• 2014
  • Les 2 Scènes — Posters

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  • 2014
  • Les 2 Scènes — Posters

In October 2014, The Scène nationale de Besançon became Les 2 Scènes : two theaters, l’Espace and le Théâtre Ledoux, joined in a single institution. The Posters of the season 2014-2015 are made with the same typefaces and color palette, with 2 rectangles moving in the format.

  • 2008
  • Théâtre musical de Besançon — Posters

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  • 2008
  • Théâtre musical de Besançon — Posters

All the posters of the Theater are constructed from circles, in 2 colors. These abstract compositions evoke, rather than illustrate, the works. The solid colors correspond to the different disciplines.

  • 2014
  • Hangar 23 — Programme

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  • 2014
  • Hangar 23 — Programme

Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2002
  • ANRT 20-02

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  • 2002
  • ANRT 20-02

2002 new year’s card for ENSA Nancy, Alliance ARTEM and ANRT. The 2 is divided into 3 parts, used to decompose and recompose the text, on both sides of a coloured tracing paper

  • Atelier national de recherche typographique, Nancy
  • A5 / A3
  • Offset, 1 color
  • Utim, Nancy
  • Typeface: Custom
  • monochrome
  • 2015
  • Hangar 23 — Programme

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  • 2015
  • Hangar 23 — Programme

Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.

  • 2013
  • Ici l’Onde

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  • 2013
  • Ici l’Onde

The photography for the 2013 edition attempts to capture the movement of ink, diluted in water, which escapes from the text.

  • 2018
  • Étincelle — programme

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  • 2018
  • Étincelle — programme

Annual programme for the season 2018-2019 of L’Étincelle, Théâtre de la ville de Rouen. 104 p.

  • 2015
  • Ici l’Onde — Posters

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  • 2015
  • Ici l’Onde — Posters

A series of trimestrials posters for Ici l’Onde, for the season 2015-2016. Posters are printed in duotone, plus one big picture on the back, which appears when backlit. Spectacular solid colors are used : reflex blue, warm red, chrome, gold or copper.

  • 2017
  • Bookster — Gulliver

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  • 2017
  • Bookster — Gulliver

Booksters are books to hang on the wall: the full text of great literature novels are printed on a single poster. Parisian agency Maartin developed the collection, using Minuscule typeface I designed, which is highly legible in very small sizes. They asked me to design one poster, and I chose Gulliver by Jonathan Swift : an obvious choice, which becomes a giant specimen for my typeface. Texts goes from 350 pt to 1 pt size. Poster available at www.thebookstershop.com

  • 2013
  • Entrevues — Programme

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  • 2013
  • Entrevues — Programme

For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface. The same thing happens with the images, which extend from one page to another, in a continuous thread. 180 p.

  • 2014
  • Hangar 23

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  • 2014
  • Hangar 23

Posters for Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2013
  • Kantia — Hommage à Pavlovski poster

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  • 2013
  • Kantia — Hommage à Pavlovski poster

Poster of the exhibition “Hommage à Pavlovsky”, by Thomas Huot-Marchand and Kantia editor. 26 posters of the series were presented at the Rotonde, a beautiful circular gallery by Robert Mallet-Stevens in Saint-Jean ded red Luz, in Spring 2013.

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