• 2016
  • Étincelle — programme

  • +
  • 2016
  • Étincelle — programme

Annual programme for the season 2016-2017 of L’Étincelle, Théâtre de la ville de Rouen. The cover reveals the grid, inspired by the Canon de Villard de Honnecourt, dividing a 2/3 format. 104 p.

  • 2002
  • ANRT poster

  • +
  • 2002
  • ANRT poster

Call for applications poster of the Atelier national de recherche typographique, Nancy.

  • Atelier national de recherche typographique, Nancy
  • 1200 × 800 mm
  • Silkscreen, 3 colors
  • Dubois Imageries, Orléans
  • Typeface: Newut
  • black & white gradient
  • 2011
  • Hangar 23

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  • 2011
  • Hangar 23

Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. The theater is located on the port of Rouen, surrounded by (and partly built with) containers. These containers inspired the visual identity of the theater : the wordmark is set in a special weight of Garaje 0703 Monospace Black, in a frame that takes the shape of the facade of the building.

  • 2010
  • Théâtre musical de Besançon — programme

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  • 2010
  • Théâtre musical de Besançon — programme

Annual programme for the Théâtre musical de Besançon. Nobody noticed, but the cover is a data visualisation of all th shows of the season, with the color code of the disciplines covered.

  • 2017
  • Les Figures de l’auteur

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  • 2017
  • Les Figures de l’auteur

Seminar given at ANRT Nancy on Oct. 26, 2017. About revival, litterature and autorship. With John Downer, Miguel de Cervantès, Paul Auster, Jorge Luis Borges, Roland Barthes, Michel Foucault, Le Corbusier and a dog. ANRTABCD, Letter A

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2017
  • Knuth Vs. Hofstadter

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  • 2017
  • Knuth Vs. Hofstadter

In 1982, few months after the publication of Donald Knuth article The Concept of a Meta-Font, Visible Language publishes Meta-Font, Metamathematics, and Metaphysics : Comments on Donald Knuth’s « The Concept of  a  Meta-Font », by Douglas Hofstadter, an american professor of cognitive sciences. His remarks bring nuances to Knuth’s conclusions, addressing the problem from another point of view. His investigations in typography, in the field of artificial intelligence, subsequently appeared in the Letter Spirit project, where he tried to develop a program that is capable of developing an entire alphabet from a few seed letters, based on a very coarse grid. Years later, when the concepts of parametric fonts, AI and deep learning applied to type design reappeared, Hofstadter’s ideas are still relevant. Talks (FR / EN) given in Istanbul during Istype 2017, on June 10, and at the Fonderie de l'image in Paris, on November 13, 2018. ANRTABCD, Letter K

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2010
  • La Rodia

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  • 2010
  • La Rodia

Logotype and custom typeface of La Rodia, concert hall in Besançon.

  • 2014
  • Hangar 23 — Programme

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  • 2014
  • Hangar 23 — Programme

Annual programme of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music.

  • 2013
  • Entrevues — Programme

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  • 2013
  • Entrevues — Programme

For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface. The same thing happens with the images, which extend from one page to another, in a continuous thread. 180 p.

  • 2015
  • Hangar 23

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  • 2015
  • Hangar 23

Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.

  • 2014
  • Automatic Type Design 1

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  • 2014
  • Automatic Type Design 1

Curation and organisation of the ANRT conference Automatic Type Design. ARTEM Campus, Nancy (France), May 6, 2014. With Jacques André (FR), Johannes Bergerhausen (DE), Frederik Berlaen (BE), Erik Van Blokland (NL), Simon Egli (CH), Alice Savoie (FR), Richard Southall (UK)… Design and website by Thomas Bouville. Automatic Type Design

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
  • 2020
  • Gutenberg Vs Dr. Infinity

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  • 2020
  • Gutenberg Vs Dr. Infinity

On typography, pornography and infinity. Seminar given online during the Covid-19 confinement, on May 1st, 2020. With Johannes Gutenberg, Johannes Fust, Peter Schoeffer, George D. Widener, Vito Aras AKA Dr. Infinity AKA Vytautas Kerbelis, Lem & John Amaro. ANRTABCD, Letter X

  • Atelier national de recherche typographique, Nancy
  • Typeface:
  • ANRT
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