Thomas Huot-Marchand
Typographie
Design graphique

  • 2010

  • Le Son en scène

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  • 2010

  • Le Son en scène

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Poster of the 1st edition of the festival Le Son en Scène, organised by Why Note in Dijon.

  • 2015

  • Émergences

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  • 2015

  • Émergences

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Poster of the 8th edition of the festival Émergences, a week dedicated to young creation in Besançon.

  • 2007

  • Livret de l’étudiant ERBA

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  • 2007

  • Livret de l’étudiant ERBA

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Student booklet of the school of fine arts where I used to study and teach. Headlines are set in a custom weight of Garaje, Superfat.

  • École régionale des beaux-arts de Besançon
  • 148 × 210 mm
  • Laser
  • Offset minute
  • Typeface: Garaje
  • monochrome
  • 2012

  • Hangar 23 — Programme

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  • 2012

  • Hangar 23 — Programme

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Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2007

  • Musiques de Rues Programme

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  • 2007

  • Musiques de Rues Programme

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Programme of the 2nd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space. Printed in 3 fluorescent colors + black, instead of CMYK

  • 2013

  • Kantia — Hommage à Pavlovski poster

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  • 2013

  • Kantia — Hommage à Pavlovski poster

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Poster of the exhibition “Hommage à Pavlovsky”, by Thomas Huot-Marchand and Kantia editor. 26 posters of the series were presented at the Rotonde, a beautiful circular gallery by Robert Mallet-Stevens in Saint-Jean ded red Luz, in Spring 2013.

  • 2009

  • Théâtre musical de Besançon — abribus

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  • 2009

  • Théâtre musical de Besançon — abribus

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Posters for the Théâtre musical de Besançon.

  • 2014

  • Entrevues — Poster

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  • 2014

  • Entrevues — Poster

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Poster of the 29th Film Festival Entrevues Belfort.

  • 2015

  • Émergences — programme

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  • 2015

  • Émergences — programme

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Programme of the 8th edition of the festival Émergences, a week dedicated to young creation in Besançon. For this edition of Émergences, the last I designed, I made a compromise by adding a color, that of the post-it notes, a last reference to the paper medium which, glued, torn or folded, formed the basis of the identity of this event. 32 p., terribly printed by the Imprimerie municipale.

  • 2015

  • Maison Tangible — Lip

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  • 2015

  • Maison Tangible — Lip

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I collect Lip watches, especially the models of the 1970’s designed by Rudi Meyer and Roger Tallon. When my friend Aurélien Jeanney created, with Mathieu Blondeau, Maison Tangible, he first published a collection entitled Vesontio, an hommage to our city. Lip factory has an epic story here, and after a long absence, it came back to Besançon. This poster is an hommage to the iconic Lip logo, made with the silhouettes of watches. Available at Maison Tangible gallery, in Paris.

  • 2015

  • Les 2 Scènes — Programme

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  • 2015

  • Les 2 Scènes — Programme

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Annual programme for the season 2015-2016 of Les 2 Scènes. 80 p.

  • 2014

  • Ici l’Onde — Programme

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  • 2014

  • Ici l’Onde — Programme

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Trimestrial programme of the 4th edition of the festival Ici l’Onde, organised by Why Note in Dijon.

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