Luxeuil script is a very rare Merovingian script, from the beginning of the seventh century. It is derived from uncial, half-uncial and roman cursive: before the advent of the Carolingian Minuscule, it is considered as one of the first formal minuscule.
Intrigued by this local unknown writing, born a few kilometers from my home, I studied it with my friend Claude-Laurent François and tried to design a digital version of it. I had to understand the ductus and then to reproduce the gesture and stroke of the pen. Rather than drawing the outlines, I digitized the inner skeleton, and applied afterwards a virtual elliptic pen. This dynamic approach allowed me to create the very large number of ligatures contained in this handwriting: these ligatures are created automatically with initial, medial or final contextual forms.
Unpublished

Newspaper of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.

Curation and organisation of the 1st edition of the Rencontres du IIIe Type at the Bibliothèque nationale de France, Paris, on Dec. 9, 2015. With Florence Codine (FR), John Hudson (CA), Joel Kavelsmaki (USA), Sarah Kremer (FR), Marcus Phillips (UK), Marc H.Smith (FR), Andreas Stötzner (DE)… Design by Sarah Kremer, Website by Thomas Bouville. Rencontres du 3e Type

Curation and organisation of the ANRT conference Automatic Type Design. ARTEM Campus, Nancy (France), May 6, 2014. With Jacques André (FR), Johannes Bergerhausen (DE), Frederik Berlaen (BE), Erik Van Blokland (NL), Simon Egli (CH), Alice Savoie (FR), Richard Southall (UK)… Design and website by Thomas Bouville. Automatic Type Design

Programme of the 29th Film Festival Entrevues Belfort. 180 p.

Trimestrial programme of the 4th edition of the festival Ici l’Onde, organised by Why Note in Dijon.