• 2014
  • Émergences — Journal

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  • 2014
  • Émergences — Journal

Newspaper of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.

  • 2022
  • TPE — Programme

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  • 2022
  • TPE — Programme

Annual programme for the season 2022-2023 of the Théâtre Paul Éluard, in Bezons.

  • 2012
  • MM — Archéologies contemporaines

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  • 2012
  • MM — Archéologies contemporaines

Catalogue of the exhibition “Archéologies contemporaines”, Musée du château des ducs de Wurtemberg, June – October 2012. 96 p.

  • 2003
  • VLAN!

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  • 2003
  • VLAN!

A non-rectangular catalogue of Cécile Meynier exhibition Vlan ! At the Château Pertusier. With Nicolas Bardey. 32 p.

  • Le Pavé dans la mare
  • 200 × 300 mm
  • Offset, CMYK
  • Empreinte Imprimeurs
  • Typeface: Garaje
  • art CMYK
  • 2013
  • Scène nationale de Besançon — Programme

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  • 2013
  • Scène nationale de Besançon — Programme

Annual programme for the season 2013-2014 of the Scène nationale de Besançon.

  • 2011
  • Ici l’Onde — Programme

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  • 2011
  • Ici l’Onde — Programme

Programme of the 2nd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 32 p.

  • 2012
  • Scène nationale de Besançon — Prologue

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  • 2012
  • Scène nationale de Besançon — Prologue

The visual identity of the Théâtre musical was based on an eye. In June 2012, the Scène nationale de Besançon joined two theatres, the Théâtre musical (Théâtre Ledoux, which interiors are all blue) and the Théâtre de l’Espace (all red), in one single institution. To communicate on this major change, I proposed to design a new identity in two spot colors, blue and red, and use anaglyphic glasses two see what’s happening in one place or the other: it was time to use both eyes. Text appears or disappears in the blink of an eye ! In the Pre-programme for the season 2012-2013, Nicolas Waltefaugle did a photo shoot in the stage decor workshop with the whole new team. Photographs are superposed too, to create mini-animations. 40,000 anaglyphic glasses were distributed with the booklets, and we even designed some fancy pairs with Adélaïde Racca. 32 pages

  • 2018
  • Les 2 Scènes — Programme

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  • 2018
  • Les 2 Scènes — Programme

Annual programme for the season 2018-2019 of Les 2 Scènes. The programme is developed in augmented reality : printed pages activate videos and online contents, via a specific app. 80 p.

  • 2019
  • TPE — Programme

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  • 2019
  • TPE — Programme

Annual programme for the season 2019-2020 of the Théâtre Paul Éluard, in Bezons.

  • 2011
  • Le Son en scène — Programme

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  • 2011
  • Le Son en scène — Programme

Programme of the 2nd edition of the festival Le Son en Scène, organised by Why Note in Dijon. 32 p.

  • 2010
  • Théâtre musical de Besançon — programme

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  • 2010
  • Théâtre musical de Besançon — programme

Annual programme for the Théâtre musical de Besançon. Nobody noticed, but the cover is a data visualisation of all th shows of the season, with the color code of the disciplines covered.

  • 2018
  • Étincelle — programme

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  • 2018
  • Étincelle — programme

Annual programme for the season 2018-2019 of L’Étincelle, Théâtre de la ville de Rouen. 104 p.

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