• 2013
  • Émergences — Journal

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  • 2013
  • Émergences — Journal

Newspaper of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.

  • 2022
  • TPE — Programme

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  • 2022
  • TPE — Programme

Annual programme for the season 2022-2023 of the Théâtre Paul Éluard, in Bezons.

  • 2012
  • Ici l’Onde — Programme

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  • 2012
  • Ici l’Onde — Programme

Programme of the 3rd edition of the festival Ici l’Onde, organised by Why Note in Dijon. 24 p.

  • 2003
  • VLAN!

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  • 2003
  • VLAN!

A non-rectangular catalogue of Cécile Meynier exhibition Vlan ! At the Château Pertusier. With Nicolas Bardey. 32 p.

  • Le Pavé dans la mare
  • 200 × 300 mm
  • Offset, CMYK
  • Empreinte Imprimeurs
  • Typeface: Garaje
  • art CMYK
  • 2011
  • Émergences — Journal

  • +
  • 2011
  • Émergences — Journal

Newspaper of the 4th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.

  • 2012
  • MM — Archéologies contemporaines

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  • 2012
  • MM — Archéologies contemporaines

Catalogue of the exhibition “Archéologies contemporaines”, Musée du château des ducs de Wurtemberg, June – October 2012. 96 p.

  • 2013
  • Scène nationale de Besançon — Programme

  • +
  • 2013
  • Scène nationale de Besançon — Programme

Annual programme for the season 2013-2014 of the Scène nationale de Besançon.

  • 2015
  • Ici l’Onde — Programmes

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  • 2015
  • Ici l’Onde — Programmes

Trimestrials programme for Ici l’Onde, for the season 2015-2016. In 2015, Why Note wanted to go back to its punk-indie roots, and get rid of the spectacular photographic effects used in the posters of the previous editions. I proposed a fanzine-like layout, using voluntary offsets and misalignments.

  • 2012
  • Scène nationale de Besançon — Programme

  • +
  • 2012
  • Scène nationale de Besançon — Programme

Annual programme for the season 2012-2013 of the Scène nationale de Besançon. An image never appears alone: two are superimposed, one in blue, the other in red, which creates surprising encounters. Despite the huge diversity of the iconography, often provided by the companies, this radical treatment gives a global consistency to the series. The programme is distributed with a pair of anaglyphic glasses, to animate texts and pictures in a glimpse of an eye. 132 p.

  • 2014
  • Entrevues — Programme

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  • 2014
  • Entrevues — Programme

Programme of the 29th Film Festival Entrevues Belfort. 180 p.

  • 2010
  • Le Son en scène — Programme

  • +
  • 2010
  • Le Son en scène — Programme

Programme of the 1st edition of the festival Le Son en Scène, organised by Why Note in Dijon. 32 p.

  • 2013
  • Entrevues — Programme

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  • 2013
  • Entrevues — Programme

For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface. The same thing happens with the images, which extend from one page to another, in a continuous thread. 180 p.

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