Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.
- 2013
Entrevues — Programme
- 2013
Entrevues — Programme
For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface. The same thing happens with the images, which extend from one page to another, in a continuous thread. 180 p.
Call for applications poster of the Atelier national de recherche typographique, Nancy.
- Atelier national de recherche typographique, Nancy
- 1200 × 800 mm
- Silkscreen, 3 colors
- Dubois Imageries, Orléans
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Typeface:
Newut
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black & white
gradient
- 2012
MM — Mandeure : vies d’un sanctuaire
- 2012
MM — Mandeure : vies d’un sanctuaire
Catalogue of the exhibition “Mandeure : vies d’un sanctuaire”, Musée du château des ducs de Wurtemberg, June – October 2012. 152 p.
- 2014
Hangar 23 — Programme
- 2014
Hangar 23 — Programme
Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.
Poster of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Varnish. Selected in Chaumont design graphique festival.
- 2018
Agence Adelfo Scaranello — MBAA 1
- 2018
Agence Adelfo Scaranello — MBAA 1
This publication presents the architectural project of Adelfo Scaranello for the Musée des beaux-arts et d’archéologie de Besançon, which reopened in 2018. “From the outset, says Scaranello, one thing was clear: the convictions with which the architects Pierre Marnotte (1797- 1882) and Louis Miquel (1913-1986) had worked successively on this construction had gradually disappeared. […] Restoring the integrity of these architectures within a new project is not about historising but is a way of transforming the links between these two figures.” This 1st volume shows the museum empty spaces, during the construction. Typeset in a modified version of GF Montserrat (OFL).
Photos by Nicolas Waltefaugle & Yohan Zerdoun. 56 p.
Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.
- 2016
Étincelle — programme
- 2016
Étincelle — programme
Annual programme for the season 2016-2017 of L’Étincelle, Théâtre de la ville de Rouen. The cover reveals the grid, inspired by the Canon de Villard de Honnecourt, dividing a 2/3 format. 104 p.
- 2008
Théâtre musical de Besançon — Programme
- 2008
Théâtre musical de Besançon — Programme
In the first seasonal program of the Théâtre musical, special care is given to the texts: I proposed to keep a "literary" aspect, by grouping the photographs in a separate quire. Printed on a different paper, it offers another, transversal reading of the season. In the interior pages, the colored pads identify the register: Theater, Dance, Opera, etc.
For the identity of the festival Ici l’Onde, organised by Why Note in Dijon, I decided not to use any vectors or fonts, and use photography instead. The poster for the 2011 edition is the result of a complex setup, in which I sought to capture the reflection of the text on the water.
2002 new year’s card for ENSA Nancy, Alliance ARTEM and ANRT. The 2 is divided into 3 parts, used to decompose and recompose the text, on both sides of a coloured tracing paper
- Atelier national de recherche typographique, Nancy
- A5 / A3
- Offset, 1 color
- Utim, Nancy
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Typeface:
Custom
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monochrome
Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. The theater is located on the port of Rouen, surrounded by (and partly built with) containers. These containers inspired the visual identity of the theater : the wordmark is set in a special weight of Garaje 0703 Monospace Black, in a frame that takes the shape of the facade of the building.
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