Poster of the 7th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Varnish. Selected in Chaumont design graphique festival.
Poster of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. Typeset in a custom weight of Garaje, Ultra Black.
A series of trimestrials posters for Ici l’Onde, for the season 2015-2016. Posters are printed in duotone, plus one big picture on the back, which appears when backlit. Spectacular solid colors are used : reflex blue, warm red, chrome, gold or copper.
In October 2014, The Scène nationale de Besançon became Les 2 Scènes : two theaters, l’Espace and le Théâtre Ledoux, joined in a single institution. The Posters of the season 2014-2015 are made with the same typefaces and color palette, with 2 rectangles moving in the format.
Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. In 2015, the theater moved to a completely different place : a beautiful baroque chapelle. The identity evolved, introducing metallic colors and rounded shapes.
Annual poster of Hangar 23, a theater in Rouen dedicated to dance, theater, circus and world / urban music. The theater is located on the port of Rouen, surrounded by (and partly built with) containers. These containers inspired the visual identity of the theater : the wordmark is set in a special weight of Garaje 0703 Monospace Black, in a frame that takes the shape of the facade of the building.
Annual poster for the season 2018-2019 of Les 2 Scènes. Developed in augmented reality : the printed poster activate a video and online contents, via a specific app. Selected in Chaumont design graphique festival
All the posters of the Theater are constructed from circles, in 2 colors. These abstract compositions evoke, rather than illustrate, the works. The solid colors correspond to the different disciplines.
Poster of the first edition of the festival Émergences, a week dedicated to young creation in Besançon. The initial budget was so small that I proposed not to print the programme, and put it on the poster itself. The identity and logotype has a newspaper look, printed in black on recycled paper.