Newspaper of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.

Annual programme for the season 2022-2023 of the Théâtre Paul Éluard, in Bezons.

Annual programme for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations). 80 p.

Annual programme for the season 2013-2014 of the Scène nationale de Besançon.

Trimestrials programme for Ici l’Onde, for the season 2015-2016. In 2015, Why Note wanted to go back to its punk-indie roots, and get rid of the spectacular photographic effects used in the posters of the previous editions. I proposed a fanzine-like layout, using voluntary offsets and misalignments.

Catalogue of the exhibition “Jean Puy (1876-1960), Plénitude d’un fauve”, Musée du château des ducs de Wurtemberg, April – September 2016. 80 p.

Artwork for Minor Noise, album of Besançon-based metal band Jack And The Bearded Fishermen. Photo by Quentin Coussirat. A 60 x 90cm is folded in the 33 rpm record sleeve. Vinyl & CD

This publication presents the architectural project of Adelfo Scaranello for the Musée des beaux-arts et d’archéologie de Besançon, which reopened in 2018. “From the outset, says Scaranello, one thing was clear: the convictions with which the architects Pierre Marnotte (1797- 1882) and Louis Miquel (1913-1986) had worked successively on this construction had gradually disappeared. […] Restoring the integrity of these architectures within a new project is not about historising but is a way of transforming the links between these two figures.” This 2nd volume shows the scenography of the Museum. Typeset in a modified version of GF Montserrat (OFL).
Photos by Nicolas Waltefaugle & Yohan Zerdoun. 56 p.

Annual programme for the season 2019-2020 of the Théâtre Paul Éluard, in Bezons.

Catalogue of the exhibition “Albert André (1869-1954), itinéraire d’un peintre réaliste”, Musée du château des ducs de Wurtemberg, April – Sept 2015. 64 p.

Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.

Annual programme for the season 2016-2017 of L’Étincelle, Théâtre de la ville de Rouen. The cover reveals the grid, inspired by the Canon de Villard de Honnecourt, dividing a 2/3 format. 104 p.