Annual programme for the season 2018-2019 of L’Étincelle, Théâtre de la ville de Rouen. 104 p.

Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.

Pre-programme of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space.

Programme of the 1st edition of the festival Le Son en Scène, organised by Why Note in Dijon. 32 p.

Pre-programme Poster of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space.

Booklet of the exhibition « De Vesontio à Besançon, la ville s’expose ». Collectif Territoires, avec Nicolas Bardey, Maud Buergo, Christophe Gaudard, Pascaline Minella, Yves Morel, Agences Territoires.

Catalogue of the exhibition “Mandeure : vies d’un sanctuaire”, Musée du château des ducs de Wurtemberg, June – October 2012. 152 p.

In the first seasonal program of the Théâtre musical, special care is given to the texts: I proposed to keep a "literary" aspect, by grouping the photographs in a separate quire. Printed on a different paper, it offers another, transversal reading of the season. In the interior pages, the colored pads identify the register: Theater, Dance, Opera, etc.

For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface. The same thing happens with the images, which extend from one page to another, in a continuous thread. 180 p.

Annual programme for the season 2018-2019 of the Théâtre Paul Éluard, in Bezons.

Programme of the 2nd edition of the festival Le Son en Scène, organised by Why Note in Dijon. 32 p.

Annual programme for the Théâtre musical de Besançon. Nobody noticed, but the cover is a data visualisation of all th shows of the season, with the color code of the disciplines covered.