Thomas Huot-Marchand designs bespoke typographic solutions for brands and institutions seeking to strengthen their visual identity. His research expertise allows him to advise and support both clients and creative teams on typographic history, technology, and concepts.
- 2013
Émergences — Journal
- 2013
Émergences — Journal
Newspaper of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. 16 p.
Antique Étroite is first a metal type that I discovered in the typography workshop of the School of Fine Arts of Besançon, where I studied. It is part of the numerous anonymous sans serifs, of unknown origin, of the beginning of the XXth century. Its design is far from perfect, but it is precisely these imperfections that I like: odd proportions, unconsistency, which produce an interesting flavour that I wanted to restore in digital form. I adapted the 60pt size, before noting that the different sizes of the family presented huge differences: a lack of coordination in its development, less systematic in the techniques of the time. I therefore digitized all the sizes, respecting the errors and approximations of the sources. Unpublished
The poster for the 2012 edition is a photograph of a luminous text projected on a smoke screen.
- 2009
Émergences — programme
- 2009
Émergences — programme
Programme of the 2nd edition of the festival Émergences, a week dedicated to young creation in Besançon.
Posters of the 2nd edition of the festival Émergences, a week dedicated to young creation in Besançon.
Poster of the 5th edition of the festival Émergences, a week dedicated to young creation in Besançon. Black + Gloss varnish. Selected in Chaumont design graphique festival.
Posters of the 3rd edition of the festival Émergences, a week dedicated to young creation in Besançon.
- 2013
Émergences — Posters
- 2013
Émergences — Posters
Gig posters of the 6th edition of the festival Émergences, a week dedicated to young creation in Besançon. Illustrations by Renaud Vigourt
The photography for the 2013 edition attempts to capture the movement of ink, diluted in water, which escapes from the text.
Posters of the 3rd edition of the festival Émergences, a week dedicated to young creation in Besançon.
For the identity of the festival Ici l’Onde, organised by Why Note in Dijon, I decided not to use any vectors or fonts, and use photography instead. The poster for the 2011 edition is the result of a complex setup, in which I sought to capture the reflection of the text on the water.
Flyer for La Cope, a cooperative shop run by students at the school of fine arts in Besan çon. Typeset in Antique Étroite.
next page
