Catalogue of the exhibition “Mandeure : vies d’un sanctuaire”, Musée du château des ducs de Wurtemberg, June – October 2012. 152 p.

For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface. The same thing happens with the images, which extend from one page to another, in a continuous thread. 180 p.

Identity and flyer for the exhibition of the Type Directors Club at ECV Paris, 2013. Typeset in Garaje, in various weights, widths and sizes, and one single stroke.

Programme of the 1st edition of the festival Le Son en Scène, organised by Why Note in Dijon. 32 p.

Annual programme for the Théâtre musical de Besançon.

Annual programme for the season 2016-2017 of L’Étincelle, Théâtre de la ville de Rouen. The cover reveals the grid, inspired by the Canon de Villard de Honnecourt, dividing a 2/3 format. 104 p.

Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.

Annual programme for the season 2018-2019 of the Théâtre Paul Éluard, in Bezons.

Catalogue of the exhibition “Albert André (1869-1954), itinéraire d’un peintre réaliste”, Musée du château des ducs de Wurtemberg, April – Sept 2015. 64 p.

Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

Programme of the 2nd edition of the festival Le Son en Scène, organised by Why Note in Dijon. 32 p.

Pre-programme of the 3rd edition of Musiques de Rues, a festival of contemporary brass bands and artistic interventions in public space.