• 2018
  • 13th hommage to Morteza Momayez

  • +
  • 2018
  • 13th hommage to Morteza Momayez

Poster for Thomas Huot-Marchand solo exhibition at the Iran Artists Forum in Tehran, in November 2018.

  • 2021
  • Les 2 Scènes — Saison 21-22

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  • 2021
  • Les 2 Scènes — Saison 21-22

Posters for the season 2021-2022 of Les 2 Scènes. In collaboration with Jochen Gerner

  • 2019
  • Les 2 Scènes — Saison

  • +
  • 2019
  • Les 2 Scènes — Saison

Annual poster for the season 2019-2020 of Les 2 Scènes, in collaboration with Jochen Gerner (illustrations).

  • 2020
  • Les 2 Scènes — Saison 20-21

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  • 2020
  • Les 2 Scènes — Saison 20-21

Posters for the season 2020-2021 of Les 2 Scènes. Illustrations by Jochen Gerner

  • 2010
  • Safari Fourier — Posters

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  • 2010
  • Safari Fourier — Posters

Besançon is the birthplace of utopian socialism : Fourier, Proudhon or Victor Hugo were born here, and, in the 20th Century, huge strikes and social movements tried to implement ideas for a new society. In 2010, I was commissioned by the City to create a work of art in tribute to this historic heritage. I proposed a series of posters that would be installed on all of the city's billboards for a week. These posters expose the theories of Charles Fourier (1772-1837) and the “Théories des quatre mouvements et des destinées générales”. During the day, they show our current society. At night, when the poster is backlit, they show society as Fourier dreamed it. In collaboration with Elsa Maillot.

  • 2022
  • Bordures 2022

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  • 2022
  • Bordures 2022

Poster for the 2022 edition of BORDURES Festival in Langon.

  • 2016
  • Les 2 Scènes — Moire poster

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  • 2016
  • Les 2 Scènes — Moire poster

Posters for the season 2015-2016 of Les 2 Scènes. Each copy of the poster is unique : During screen printing, each sheet is slightly offset with each pass, producing a new moiré effect. Another funny game we played with my friends at Lézard graphique.

  • 2018
  • Kantia — Artha 2

  • +
  • 2018
  • Kantia — Artha 2

The incessant storms of the 18th century defeated the natural defenses that were protecting the city of Saint-Jean-de-Luz. In the middle of the 19th century, Napoleon III ordered the construction of dykes in Socoa, Sainte Barbe et Artha, that have been part of the landscape since the 20th century. Nicolas Waltefaugle's photographs show the relentless fight of these constructions against the ocean. They are printed in 2 colors, matt black and a spectacular chrome ink, exclusive to Lézard graphique silkscreen workshop, which reflects light like a mirror. The series of 8 posters (5 landscape and 3 portrait formats) are available at www.kantia.eu

  • Kantia, éditeur d’images
  • 500 × 700 mm
  • Silkscreen, 2 colors
  • Lézard graphique
  • Typeface:
  • Metallic duotone Kantia
  • 2020
  • TPE — poster

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  • 2020
  • TPE — poster

Poster for the season 2020-2021 of the Théâtre Paul Éluard, in Bezons.

  • 2009
  • Mégaphone

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  • 2009
  • Mégaphone

Poster of the 1st edition of the festival Mégaphone, organised by Why Note and Zutique associations in Dijon. Typeset in a custom weight of Garaje, Ultra Black.

  • 2013
  • Émergences

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  • 2013
  • Émergences

Poster of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. Matt Black + Gloss Black. Selected in Chaumont design graphique festival.

  • 2018
  • Kantia — Artha

  • +
  • 2018
  • Kantia — Artha

The incessant storms of the 18th century defeated the natural defenses that were protecting the city of Saint-Jean-de-Luz. In the middle of the 19th century, Napoleon III ordered the construction of dykes in Socoa, Sainte Barbe et Artha, that have been part of the landscape since the 20th century. Nicolas Waltefaugle's photographs show the relentless fight of these constructions against the ocean. They are printed in 2 colors, matt black and a spectacular chrome ink, exclusive to Lézard graphique silkscreen workshop, which reflects light like a mirror. The series of 8 posters (5 landscape and 3 portrait formats) are available at www.kantia.eu

  • Kantia, éditeur d’images
  • 700 × 500 mm
  • Silkscreen, 2 colors
  • Lézard graphique
  • Typeface:
  • Metallic duotone Kantia
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