Booklet of the exhibition « De Vesontio à Besançon, la ville s’expose ». Collectif Territoires, avec Nicolas Bardey, Maud Buergo, Christophe Gaudard, Pascaline Minella, Yves Morel, Agences Territoires.

The Métropole Rhin-Rhône area has brought together several cities between France, Switzerland and Germany, connected in 2010 by a high-speed train line. To materialize this network, a major cultural operation was imagined, utopies & innovations. Under the general curation of Laurent Gerverau, these are 12 local themes, and dozens of exhibitions that are scheduled throughout 2010, around these concepts.
It seemed difficult to illustrate these concepts with a single image: also, I preferred to propose an alphabet, which constitutes the visual identity, and ensures the link between the multiple variations. It is used to compose the logotype, which was designed when the Metropolis had only 9 cities; they were symbolized by the 9 points that appeared in the words "utopias & innovations", like 9 points on a map, network, route ... The metropolis then moved to 16 cities, but the logo remained the same.

2002 new year’s card for ENSA Nancy, Alliance ARTEM and ANRT. The 2 is divided into 3 parts, used to decompose and recompose the text, on both sides of a coloured tracing paper

Logotype for the Besançon crew Funk Doubistes, which organized some of the best parties in town.

Totema is an encrypted character, adapted from the writing of the painter Klaus Ramka, who uses it in his own publications. It's up to you to unravel the mystery.
Produced with the help of Sébastien Truchet.

Catalogue of the exhibition “Mandeure : vies d’un sanctuaire”, Musée du château des ducs de Wurtemberg, June – October 2012. 152 p.

For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface. The same thing happens with the images, which extend from one page to another, in a continuous thread. 180 p.

Custom lettering for the French musical Starmania, by Michel Berger and Luc Plamondon (1979), coming back in 2021. Art direction: be-pôles Paris

Curation and organisation of the conference « Renaissances de la Typographie » at Campus ARTEM, on July 4, 2013. With Anne-Marie Christin, Mathieu Cortat, Rémi Jimenes, André Baldinger, Philippe Millot, Timm Borg, Marc H.Smith.

Visual identity of the Bibliothèques de Nancy.