• 2008
  • Théâtre musical de Besançon — Identity

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  • 2008
  • Théâtre musical de Besançon — Identity

Le Théâtre musical de Besançon (dir. Loïc Boissier) was created in 2008: it occupies Besançon Municipal Theater, an exceptional building by Claude-Nicolas Ledoux. The theater is designed according to a very innovative circular plan for the time (1786), which made it possible, in Ledoux's initial project, to see the scene from everywhere. This aspect is represented in a famous engraving, “View of the Besançon Theater in an eye”. This eye and the circle are the basis of the visual identity that I designed for the Theater. To illustrate the richness and variety of its programming, an extensive color code (which covers the entire spectrum) makes it possible to identify the different registers. The character used is the Bodoni ITC, from Sumner Stone, my favorite digital revival of the typeface cut by Giambattista Bodoni in the same year as the construction of this theater. It’s been progressively replaced by my own revival, shown here in the logotype : Mononi, a mono-linear Bodoni.

  • 2008
  • Théâtre musical de Besançon — Posters

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  • 2008
  • Théâtre musical de Besançon — Posters

All the posters of the Theater are constructed from circles, in 2 colors. These abstract compositions evoke, rather than illustrate, the works. The solid colors correspond to the different disciplines.

  • 2008
  • Théâtre musical de Besançon — Programme

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  • 2008
  • Théâtre musical de Besançon — Programme

In the first seasonal program of the Théâtre musical, special care is given to the texts: I proposed to keep a "literary" aspect, by grouping the photographs in a separate quire. Printed on a different paper, it offers another, transversal reading of the season. In the interior pages, the colored pads identify the register: Theater, Dance, Opera, etc.

  • 2008
  • Musiques de Rues — Pre-Programme Poster

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  • 2008
  • Musiques de Rues — Pre-Programme Poster

Pre-programme Poster of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space.

  • 2008
  • Musiques de Rues — Pre-Programme

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  • 2008
  • Musiques de Rues — Pre-Programme

Pre-programme of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space.

  • 2008
  • Musiques de Rues — Poster

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  • 2008
  • Musiques de Rues — Poster

Poster of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space.

  • 2008
  • Musiques de Rues — Programme

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  • 2008
  • Musiques de Rues — Programme

Programme of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space. Printed in 3 fluorescent colors + black, instead of CMYK

  • 2008
  • Histoires d’imprimeurs

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  • 2008
  • Histoires d’imprimeurs

Scenography of the exhibition “Histoires d’imprimeurs en Champagne Ardenne” (30 June – 18 Oct. 2018) at the Médiathèque de l’Agglomeration Troyenne. Typeset in Jannon, by František Štorm, a revival of Jean Jannon types, cut in Sedan (in Champagne-Ardennes) in the 17th Century.

  • 2008
  • Funk Doubistes

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  • 2008
  • Funk Doubistes

Logotype for the Besançon crew Funk Doubistes, which organized some of the best parties in town.

  • 2008
  • Émergences

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  • 2008
  • Émergences

Poster of the first edition of the festival Émergences, a week dedicated to young creation in Besançon. The initial budget was so small that I proposed not to print the programme, and put it on the poster itself. The identity and logotype has a newspaper look, printed in black on recycled paper.

  • 2008
  • Calendario Groupama

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  • 2008
  • Calendario Groupama

Custom lettering for the 2008 calendar of Groupama Assicurazioni (Roma, IT), in partnership with the French Academy in Rome – Villa Medici

  • 2007
  • Livret de l’étudiant ERBA

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  • 2007
  • Livret de l’étudiant ERBA

Student booklet of the school of fine arts where I used to study and teach. Headlines are set in a custom weight of Garaje, Superfat.

  • École régionale des beaux-arts de Besançon
  • 148 × 210 mm
  • Laser
  • Offset minute
  • Typeface: Garaje
  • monochrome
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