• 2019
  • Les 2 Scènes — Themes

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  • 2019
  • Les 2 Scènes — Themes

Thematical posters for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations).

  • 2012
  • Scène nationale de Besançon — Prologue

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  • 2012
  • Scène nationale de Besançon — Prologue

The visual identity of the Théâtre musical was based on an eye. In June 2012, the Scène nationale de Besançon joined two theatres, the Théâtre musical (Théâtre Ledoux, which interiors are all blue) and the Théâtre de l’Espace (all red), in one single institution. To communicate on this major change, I proposed to design a new identity in two spot colors, blue and red, and use anaglyphic glasses two see what’s happening in one place or the other: it was time to use both eyes. Text appears or disappears in the blink of an eye ! In the Pre-programme for the season 2012-2013, Nicolas Waltefaugle did a photo shoot in the stage decor workshop with the whole new team. Photographs are superposed too, to create mini-animations. 40,000 anaglyphic glasses were distributed with the booklets, and we even designed some fancy pairs with Adélaïde Racca. 32 pages

  • 2005
  • Centre d'examen du permis de conduire

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  • 2005
  • Centre d'examen du permis de conduire

Sign for the new building of the Centre (architect : Philippe Donzé, Besançon). Some letters are replaced by real road signs, which reflect the light of car headlights. Photos © Nicolas Waltefaugle

  • 1 % artistique Ministère de l’Écologie, du Transport et du Logement
  • Alucobon, prismatic adhesive film
  • Courvoisier, Saône
  • Typeface: Garaje
  • signage architecture Besançon
  • 2019
  • Les 2 Scènes — Programme

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  • 2019
  • Les 2 Scènes — Programme

Annual programme for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations). 80 p.

  • 2012
  • Scène nationale de Besançon — Posters

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  • 2012
  • Scène nationale de Besançon — Posters

Posters for the season 2012-2013 of the Scène nationale de Besançon. An image never appears alone: two are superimposed, one in blue, the other in red, which creates surprising encounters. Despite the huge diversity of the iconography, often provided by the companies, this radical treatment gives a global consistency to the series. These posters can be seen through anaglyphic lenses.

  • 2022
  • Bordures 2022

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  • 2022
  • Bordures 2022

Poster for the 2022 edition of BORDURES Festival in Langon.

  • 2014
  • Hangar 23 — Programme

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  • 2014
  • Hangar 23 — Programme

Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2011
  • Hangar 23

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  • 2011
  • Hangar 23

Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. The theater is located on the port of Rouen, surrounded by (and partly built with) containers. These containers inspired the visual identity of the theater : the wordmark is set in a special weight of Garaje 0703 Monospace Black, in a frame that takes the shape of the facade of the building.

  • 2014
  • Hangar 23

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  • 2014
  • Hangar 23

Posters for Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2012
  • Hangar 23

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  • 2012
  • Hangar 23

Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2015
  • Hangar 23 — Programme

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  • 2015
  • Hangar 23 — Programme

Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.

  • 2013
  • TDC ECV

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  • 2013
  • TDC ECV

Identity and flyer for the exhibition of the Type Directors Club at ECV Paris, 2013. Typeset in Garaje, in various weights, widths and sizes, and one single stroke.

  • École de Création Visuelle, Paris
  • 148 × 210 mm
  • Offset, 2 colors
  • Typeface: Garaje
  • duotone
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