For the visual identity of the Film Festival Entrevues Belfort, I typographically tranposed the name of the event, inter-views, in a very literal way. This to evoke, of course, the cinematographic film.
Letters are cropped between multiple lines : I used the Open Source fonts League Gothic, by the League of Moveable Type, as a base for the all-caps custom typeface. The same thing happens with the images, which extend from one page to another, in a continuous thread. 180 p.

This publication presents the architectural project of Adelfo Scaranello for the Musée des beaux-arts et d’archéologie de Besançon, which reopened in 2018. “From the outset, says Scaranello, one thing was clear: the convictions with which the architects Pierre Marnotte (1797- 1882) and Louis Miquel (1913-1986) had worked successively on this construction had gradually disappeared. […] Restoring the integrity of these architectures within a new project is not about historising but is a way of transforming the links between these two figures.” This 1st volume shows the museum empty spaces, during the construction. Typeset in a modified version of GF Montserrat (OFL).
Photos by Nicolas Waltefaugle & Yohan Zerdoun. 56 p.

Annual programme for the season 2016-2017 of L’Étincelle, Théâtre de la ville de Rouen. The cover reveals the grid, inspired by the Canon de Villard de Honnecourt, dividing a 2/3 format. 104 p.

Annual programme of Hangar 23. Headlines are set in special weight of Garaje 0703 Monospace Black, including bouncing alternates and superscripts.

Booklet of the exhibition « De Vesontio à Besançon, la ville s’expose ». Collectif Territoires, avec Nicolas Bardey, Maud Buergo, Christophe Gaudard, Pascaline Minella, Yves Morel, Agences Territoires.

Programme of the 2nd edition of the festival Émergences, a week dedicated to young creation in Besançon.

Catalogue of the exhibition “Albert André (1869-1954), itinéraire d’un peintre réaliste”, Musée du château des ducs de Wurtemberg, April – Sept 2015. 64 p.