Thomas Huot-Marchand
Typographie
Design graphique

  • 2009

  • Mégaphone — programme

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  • 2009

  • Mégaphone — programme

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Programme of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. A small format, printed in black on a gloss coated paper. Typeset in a custom weight of Garaje, Ultra Black.

  • 2019

  • Les 2 Scènes — Programme

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  • 2019

  • Les 2 Scènes — Programme

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Annual programme for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations). 80 p.

  • 2009

  • Mégaphone

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  • 2009

  • Mégaphone

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Poster of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. Typeset in a custom weight of Garaje, Ultra Black.

  • 2014

  • Émergences

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  • 2014

  • Émergences

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Poster of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Varnish. Selected in Chaumont design graphique festival.

  • 2014

  • Les 2 Scènes — Themes

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  • 2014

  • Les 2 Scènes — Themes

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Thematical posters for the season 2014-2015 of the Scène nationale de Besançon. The screens are mixed during printing, to obtain several versions of the posters, superimposing the colors and the images.

  • 2010

  • Safari Fourier

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  • 2010

  • Safari Fourier

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Besançon is the birthplace of utopian socialism : Fourier, Proudhon or Victor Hugo were born here, and, in the 20th Century, huge strikes and social movements tried to implement ideas for a new society. In 2010, I was commissioned by the City to create a work of art in tribute to this historic heritage. I proposed a series of posters that would be installed on all of the city's billboards for a week. These posters expose the theories of Charles Fourier (1772-1837) and the “Théories des quatre mouvements et des destinées générales”. During the day, they show our current society. At night, when the poster is backlit, they show society as Fourier dreamed it. In collaboration with Elsa Maillot.

  • 2015

  • Ici l’Onde — Programmes

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  • 2015

  • Ici l’Onde — Programmes

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Trimestrials programme for Ici l’Onde, for the season 2015-2016. In 2015, Why Note wanted to go back to its punk-indie roots, and get rid of the spectacular photographic effects used in the posters of the previous editions. I proposed a fanzine-like layout, using voluntary offsets and misalignments.

  • 2020

  • Les 2 Scènes — Saison 20-21

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  • 2020

  • Les 2 Scènes — Saison 20-21

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Posters for the season 2020-2021 of Les 2 Scènes. Illustrations by Jochen Gerner

  • 2012

  • MM — Archéologies contemporaines

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  • 2012

  • MM — Archéologies contemporaines

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Catalogue of the exhibition “Archéologies contemporaines”, Musée du château des ducs de Wurtemberg, June – October 2012. 96 p.

  • 2011

  • Ici l’Onde — Programme

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  • 2011

  • Ici l’Onde — Programme

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Programme of the 2nd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 32 p.

  • 2013

  • Scène nationale de Besançon — Themes

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  • 2013

  • Scène nationale de Besançon — Themes

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Thematical posters for the season 2013-2014 of the Scène nationale de Besançon. For this 2nd season, the plaette is a bit broader : I added a neon yellow to the blue / red pair.

  • 2020

  • Agence Adelfo Scaranello — MBAA 2

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  • 2020

  • Agence Adelfo Scaranello — MBAA 2

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This publication presents the architectural project of Adelfo Scaranello for the Musée des beaux-arts et d’archéologie de Besançon, which reopened in 2018. “From the outset, says Scaranello, one thing was clear: the convictions with which the architects Pierre Marnotte (1797- 1882) and Louis Miquel (1913-1986) had worked successively on this construction had gradually disappeared. […] Restoring the integrity of these architectures within a new project is not about historising but is a way of transforming the links between these two figures.” This 2nd volume shows the scenography of the Museum. Typeset in a modified version of GF Montserrat (OFL).
Photos by Nicolas Waltefaugle & Yohan Zerdoun. 56 p.

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