 05015 (5 on 15 grid) and includes 55 fonts + 1 variable font. Its construction allows to compose in many widths without changing the stem weight.
Available at 205TF.
Online specimen

  • 2017
  • 52 Battant

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  • 2017
  • 52 Battant

Wordmark and visual identity for 52 Battant, a gallery, information center and co-working place for creative people in Besançon. A set of pictograms was developed with Vincent Jacquin (Small Studio).

  • 2017
  • Les 2 Scènes — Programme

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  • 2017
  • Les 2 Scènes — Programme

Annual programme for the season 2017-2018 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2014
  • Hangar 23

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  • 2014
  • Hangar 23

Posters for Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2015
  • Hangar 23 — Programme

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  • 2015
  • Hangar 23 — Programme

Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.

  • 2011
  • Hangar 23 — Programme

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  • 2011
  • Hangar 23 — Programme

Annual programme of Hangar 23. Headlines are set in special weight of Garaje 0703 Monospace Black, including bouncing alternates and superscripts.

  • 2011
  • Hangar 23

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  • 2011
  • Hangar 23

Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. The theater is located on the port of Rouen, surrounded by (and partly built with) containers. These containers inspired the visual identity of the theater : the wordmark is set in a special weight of Garaje 0703 Monospace Black, in a frame that takes the shape of the facade of the building.

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