Thomas Huot-Marchand
Typographie
Design graphique

  • 2013

  • Entrevues — Programme

  • +
  • 2013

  • Entrevues — Programme

  • ■

For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface. The same thing happens with the images, which extend from one page to another, in a continuous thread. 180 p.

  • 2013

  • Émergences

  • +
  • 2013

  • Émergences

  • ■

Poster of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Black. Selected in Chaumont design graphique festival.

  • 2013

  • Émergences — Posters

  • +
  • 2013

  • Émergences — Posters

  • ■

Gig posters of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. Illustrations by Renaud Vigourt

  • 2013

  • Émergences — Journal

  • +
  • 2013

  • Émergences — Journal

  • ■

Newspaper of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.

  • 2013

  • TDC ECV

  • +
  • 2013

  • TDC ECV

  • ■

Identity and flyer for the exhibition of the Type Directors Club at ECV Paris, 2013. Typeset in Garaje, in various weights, widths and sizes, and one single stroke.

  • École de Création Visuelle, Paris
  • 148 × 210 mm
  • Offset, 2 colors
  • Typeface: Garaje
  • duotone
  • 2013

  • Entrevues

  • +
  • 2013

  • Entrevues

  • ■

For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface.

  • 2013

  • Ici l’Onde

  • +
  • 2013

  • Ici l’Onde

  • ■

The photography for the 2013 edition attempts to capture the movement of ink, diluted in water, which escapes from the text.

  • 2013

  • Ici l’Onde — Programme

  • +
  • 2013

  • Ici l’Onde — Programme

  • ■

Programme of the 3rd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 24 p.

  • 2013

  • Jack And The Bearded Fishermen

  • +
  • 2013

  • Jack And The Bearded Fishermen

  • ■

Artwork for Minor Noise, album of Besançon-based metal band Jack And The Bearded Fishermen. Photo by Quentin Coussirat. A 60 x 90cm is folded in the 33 rpm record sleeve. Vinyl & CD

  • 2013

  • Kantia — Hommage à Pavlovski poster

  • +
  • 2013

  • Kantia — Hommage à Pavlovski poster

  • ■

Poster of the exhibition “Hommage à Pavlovsky”, by Thomas Huot-Marchand and Kantia editor. 26 posters of the series were presented at the Rotonde, a beautiful circular gallery by Robert Mallet-Stevens in Saint-Jean ded red Luz, in Spring 2013.

  • 2013

  • Kantia — Exposition

  • +
  • 2013

  • Kantia — Exposition

  • ■

Born in Russia, André Pavlovski (1891-1961) brought modernism to basque architecture in the 1930s. For its first publication, I proposed to Kantia editor, based in Saint-Jean-de-Luz (in a beautiful Pavlovski house) to imagine a series of poster inspired by his most emblematic work, the Harbor Lights of the city. Two asymetrical towers, on both sides of the port, one in white and red (Saint-Jean) the other in white and green (Ciboure). I studied Pavlovsky architecural vocabulary, made of flat asymetrical surfaces and geometry, and proposed a complex graphic system to produce a series of posters. 4 compositions present one view of Saint-Jean, one of Ciboure, and two of both harbor lights, in 3 colors : Blue, Red and Green. Blue defines the sky and the silhouettes of the buildings : printed in split fountain, it evolves from dawn to dusk. The composition allows green and red colors to be combined upside up and upside down, to reveal several views of the harbors, and create imaginary ones. In one single print-run, 168 different posters were produced with Lézard Graphique, in Brumath. Some posters are still available at www.kantia.eu. 26 posters of the series were presented at the Rotonde, a beautiful circular gallery by Robert Mallet-Stevens in Saint-Jean de Luz, in Spring 2013.

  • Kantia, éditeur d’images
  • 550 × 850 mm
  • Silkscreen, 3 colors
  • Lézard graphique
  • Typeface:
  • exhibition Kantia
  • 2013

  • Kantia — Hommage à Pavlovski

  • +
  • 2013

  • Kantia — Hommage à Pavlovski

  • ■

Born in Russia, André Pavlovski (1891-1961) brought modernism to basque architecture in the 1930s. For its first publication, I proposed to Kantia editor, based in Saint-Jean-de-Luz (in a beautiful Pavlovski house) to imagine a series of poster inspired by his most emblematic work, the Harbor Lights of the city. Two asymetrical towers, on both sides of the port, one in white and red (Saint-Jean) the other in white and green (Ciboure). I studied Pavlovsky architecural vocabulary, made of flat asymetrical surfaces and geometry, and proposed a complex graphic system to produce a series of posters. 4 compositions present one view of Saint-Jean, one of Ciboure, and two of both harbor lights, in 3 colors : Blue, Red and Green. Blue defines the sky and the silhouettes of the buildings : printed in split fountain, it evolves from dawn to dusk. The composition allows green and red colors to be combined upside up and upside down, to reveal several views of the harbors, and create imaginary ones. In one single print-run, 168 different posters were produced with Lézard Graphique, in Brumath. Some posters are still available at www.kantia.eu.

  • Kantia, éditeur d’images
  • 550 × 850 mm
  • Silkscreen, 3 colors
  • Lézard graphique
  • Typeface:
  • split fountain Kantia
next page